A Celebration of Chefs and Others

Before Julia there was Dione – Dione Lucas.  Well, actually for me, Dione came after my early marriage attempts at Mastering the Art of French Cooking. I signed up for Lucas’ Le Cordon Bleu class that was being held in the back of a gourmet houseware’s store in New York.  It may have been the last class she taught, as we all knew she was quite ill.  She was distracted, grumpy, utterly impatient and divine. She was also usually tipsy on Calvados, and I was her pet student.  

I was excited by the opportunity to study under her and I joyfully strived to be perfect at each stage and I guess she noticed, though it was not that difficult to achieve ‘Pet” status, as the other ladies basically sucked at their half-hearted efforts.  My favorite sucky moment was when an Upper East Side Idle Grand Dame (I was living in a five flight walk-up painter’s loft near SoHo) brought in a half pound of saffron that her servants located at a pharmacy.  We had to provide our own ingredients for our recipes; Hers called for saffron. (A pinch already!) When we finished cooking, we were permitted to take the results home.  She, however, could not, as “cook would be vexed.” One must never, NEVER vex a cook!

Dionne’s favorite ingredients were Red Currant Jelly and the aforementioned Calvados, which she used on everything.  By the way, both work wonderfully.

A few years ago I became a head chef flunky at the Culinary Stage of the Los Angeles Times Book Festival. It was a way to keep up my prep cook skills, meet some heroes (Suzanne Goin, Lidia Bastianich, Martin Yan, Mary Sue Milliken & Susan Feniger, Govind Armstrong, Nancy Silverton) and TV star chefs (Giada DeLaurentiis, Tyler Florence, Dave Lieberman, Cat Cora). The stage’s consulting producer, Michael Weisberg, took a leap of faith and allowed me to bring along Patricia Zarate and a few of her girls from the Homegirl Cafe to assist the celebrity chefs. This will be their third year at the Culinary Stage.

I’m not really a baker.  I make perfect oatmeal cookies (once every three years), perfect chocolate chip cookies (if really bored – Laraine Newman thinks the Joy of cooking recipe is the best, I just use the one on the back of the Nestle’s chocolate bits bag) The secret to chocolate chip cookies is fresh nuts, if you ask me, the quality of the pecans or the walnuts, changes the equation.  Sometimes, if I’m feeling really wild, I’ll make butterscotch chip cookies, same recipe, but butterscotch bits instead of chocolate and totally delicious.

I went through a phase where I made bread (when I was at boarding school in Vermont and there was a Country Store down the road that sold 100 varieties of flour from the grist mill down the road) so it was sort of hard to resist.  And we didn’t have a television, but we had a kitchen in our dorm with a sweet old Wedgwood stove and somehow, the smell of bread, and an occasional roast chicken, made it feel somewhat more like home.  But I can’t really find good flour any more and fresh baguettes abound.

Spending 14-hour days in command of a restaurant kitchen can take a toll, both physically and emotionally. So when it’s time to move on, where do chefs go?

It turns out, not very far. In most cases, successful chefs do not retire in the traditional sense. Instead, they often begin a second act, where they re-invent themselves – in classrooms, lower-key kitchens, or at different kinds of food-industry jobs. Rarely does a dedicated chef completely shut the door on the culinary world.

“There’s definitely an addictive aspect to the restaurant business,” says Richard Hanna, an instructor at Le Cordon Bleu College of Culinary Arts in Pasadena.

Hanna, 47, has been an executive chef for restaurants and owns Mission Bistro, a corporate food service company, but a high point of his second act is teaching. He finds students are eager to learn from an experienced chef, and “I’ve been doing this so long I have 3 different ways I can show them” any cooking challenge.