A Celebration of Chefs and Others

Clementine, the great west-side L.A. charcuterie has amazing candies, too...

Ok, so I love Shirley Temple.  Anyone who thinks I’m a sap can eat me.  She was a genius.  There’s never been a child performer who could do what she did.  At the age of 3, she could sing, dance and act. 

When she uh, matured, one of the many things she did was a television show called Shirley Temple’s Storybook. It ran from 1958-1960. She did all the classics and even starred in some of them. 

As young as I was, I was aware of the schism between her matronly plumpness and the tight fitting costumes she squeezed into as she appeared as The Little Mermaid among others.  But, that never diminished my love for her.

Working for a food magazine, your life pretty much revolves around eating and drinking. Not as much as people might think, but more than the average person in America. I am more of an oenophile than a foodie, but I know great food when I taste it. It’s food that lingers in your imagination for days after the experience and that you just can’t seem to stop telling other people about. Flavors that come right back to you, when you think about THAT bite and how surprisingly delicious it was. It doesn’t have to be fancy to be memorable, but true culinary genius is, like most talents, not a common thing - the theme of this sweet and sumptuous little film.

Sure it has big backers behind the scenes - anyone heard of Oprah and Spielberg? - but the story of a young Indian chef on his path of culinary self-discovery is simple, funny and heartfelt and will leave you hungry for more. Forced by tragedy to leave India, Hassan Kadam and his family find themselves in the small village of Saint-Antonin-Noble-Val in the south of France. The locals don’t know what to make of the family and they certainly are not necessarily lining up to enjoy their Indian cuisine, but the family refuses to give up and slowly begins to make headway in the village.

Though he has no formal training Hassan, who learned everything he knows about taste and spices from his mother, is made the chef of the family restaurant, Maison Mumbai. The family’s loud and ethnic presence makes their direct neighbor Madame Mallory, the chef/owner of a Michelin-starred restaurant Le Saule Pleureur, very, very unhappy. What ensues for the first half of the film is a comic War of the Roses with both sides trying to make the others’ lives miserable, while gaining business for themselves.

There are times when I scrutinize my outfit before I leave the house, and find it absurdly, compulsively over-accessorized.  It’s then, as I grab my keys and prance out with red sneakers, mismatched bracelets, and a brooch shaped like a turnip, that I’ll find myself thinking of her.  Subtlety, in many things, is often advised; but I, heeding Anne of Green Gables, rarely listen.  If at a dinner party, after I’ve gone on and on to someone about a book they’ll probably never read, ignoring every attempt they make to escape me, she’ll just appear in my mind.  And often, when faced with a moral dilemma, like whether to leave the last bite of pie for the person I’m sharing it with, or to request that my upstairs neighbors stop rollerblading on the hardwood floor, I’ll ask myself:   

“What would Anne of Green Gables do?”

I once had a large collection of cookbooks. This was back in the days before every recipe by every chef in every language was available at the flick of a mouse. In those days we had books. When I’d buy a new cookbook I would read it cover to cover, like a novel.

From page one I was hooked into the intriguing cast of characters; then I’d fret over them as they were crushed, peeled, pounded and quartered and then unceremoniously plunged into hot oil or boiling water. Imagine my delight when they emerged, reborn, reshaped by their trial by fire, to make the world a richer, tastier place to live. We had books in those days.

Now I keep just a few relics that reside on two small shelves in my kitchen. I have only the beauties, the books that hold more than recipes, the ones that document — stain-by-stain — my development as a cook and a human. I kept Julia, of course — although I rarely open it; Feasts For All Seasons, by Andries De Groot, which was my first cookbook and still a source of inspiration; and then there is Marcella, whose books are as vital today as when I first discovered them.

I bought Classic Italian Cooking in 1976 — the first Knopf edition. No, I take it back — I didn’t buy it; someone gave it to me and I can’t remember who it was. Anyway, thanks, you changed my life.