Suzanne Goin, the uber-talented celebrity chef of Lucques and A.O.C.
Wine Bar fame, was rumored to be the front runner for the
2005 James Beard Chef-of-the-Year award, and as far as I was concerned,
she could just skip the swim suit competition and pick up her gold
toque and tongs. Because praise the lord and pass the friggin’ salt
cod, if food could cure cancer, it would be this food. May The God of
Good Eatin’ please keep Suzanne Goin’s hands hale, hearty, and forever
heating up the small plates.
Having earlier experienced both the exquisite pleasure and excruciating
pain that comes from washing down four or five pounds of Chicken Liver
pate with fifteen dollar glasses of 2001 Chateauneuf du Pape, I was
careful to prepare my sensitive digestive tract by fasting for
practically an entire half-day on Fiji Natural Artisan water, plus a
supplemental half-inch rind of smoked salami that I discovered under a
plastic tankard of Barefoot Contessa Moussaka that I accidentally made
five weeks ago in a bizarre attack of culinary industry. As a note, I
have a firm policy of never throwing away any left-over that originally
took more than sixty minutes to prepare, unless it starts to stink
worse than my daughter’s feet did after two weeks at Catalina Camp,
where filth is a fashion statement.
A Celebration of Chefs and Others
A Celebration of Chefs
Made in Maine
At our store, The Green Spot, in Maine, we seek out locally made, unusual products like freshly gathered honey, artisan maple syrup or rare apple cider made with heirloom apples. But my favorite is a handmade butter that is such a treat melted with lobsters, slathered on the breads that we bake or the sugar-and-gold corn picked that morning.
Over the years we have had several butter makers but undeniably Sylvia Holbrook’s was the best. Sylvia had been making butter for 63 years when we found her. She lives in the small hamlet of North New Portland almost 2 hours from our store on a ramshackle farm. She is a pistol – a thin energetic women in her 80’s that has made butter every day of her 63-year career.
The thing that makes Sylvia’s butter so different from all others is that she know the importance of pasturing her cows so they have a diet of fresh grass and hay from her own fields which gives it a depth of flavor like nothing else and as Spring turns into Summer the butter takes on an intense yellow color that glows through the white parchment paper. Her butter is not just lovingly made, it is what fresh is all about!
Summer of Love
In the summer of 1966 I worked as a dishwasher in a summer camp near Hunter Mountain in upstate New York. This was in the pre-automatic dishwasher days meaning dirty dishes were dumped in a super hot sink of soapy water and washed and dried by hand. I used to come in around 6 a.m. to clean the breakfast pots and pans. Henry, a very tall, rail thin man who had been a cook in World War II in Europe, had gotten there at least an hour before me; I usually found him smoking a filterless cigarette and slowly beating powdered eggs and water in a huge stainless steel bowl or ladling out pancakes on the football field-size griddle.
Though he was cooking for well over 150 people every morning he never seemed to be in a rush. Though there was no air conditioning and an eight burner stove going full blast, Henry barely broke a sweat. I started sweating from the moment I got there; and being a not very bright 14-year-old, I often compounded my problems by forgetting to use an oven mitt when picking up a hot pan or getting scalding hot water in my rubber washing gloves.
In Traffic with Jacques Pepin
Although my commute is a short one, traffic puts me in a bad mood. I’m impatient and irritated, not qualities that make for a tranquil drive. My commuter’s grumpiness was recently soothed by none other than Jacques Pepin himself, master chef, teacher, and internet star along with the beloved Julia Child and others. He didn’t actually sit next to me flipping crepes in the passenger seat, but he did write the wonderful book The Apprentice: My Life in the Kitchen (Houghton Mifflin, 2003), and I borrowed the audio book from the equally wonderful public library.
Pepin does not do the narrating on the audio book himself, and I suspect his accent may have been one of the reasons. The lack of his own voice is perhaps the only issue I have with the audiobook. The narrator speaks with just a smidge of a French accent, so he is easy to understand, but he is not a skilled reader and sometimes lets the natural drama in some of Jacques’s stories fall flat. If you’ve ever seen Jacques Pepin on one of his television cooking shows, you know he has personality, and his energy and humor would have made the audio version of a wonderful read soar. Stories of childhood summers spent on farms during World War II and then years in his mother’s restaurant followed by grueling apprenticeships in classical French restaurants often made me wish my drive home was longer.
The Bottle Caps of Camelot
In 1944, Ella Mae Morse had a hit single that began:
Milkman, keep those bottles quiet
Can’t use that jive on my milk diet
That was before my time, but in the ’50s and ’60s the milkman came to our house three times a week, leaving bottles of milk on the back stoop and taking away the empties. The glass bottles would clink in the milkman’s wire basket – a gentle sound I took as a music cue to start my homework.
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