A Celebration of Chefs and Others

Though I am not a foodie, I like watching chefs on TV. They are the new "rock stars" and their antics are often equal amounts amusing, terrible and inspirational (in the kitchen, that is). It's hard to imagine a city's food lovers more connected to a chef than Los Angeles is to Ludo Lefebvre. Trying to get a reservation to his tri-annual, 6-week pop-up restaurant is harder than getting VIP passes backstage to U2. (I'm guessing, but I don't think I'm far off.) When out dining in LA, the conversation, if you're with passionate diners, inevitably turns to the hottest local chefs and eventually to LudoBites - how many you've been to (3), which incarnations (3.0, 4.0 and 6.0) and how much time/how many computers you had running trying to get one of the elusive reservations on OpenTable…before it crashed for those trying to get into 5.0 and 6.0. This last time for 007 (back downtown at Gram & Papas), it went off without a hitch – that is if you got into the system in the first 2 minutes, which by the grace of God my Man did.

It's probably unfathomable to those living outside our city – which is known for its over-hyping everything (see Carmageddon) – why people are so rabid to get into LudoBites. For all the great press he receives from local bloggers and a certain section of the food press, there's equal derision by more traditional outlets that seem to feel that if he is such a great chef he should have his own restaurant. That the "pop-up" thing is just a ploy to make him famous for fame's sake instead of for the quality and creativity of his food. All I can say to that is he's been cooking since he was 14 (he's currently 39) in some of the best French restaurants in the world, so the man has skills. Whether you like how he constructs his plates and flavors, well that's up to you.

Francois Truffaut has been famously quoted about the process of making a movie being similar to a wagon train crossing the country.  You start out the journey with high hopes and the spirit of adventure and halfway through, you just want to get there alive.

That’s pretty much what my journey with cooking has been like.  I seduced my husband with duck breast and wild rice pancakes with apricot sauce.  That was nothin’.  I really loved to cook.  People were always surprised by that and I was always surprised they were surprised.  What? Women in comedy can’t cook?  Every Hungarian Jewish woman has to be a good cook. It’s biological destiny.

When I was 15 years old I went to Royce Hall at UCLA to see Marcel Marceau.  I really hate admitting that because people razz me about it all the time, but honestly, I was dazzled by what I saw. The idea that you could make people laugh without uttering one word fascinated me.  Seeing him play the strong man in the circus and give the illusion of holding an enormous barbell as he bends all the way back to the ground, or “walkeeng against zee weend”, or being trapped in ‘zee box’, just blew me away man.

I don’t know what gave me the balls to do this, but I went backstage. After gushing for 5 minutes I asked him if he could recommend someone in Los Angeles who could teach me the technique. Let me first say, that when he opened his mouth and spoke, out came a high-pitched, reedy voice. He chose the right trade. But the guy was so kind and gracious. He told me that Richmond Shepard was a former student of his and a good teacher. 

A few years ago I became a head chef flunky at the Culinary Stage of the Los Angeles Times Book Festival. It was a way to keep up my prep cook skills, meet some heroes (Suzanne Goin, Lidia Bastianich, Martin Yan, Mary Sue Milliken & Susan Feniger, Govind Armstrong, Nancy Silverton) and TV star chefs (Giada DeLaurentiis, Tyler Florence, Dave Lieberman, Cat Cora). The stage’s consulting producer, Michael Weisberg, took a leap of faith and allowed me to bring along Patricia Zarate and a few of her girls from the Homegirl Cafe to assist the celebrity chefs. This will be their third year at the Culinary Stage.