Millions of people all over the world will open a restaurant menu
today. They will look at menus for the food and the price and make their
selection, then the menu will lay on the table, ignored, an annoyance
taking up elbow space.
Not so for Jim Heinmann, whose new book Menu Design in America: 1850-1985 (Taschen) asks that you set aside the hunger pangs and examine the menu, admire its design. Heimann’s book made its appearance at one of the best-catered signings in recent history. Delicacies and drinks provided by Taschen’s Beverly Hills store’s glamorous neighbors: Mr. Chow, Spago, The Cheese Story Beverly Hills, Vosges Haut Chocolate, The Spare Room and Remy U.S.A.
The dress code was country club casual. I was struck by a number of women with seventy-year old hands and faces as smooth as river stones in pretty summer dresses, light layers of lavender and other gentle shades of purple daringly accented with a coral pink or chartreuse accessory. Their hair was sparse with age but coiffed into cotton candy halos. It was all very Palm Beach or Palm Springs on Easter Sunday, or Beverly Hills before black became de rigueur. None of them smoked, not upstairs at the open-air bar or out on the clean, expansive sidewalk, but their hushed, hoarse voices betrayed a secret habit, some sweet vice recently abandoned.
I was with friends last night for an Italiam-themed potluck meal. My firend, Bobbie, brought a dessert she found in one of Michael Chiarello's cookbooks. Rosemary Sand Cake with Summer Berries is a light, lemony cake flecked with bits of fresh rosemary.
In the summer of 1966 I worked as a dishwasher in a summer camp near Hunter Mountain in upstate New York. This was in the pre-automatic dishwasher days meaning dirty dishes were dumped in a super hot sink of soapy water and washed and dried by hand. I used to come in around 6 a.m. to clean the breakfast pots and pans. Henry, a very tall, rail thin man who had been a cook in World War II in Europe, had gotten there at least an hour before me; I usually found him smoking a filterless cigarette and slowly beating powdered eggs and water in a huge stainless steel bowl or ladling out pancakes on the football field-size griddle.
Working for a food magazine, your life pretty much revolves around eating and drinking. Not as much as people might think, but more than the average person in America. I am more of an oenophile than a foodie, but I know great food when I taste it. It’s food that lingers in your imagination for days after the experience and that you just can’t seem to stop telling other people about. Flavors that come right back to you, when you think about THAT bite and how surprisingly delicious it was. It doesn’t have to be fancy to be memorable, but true culinary genius is, like most talents, not a common thing - the theme of this sweet and sumptuous little film.
Forty-seven-years-old and I could not remember the last time I cracked an egg. So it was a bit surreal to find myself standing with Ludo Lefebvre, a top chef, and have him ask me to separate dozens and dozens for a multi-course dinner for 80 people. I took a deep breath and secretly hoped I would not be the reason my wife’s nightmares about this evening would actually come true.
, began filming 