This is an excerpt from the book "Clothing Optional: And Other Ways to Read These Stories" published by Villard.
We had just started Saturday Night Live, I was an apprentice writer, 24 years old and I felt intimidated. Chevy was hysterically funny. So was John and Danny and Gilda and Franken. And Michael O’Donoghue, well, Michael O’Donoghue simply scared the shit out of me. So I stayed pretty much to myself.
One day I came to work, and on my desk was a framed cartoon. A drawing – no caption – of a drunken rabbi staggering home late and holding a wine bottle. And waiting for him on the other side of the door was his angry wife, getting ready to hit him with a Torah instead of a rolling pin. I had no idea who put it there. I started looking around and out of the corner of my eye I saw a white-haired man in his office, laughing. He had put it there. That was the first communication I had with Herb Sargent– which was significant given that he never spoke and he gave me a cartoon that had no caption.

Eating alone is a trying thing for some people, writing cooking and eating off
as products of a banal bodily necessity. I love to eat and cook alone,
using the kitchen as an improvisational laboratory to experiment with
recipe ideas, flavor combinations, and cooking techniques. MFK Fisher,
a witty food writer with a fluid, deeply expressive writing style
bursting with gastronomic knowledge, shared my passion. She was one of
the best food writers out there, blurring the lines between the genres
of food anthropology, ecology, travel literature, and cooking.
I was with friends last night for an Italiam-themed potluck meal. My firend, Bobbie, brought a dessert she found in one of Michael Chiarello's cookbooks. Rosemary Sand Cake with Summer Berries is a light, lemony cake flecked with bits of fresh rosemary.
“Please don’t wake me from this dream!” I said out loud to my husband while eating the brilliant meal in front of me, prepared by my live-in chef. Uh-huh, you heard correctly. My private chef.