Dear Chefs, kitchen staff, servers, and everyone who fed me in 2011;
I write to thank you for the wonderful memories, the delicious moments, and the extra calories this year. All well worth it and ready for more in 2012.
Chef Zarate, Picca Peru
Una cena en su restaurante me transporta a Perú, y me trae sentimientos de familia y cultura a travez de cada bocado de sus platillos Peruanos. Hasta lagrimas solté al comer el seco de pato por los recuerdos de mi abuelita. Le doy mil gracias por su talento, y que 2012 le continúe a traer éxito.
Chef Stan Ota, Takami
A delightful experience of wonderful dishes, unique presentation, and a fine dinning atmosphere. With my recent work location transfer to Downtown, I will surely be frequenting Takami more often… That carpaccio is calling my name!
A Celebration of Chefs and Others
A Celebration of Chefs
Herb Sargent
This is an excerpt from the book "Clothing Optional: And Other Ways to Read These Stories" published by Villard.
We had just started Saturday Night Live, I was an apprentice writer, 24 years old and I felt intimidated. Chevy was hysterically funny. So was John and Danny and Gilda and Franken. And Michael O’Donoghue, well, Michael O’Donoghue simply scared the shit out of me. So I stayed pretty much to myself.
One day I came to work, and on my desk was a framed cartoon. A drawing – no caption – of a drunken rabbi staggering home late and holding a wine bottle. And waiting for him on the other side of the door was his angry wife, getting ready to hit him with a Torah instead of a rolling pin. I had no idea who put it there. I started looking around and out of the corner of my eye I saw a white-haired man in his office, laughing. He had put it there. That was the first communication I had with Herb Sargent– which was significant given that he never spoke and he gave me a cartoon that had no caption.
The Art of Eating
I had never heard of M.F.K. Fisher until I started working at One for
the Table. She was/is apparently one of the most famous food writers of
the last century. I rarely read about food, only branching out
occasionally to pick up Gourmet, Food & Wine or Cooking Light
depending on what recipe was featured on the cover. In recent months I
discovered I was one of the only ones not familiar with her work,
because her name kept popping up in various pieces on this site as one
of THE people everyone consulted when it came to enjoying good
food. Finally, intrigued by her reputation and tired of reading murder
mysteries, I decided to see what all the fuss was about...and found a
new friend.
Preserves
There is a difference between jam and preserves. Jam is sweet fruit you spread on toast. Preserves are a frozen moment in time—a piece of summer that you can carry with you the rest of the year: high grass, long naps, warm evenings, your front porch…
My neighbor Mary Wellington makes preserves.
Mary is a farmer. And not only a single-family farmer--a single farmer. She works three acres of very diverse orchards of Glenn Annie canyon all by herself, on which she grows over fifty varieties of fruit.
Her preserves were so treasured and ubiquitous at local farmer’s markets that many people came to call her “The Jam Lady.” Her Blenheim Apricot jam is intoxicating. Her Blood Orange marmalade is insane. The red raspberry is well… indescribable. But Mary Wellington preserves more than fruit.
If you wander up Glen Annie you will find a two story clapboard farmhouse peeking out from behind the persimmon tree. Mary will greet you with her typical burst of enthusiasm and a clap of her hands. She will launch into an impromptu tour of her orchard and its latest bounty: You will flit from tree to tree sampling God’s offerings in a feast of the senses that is literally Edenic. (I know I get religious about food—but I was raised that way.) Taste the Santa Rosas… Smell the outside of this blood orange… Look at the color on these apricots... Oh don’t mind the bruise—just taste it.
Pinch Me!
It is Sunday late morning, the North wind is howling outside and the
rain has changed to half inch hail but the farmhouse walls are more than
two feet thick and we are very cozy. We hear nothing, just the sounds
of the wood fire crackling, a knife on the cutting board and two friends
engaged in a lively conversation catching up on many things since our
last visit. We are sitting at a 8 foot long chestnut kitchen table
boning out the leg of a wild boar, removing sinew, fat glands and
chipped bones from the bullet wound. Alain has told all his neighbors of
our visit and one has shot a wild boar for the occasion and foraged for
black truffles. It was long decided before the boar was cold that we
would make a daube just like his mother made for him in his child hood
home in Avignon and it will marinate today and simmer over a wood fire
all afternoon tomorrow. Tonight we are having raclette with charcuterie
for dinner that they brought home from their skiing vacation in the
Alps. Not a bad way to spend a rainy Sunday afternoon!
More Articles ...
Welcome to the new One for the Table ...
Our Home Page will be different each time you arrive.
We're sure you'll find something to pique your interest...
