In the late 70's when I first started venturing from New York City to Los Angeles for screen tests and my sorry ass attempt at stand up, it was difficult to find community outside the wacky nightlife of the Improv Club. My appearances there, under Budd Friedman's generous aegis, were an evening out and conversation piece for my agents at William Morris, who were trying desperately to get me off that stage and into a nice little sitcom. Meantime, they used my appearances to lure Norman Wexler, the gifted screenwriter of "Saturday Night Fever" fame, severely manic-depressive, into signing with them. When he wasn't locked up, Norman was my biggest fan.
I tried hard to fit into this world, but as the only ingenue comedienne in a world of compulsive male comics, or female comics who delivered jokes like compulsive male comics, I was a she-maverick by design. When I wasn't onstage struggling not to slip in Robin Williams' sweat, or straining to milk laughs from Gary Shandling's exhausted audience, I'd be in the bar either waiting to go on, or to wind down and assess the disaster of my newest bits.