A Celebration of Chefs and Others

When you enter the door at the Beverly Hills Cheese Store - the greatest cheese store in the U.S. of A. (419 N. Beverly Drive, Beverly Hills, California 90210), the first friendly face and voice you see and hear on your left will always be that of Cheese Wiz Sebastian Robin Craig working behind the counter like a whirling dervish -  unless he is jetting off to the cheese caves of Roquefort, France for a tasting; or Stockholm, Sweden to compose more jazz (go to iTunes for his latest CD “Volition”); or just kicking back and learning Russian.

When I was 15 years old I went to Royce Hall at UCLA to see Marcel Marceau.  I really hate admitting that because people razz me about it all the time, but honestly, I was dazzled by what I saw. The idea that you could make people laugh without uttering one word fascinated me.  Seeing him play the strong man in the circus and give the illusion of holding an enormous barbell as he bends all the way back to the ground, or “walkeeng against zee weend”, or being trapped in ‘zee box’, just blew me away man.

I don’t know what gave me the balls to do this, but I went backstage. After gushing for 5 minutes I asked him if he could recommend someone in Los Angeles who could teach me the technique. Let me first say, that when he opened his mouth and spoke, out came a high-pitched, reedy voice. He chose the right trade. But the guy was so kind and gracious. He told me that Richmond Shepard was a former student of his and a good teacher. 

This is an excerpt from the book "Clothing Optional: And Other Ways to Read These Stories" published by Villard.

We had just started Saturday Night Live, I was an apprentice writer, 24 years old and I felt intimidated.  Chevy was hysterically funny. So was John and Danny and Gilda and Franken. And Michael O’Donoghue, well, Michael O’Donoghue simply scared the shit out of me. So I stayed pretty much to myself.

One day I came to work, and on my desk was a framed cartoon. A drawing – no caption – of a drunken rabbi staggering home late and holding a wine bottle. And waiting for him on the other side of the door was his angry wife, getting ready to hit him with a Torah instead of a rolling pin. I had no idea who put it there. I started looking around and out of the corner of my eye I saw a white-haired man in his office, laughing.  He had put it there. That was the first communication I had with Herb Sargent– which was significant given that he never spoke and he gave me a cartoon that had no caption.

Though I am not a foodie, I like watching chefs on TV. They are the new "rock stars" and their antics are often equal amounts amusing, terrible and inspirational (in the kitchen, that is). It's hard to imagine a city's food lovers more connected to a chef than Los Angeles is to Ludo Lefebvre. Trying to get a reservation to his tri-annual, 6-week pop-up restaurant is harder than getting VIP passes backstage to U2. (I'm guessing, but I don't think I'm far off.) When out dining in LA, the conversation, if you're with passionate diners, inevitably turns to the hottest local chefs and eventually to LudoBites - how many you've been to (3), which incarnations (3.0, 4.0 and 6.0) and how much time/how many computers you had running trying to get one of the elusive reservations on OpenTable…before it crashed for those trying to get into 5.0 and 6.0. This last time for 007 (back downtown at Gram & Papas), it went off without a hitch – that is if you got into the system in the first 2 minutes, which by the grace of God my Man did.

It's probably unfathomable to those living outside our city – which is known for its over-hyping everything (see Carmageddon) – why people are so rabid to get into LudoBites. For all the great press he receives from local bloggers and a certain section of the food press, there's equal derision by more traditional outlets that seem to feel that if he is such a great chef he should have his own restaurant. That the "pop-up" thing is just a ploy to make him famous for fame's sake instead of for the quality and creativity of his food. All I can say to that is he's been cooking since he was 14 (he's currently 39) in some of the best French restaurants in the world, so the man has skills. Whether you like how he constructs his plates and flavors, well that's up to you.