A Celebration of Chefs and Others

I once had a large collection of cookbooks. This was back in the days before every recipe by every chef in every language was available at the flick of a mouse. In those days we had books. When I’d buy a new cookbook I would read it cover to cover, like a novel.

From page one I was hooked into the intriguing cast of characters; then I’d fret over them as they were crushed, peeled, pounded and quartered and then unceremoniously plunged into hot oil or boiling water. Imagine my delight when they emerged, reborn, reshaped by their trial by fire, to make the world a richer, tastier place to live. We had books in those days.

Now I keep just a few relics that reside on two small shelves in my kitchen. I have only the beauties, the books that hold more than recipes, the ones that document — stain-by-stain — my development as a cook and a human. I kept Julia, of course — although I rarely open it; Feasts For All Seasons, by Andries De Groot, which was my first cookbook and still a source of inspiration; and then there is Marcella, whose books are as vital today as when I first discovered them.

I bought Classic Italian Cooking in 1976 — the first Knopf edition. No, I take it back — I didn’t buy it; someone gave it to me and I can’t remember who it was. Anyway, thanks, you changed my life.

Though I am not a foodie, I like watching chefs on TV. They are the new "rock stars" and their antics are often equal amounts amusing, terrible and inspirational (in the kitchen, that is). It's hard to imagine a city's food lovers more connected to a chef than Los Angeles is to Ludo Lefebvre. Trying to get a reservation to his tri-annual, 6-week pop-up restaurant is harder than getting VIP passes backstage to U2. (I'm guessing, but I don't think I'm far off.) When out dining in LA, the conversation, if you're with passionate diners, inevitably turns to the hottest local chefs and eventually to LudoBites - how many you've been to (3), which incarnations (3.0, 4.0 and 6.0) and how much time/how many computers you had running trying to get one of the elusive reservations on OpenTable…before it crashed for those trying to get into 5.0 and 6.0. This last time for 007 (back downtown at Gram & Papas), it went off without a hitch – that is if you got into the system in the first 2 minutes, which by the grace of God my Man did.

It's probably unfathomable to those living outside our city – which is known for its over-hyping everything (see Carmageddon) – why people are so rabid to get into LudoBites. For all the great press he receives from local bloggers and a certain section of the food press, there's equal derision by more traditional outlets that seem to feel that if he is such a great chef he should have his own restaurant. That the "pop-up" thing is just a ploy to make him famous for fame's sake instead of for the quality and creativity of his food. All I can say to that is he's been cooking since he was 14 (he's currently 39) in some of the best French restaurants in the world, so the man has skills. Whether you like how he constructs his plates and flavors, well that's up to you.

At first glance, the Hollywood restaurant Kate Mantilini's seems an unusual backdrop for life-sized pictures of Mad Men, a show set in 1960s New York. That is, until owner Marilyn Lewis provides the back story. 

Q: What's the history behind Kate Mantilini's and why did you put up the Mad Men display.

A: It's been 21 years since we opened Kate Mantilini's, which I named after my Uncle Rob's mistress. My mother wouldn't let me speak to her, nobody would allow us to mention her name, but she was a very strong woman and I wanted to name my restaurant after her. My husband was under contract with Warner Brothers, and he did 50 films in the 1940s before we went into the restaurant business.

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This recipe, which originally appeared in the NY Times in 1973 in an article by Jean Hewitt, was featured by Amanda Hessler in her ‘Recipe Redux’ piece in the November 4, 2007 Times Magazine.  It looked scrumptious and easy so I tore it out, as I do with many NY Times recipes, and put it aside.  “Aside” is also where I put the card the secretary in my Dentist’s office handed me to remind me of my next appointment.  It’s where the little yellow rectangular stub the shoemaker gave me without which I can’t get my shoes back went. 

And it is also where the Gelson’s receipt, on the back of which I had illegibly scrawled the title of a song I heard on the car radio that would be perfection playing over a scene in the screenplay I was working on before we went on strike, was moved.  You can pretty much take it to the bank that whatever is put there will never see the light of day again.   Aside, as it turns out, is my own personal Bermuda Triangle.