A Celebration of Chefs and Others

Before Julia there was Dione – Dione Lucas.  Well, actually for me, Dione came after my early marriage attempts at Mastering the Art of French Cooking. I signed up for Lucas’ Le Cordon Bleu class that was being held in the back of a gourmet houseware’s store in New York.  It may have been the last class she taught, as we all knew she was quite ill.  She was distracted, grumpy, utterly impatient and divine. She was also usually tipsy on Calvados, and I was her pet student.  

I was excited by the opportunity to study under her and I joyfully strived to be perfect at each stage and I guess she noticed, though it was not that difficult to achieve ‘Pet” status, as the other ladies basically sucked at their half-hearted efforts.  My favorite sucky moment was when an Upper East Side Idle Grand Dame (I was living in a five flight walk-up painter’s loft near SoHo) brought in a half pound of saffron that her servants located at a pharmacy.  We had to provide our own ingredients for our recipes; Hers called for saffron. (A pinch already!) When we finished cooking, we were permitted to take the results home.  She, however, could not, as “cook would be vexed.” One must never, NEVER vex a cook!

Dionne’s favorite ingredients were Red Currant Jelly and the aforementioned Calvados, which she used on everything.  By the way, both work wonderfully.

Eating alone is a trying thing for some people, writing cooking and eating off as products of a banal bodily necessity. I love to eat and cook alone, using the kitchen as an improvisational laboratory to experiment with recipe ideas, flavor combinations, and cooking techniques. MFK Fisher, a witty food writer with a fluid, deeply expressive writing style bursting with gastronomic knowledge, shared my passion. She was one of the best food writers out there, blurring the lines between the genres of food anthropology, ecology, travel literature, and cooking.

Simply put, she made being a foodie cool long before it was fashionable. Her great strength as a writer is her ability to drag you into her prose to taste, smell, and feel your way through her experiences in and around the kitchen. Mary Frances was not afraid to dine alone, in fact she loved it, and one short and sweet chapter of her An Alphabet for Gourmets sums up her point of view. “It took me several years of such periods of being alone to learn how to care for myself, at least at table. I came to believe that since nobody else dared feed me as I wished to be fed. I must do it myself, and with as much aplomb as I could muster.” In regards to eating alone, I have taken a page from her book, and as a result treat myself to lavish meals regularly.

I think it must be old age. Once upon a time, when a new restaurant opened, my wife, Peggy, and I were the first in line. We would fight for a reservation, make sure to try the newest new thing, and then tell everyone we knew about our latest dining adventure. We just don’t do that all that much anymore. Maybe we have gotten old.

What we like to do now is eat with friends – the chefs, owners, waiters and bartenders who we have gotten to know because we eat so often at their restaurants.

We have made many friends at restaurants over the last few years. One of our friends is Eric Greenspan, the chef and owner of The Foundry on Melrose and The Roof on Wilshire. Peggy and I met Eric when we were taking a walk on Melrose one Sunday. We saw The Foundry, which was closed at that hour, but as we were looking through the window we heard a “May I help you” boomed from up the street. It was Eric coming to start prepping for the night.

We introduced ourselves and told him we were fans of his cooking from when he was at Patina. We used to go there when it was on Melrose, and we were lucky enough to twice sit at the chef’s table, where we got to watch Eric run his kitchen. Far and away the best theater experience we have ever had.

No one goes to Francois Kirkland’s house for dinner. Friends go there to dine.

What her husband, the photographer Douglas Kirkland’s studio is to him, the hub of his art, the capital city of his creativity, the kitchen is to Francois.

It is the stage she was born to dance on.

Being French helps.

At 19 she met and fell in love with Douglas who was in Paris shooting CoCo Chanel for Life Magazine. Dropping out of University to follow the tall, lanky, ultra sexy artist back to New York to be his young bride, it never occurred to her that she would spend so much of her life in a kitchen.

Or perhaps it did. Again, she’s French.

Cooking, though, is indeed her art form and Francois is a gifted artist.