A Celebration of Chefs and Others

I’m not really a baker.  I make perfect oatmeal cookies (once every three years), perfect chocolate chip cookies (if really bored – Laraine Newman thinks the Joy of cooking recipe is the best, I just use the one on the back of the Nestle’s chocolate bits bag) The secret to chocolate chip cookies is fresh nuts, if you ask me, the quality of the pecans or the walnuts, changes the equation.  Sometimes, if I’m feeling really wild, I’ll make butterscotch chip cookies, same recipe, but butterscotch bits instead of chocolate and totally delicious.

I went through a phase where I made bread (when I was at boarding school in Vermont and there was a Country Store down the road that sold 100 varieties of flour from the grist mill down the road) so it was sort of hard to resist.  And we didn’t have a television, but we had a kitchen in our dorm with a sweet old Wedgwood stove and somehow, the smell of bread, and an occasional roast chicken, made it feel somewhat more like home.  But I can’t really find good flour any more and fresh baguettes abound.

In 1944, Ella Mae Morse had a hit single that began:

Milkman, keep those bottles quiet
Can’t use that jive on my milk diet

That was before my time, but in the ’50s and ’60s the milkman came to our house three times a week, leaving bottles of milk on the back stoop and taking away the empties. The glass bottles would clink in the milkman’s wire basket – a gentle sound I took as a music cue to start my homework.

When I was 15 years old I went to Royce Hall at UCLA to see Marcel Marceau.  I really hate admitting that because people razz me about it all the time, but honestly, I was dazzled by what I saw. The idea that you could make people laugh without uttering one word fascinated me.  Seeing him play the strong man in the circus and give the illusion of holding an enormous barbell as he bends all the way back to the ground, or “walkeeng against zee weend”, or being trapped in ‘zee box’, just blew me away man.

I don’t know what gave me the balls to do this, but I went backstage. After gushing for 5 minutes I asked him if he could recommend someone in Los Angeles who could teach me the technique. Let me first say, that when he opened his mouth and spoke, out came a high-pitched, reedy voice. He chose the right trade. But the guy was so kind and gracious. He told me that Richmond Shepard was a former student of his and a good teacher. 

I was recently given a gift of an out of print cookbook called The Molly Goldberg Cookbook.  When I first saw it I was amused and when I opened it up, I immediately saw a cabbage recipe I wanted to make. Score! Here was a cookbook that had that “Through The Looking Glass” aspect to it. These were recipes long forgotten, mysterious in their 1950-ness, soon to be resurrected by me!

I had a faint notion of who Molly Goldberg was; however, despite the constant ‘jokes’ in my house about my age I was actually too young to have seen The Goldbergs on TV. It still amazes me that I saw Amos n’ Andy. The premise of this prototype for all subsequent sit-coms was the lives of Jewish immigrants, usually featuring a solvable family or friend-related problem.  Molly, in her infinite “Jewish Mama” wisdom would involve herself in these neighborhood and family dramas dispensing invaluable advice.