A Celebration of Chefs and Others

Sometimes we stumble upon books or products we just have to share. The Military Wives' Cookbook is a fascinating read on so many levels and the meals created are both delicious and timeless.

It is a collection of recipes, anecdotal stories, soldiers' letters home and vintage photographs tracing the history and unique contributions of American military wives. It recreates the scenes and foods that showcase the commitments and sacrifice that military wives have given the nation for more than two hundred years, beginning with the American Revolution.

The recipes are broken down into special events and daily menus, such as The Country Brunch. The entry for Strawberry Butter Spread begins with the following letter:

"An officer made me a miniature churn with a bottle and a little wooden dasher put through a cork. We were at the time marching each day farther and farther into the wilderness, but occasionally came to a ranch where there was a little cream...and as I sat under the tent-fly after we made camp, it was soon transformed into butter in the toy churn." -- Libby Custer

In 1944, Ella Mae Morse had a hit single that began:

Milkman, keep those bottles quiet
Can’t use that jive on my milk diet

That was before my time, but in the ’50s and ’60s the milkman came to our house three times a week, leaving bottles of milk on the back stoop and taking away the empties. The glass bottles would clink in the milkman’s wire basket – a gentle sound I took as a music cue to start my homework.

VICTORY!  SUCCES FACILE!  VITTORIA TOTALE!

Oh those personal chefs of Palm Beach – those white jacketed, croc-shod, Bluetooth-eared, clubby bunch that troll the aisles of our local supermarket! Is it simple envy that knowing they wield a knife better than I that has made me feel less than human as I wheel my cart past them? Probably. But, today there was victory!  Today, There was Deliverance! Equality – nay – Superiority! (They don’t have to know I usually cut my finger when I cut a bagel – and you don’t have to tell them!)

I am shopping for an intimate Moules Provençale dinner, and I am in a snit trying to find the shallots.  I humbly ask one of “them” if he knew where they stocked the shallots.  After a delicious amount of time wasted as he poked about the onions and garlic, we simultaneously found them among the potatoes.  “Thank you.”

Later he sought me out.  “I noticed you were buying shallots.  You must be a serious cook.”  (Excuse me, that is all it takes for a woman to appear ‘serious’ in Palm Beach!)

This is an excerpt from the book "Clothing Optional: And Other Ways to Read These Stories" published by Villard.

We had just started Saturday Night Live, I was an apprentice writer, 24 years old and I felt intimidated.  Chevy was hysterically funny. So was John and Danny and Gilda and Franken. And Michael O’Donoghue, well, Michael O’Donoghue simply scared the shit out of me. So I stayed pretty much to myself.

One day I came to work, and on my desk was a framed cartoon. A drawing – no caption – of a drunken rabbi staggering home late and holding a wine bottle. And waiting for him on the other side of the door was his angry wife, getting ready to hit him with a Torah instead of a rolling pin. I had no idea who put it there. I started looking around and out of the corner of my eye I saw a white-haired man in his office, laughing.  He had put it there. That was the first communication I had with Herb Sargent– which was significant given that he never spoke and he gave me a cartoon that had no caption.