A Celebration of Chefs and Others

More than thirty years ago I met John Takach, a retired small bluecollar bar and restaurant owner from Cleveland visiting his doctor son in Maine. He was rumored to be a gruff, remote  man so I was nervous. It was a beautiful warm August day when he arrived with his heavy vintage suitcase. After introducing myself and telling him how I had been looking forward to meeting him he looked at me and said, let's cook, I have much to teach you!

We were instant friends, as we picked cucumbers and told stories. That day is burned in my mind, we talked about the story of his life and love that he insisted on sharing with me. We chopped and sautéed and talked about life in the old country and coming to America. That night there was to be a gathering at his son’s house and we were expected to make a real Hungarian feast. He had brought along many brown wrapped packages filled with smoked hunks of fat, loops of freshly made sausages, good Hungarian paprika, and a special jug of Whiskey.

Millions of people all over the world will open a restaurant menu today. They will look at menus for the food and the price and make their selection, then the menu will lay on the table, ignored, an annoyance taking up elbow space.

Not so for Jim Heinmann, whose new book Menu Design in America: 1850-1985 (Taschen) asks that you set aside the hunger pangs and examine the menu, admire its design. Heimann’s book made its appearance at one of the best-catered signings in recent history. Delicacies and drinks provided by Taschen’s Beverly Hills store’s glamorous neighbors: Mr. Chow, Spago, The Cheese Story Beverly Hills, Vosges Haut Chocolate, The Spare Room and Remy U.S.A.

The dress code was country club casual. I was struck by a number of women with seventy-year old hands and faces as smooth as river stones in pretty summer dresses, light layers of lavender and other gentle shades of purple daringly accented with a coral pink or chartreuse accessory.  Their hair was sparse with age but coiffed into cotton candy halos. It was all very Palm Beach or Palm Springs on Easter Sunday, or Beverly Hills before black became de rigueur. None of them smoked, not upstairs at the open-air bar or out on the clean, expansive sidewalk, but their hushed, hoarse voices betrayed a secret habit, some sweet vice recently abandoned.

Shortbread is simply the most delicious biscuit ever conceived by mankind (though I suspect womankind had more to do with it!).

It would be blasphemy to call shortbread a "cookie". It is, truly, a BISCUIT!

As with all simple things, it is NOT easy to make, so I suggest you try this out on yourself or the family before you present it at afternoon tea to strangers.

Here is my Mother's recipe (I can not refer to that sainted lady and not capitalize - sorry, America!)

Alton Brown's 18-Carrot Cake

While the name of this cake is 18-Carrot Cake, there are not eighteen carrots in here, nor does it refer to gold in any way, Alton Brown just liked the name.

I make carrot cake every year for my husband's birthday, it's his favorite.  And every year, I make a different recipe for no other reason than to just try another variation.  Why not? This one was quite excellent with a very refined texture.  I love Alton Brown and the science background he puts behind every recipe.  His cookbook goes into deep explanations as to how and why we mix, stir, beat etc.  If you are interested, it's worth the read and gives you reason for doing the things we do in the kitchen.  I like that.

I have always believed many baking failures occur because of mis-measurement of ingredients and over-mixing errors.  I love that Alton's cookbooks give a weight and volume measurement for every ingredient.  I decided to even weigh my spices this time around and it was eye-opening to see how "off" measuring spoons can be in reference to what a certain ingredient should weigh.