A Celebration of Chefs and Others

When I was 15 years old I went to Royce Hall at UCLA to see Marcel Marceau.  I really hate admitting that because people razz me about it all the time, but honestly, I was dazzled by what I saw. The idea that you could make people laugh without uttering one word fascinated me.  Seeing him play the strong man in the circus and give the illusion of holding an enormous barbell as he bends all the way back to the ground, or “walkeeng against zee weend”, or being trapped in ‘zee box’, just blew me away man.

I don’t know what gave me the balls to do this, but I went backstage. After gushing for 5 minutes I asked him if he could recommend someone in Los Angeles who could teach me the technique. Let me first say, that when he opened his mouth and spoke, out came a high-pitched, reedy voice. He chose the right trade. But the guy was so kind and gracious. He told me that Richmond Shepard was a former student of his and a good teacher. 

Working for a food magazine, your life pretty much revolves around eating and drinking. Not as much as people might think, but more than the average person in America. I am more of an oenophile than a foodie, but I know great food when I taste it. It’s food that lingers in your imagination for days after the experience and that you just can’t seem to stop telling other people about. Flavors that come right back to you, when you think about THAT bite and how surprisingly delicious it was. It doesn’t have to be fancy to be memorable, but true culinary genius is, like most talents, not a common thing - the theme of this sweet and sumptuous little film.

Sure it has big backers behind the scenes - anyone heard of Oprah and Spielberg? - but the story of a young Indian chef on his path of culinary self-discovery is simple, funny and heartfelt and will leave you hungry for more. Forced by tragedy to leave India, Hassan Kadam and his family find themselves in the small village of Saint-Antonin-Noble-Val in the south of France. The locals don’t know what to make of the family and they certainly are not necessarily lining up to enjoy their Indian cuisine, but the family refuses to give up and slowly begins to make headway in the village.

Though he has no formal training Hassan, who learned everything he knows about taste and spices from his mother, is made the chef of the family restaurant, Maison Mumbai. The family’s loud and ethnic presence makes their direct neighbor Madame Mallory, the chef/owner of a Michelin-starred restaurant Le Saule Pleureur, very, very unhappy. What ensues for the first half of the film is a comic War of the Roses with both sides trying to make the others’ lives miserable, while gaining business for themselves.

I’d just finished writing my memoir Siren's Feast, An Edible Odyssey, a coming of age tale filled with recipes from my Armenian youth, my vegetarian restaurant on the island of Ibiza and various exotic locales I’d spent time in. 

When I first told people I had written an autobiographical cookbook, they offered perplexed looks.    

“A what?” was the usual response.

An editor at a large publishing house told me my combination autobiography/cookbook was not feasible for a large bookstore display.    

“Where would it be placed?” she asked.  “In the cookbook section?  With the travel writing?  The biographies?”

“Put it everywhere,” I told her.  “People will figure it out.”

My twin brother’s name is Paul Newman and when we were growing up in Beverly Hills in the 1960s, because Paul had his own phone line, and because he was listed in the phone directory, we often got calls from fans thinking it was the home of the movie star. When you’re a teenager and you’re desperate for something to feel superior about, this fit the bill quite nicely.

“How could they possibly think he’d be listed?” we’d scoff. 

I never had a crush on Paul Newman, the movie star. He was no David McCallum, that’s for sure.  But I could certainly appreciate what a good actor he was. After seeing him in Slapshot, The Verdict, Absence of Malice, Sometimes A Great Notion and The Hudsucker Proxy (the funniest I’d ever seen him) I was an admirer.