A Celebration of Chefs and Others

This recipe, which originally appeared in the NY Times in 1973 in an article by Jean Hewitt, was featured by Amanda Hessler in her ‘Recipe Redux’ piece in the November 4, 2007 Times Magazine.  It looked scrumptious and easy so I tore it out, as I do with many NY Times recipes, and put it aside.  “Aside” is also where I put the card the secretary in my Dentist’s office handed me to remind me of my next appointment.  It’s where the little yellow rectangular stub the shoemaker gave me without which I can’t get my shoes back went. 

And it is also where the Gelson’s receipt, on the back of which I had illegibly scrawled the title of a song I heard on the car radio that would be perfection playing over a scene in the screenplay I was working on before we went on strike, was moved.  You can pretty much take it to the bank that whatever is put there will never see the light of day again.   Aside, as it turns out, is my own personal Bermuda Triangle.

Sometimes we stumble upon books or products we just have to share. The Military Wives' Cookbook is a fascinating read on so many levels and the meals created are both delicious and timeless.

It is a collection of recipes, anecdotal stories, soldiers' letters home and vintage photographs tracing the history and unique contributions of American military wives. It recreates the scenes and foods that showcase the commitments and sacrifice that military wives have given the nation for more than two hundred years, beginning with the American Revolution.

The recipes are broken down into special events and daily menus, such as The Country Brunch. The entry for Strawberry Butter Spread begins with the following letter:

"An officer made me a miniature churn with a bottle and a little wooden dasher put through a cork. We were at the time marching each day farther and farther into the wilderness, but occasionally came to a ranch where there was a little cream...and as I sat under the tent-fly after we made camp, it was soon transformed into butter in the toy churn." -- Libby Custer

M.F.K. Fisher, the simultaneously subtle and brilliant food writer, devoted a chapter in her opus Serve It Forth to the importance of dining alone. She loved to cook and entertain guests which is beautifully rendered in her writing but she never forgot to make time for herself. Even when dining alone Fisher would treat her meal with the same delicate touch and refined style that she lavished on her guests. I totally agree with her notion that eating alone does not have to be a chore, bore, or quick fix of crappy food. She attributes this philosophy of eating well, even when alone, to a Roman noble named Lucullus. Lucullus was a grand gourmet notorious for the wealth he squandered on his food budget and opulent feasts.

One day he verbally abused his team of chefs when they served him leftovers, stale bread, and overly watered wine on an off day from his busy social schedule. When his staff stood apologetically before him they pleaded that since he was eating alone they assumed a lavish feast was not a necessity. He rebuked them by saying that when Lucullus dines with Lucullus the food should be at its very best, going above and beyond what they served his guests. Lucullus ate the finest foods and drank his most potent vintages when dining alone, because he was worth it. I agree wholeheartedly that it is warranted to treat yourself now and again to a special meal made especially for you.

This is an excerpt from the book "Clothing Optional: And Other Ways to Read These Stories" published by Villard.

We had just started Saturday Night Live, I was an apprentice writer, 24 years old and I felt intimidated.  Chevy was hysterically funny. So was John and Danny and Gilda and Franken. And Michael O’Donoghue, well, Michael O’Donoghue simply scared the shit out of me. So I stayed pretty much to myself.

One day I came to work, and on my desk was a framed cartoon. A drawing – no caption – of a drunken rabbi staggering home late and holding a wine bottle. And waiting for him on the other side of the door was his angry wife, getting ready to hit him with a Torah instead of a rolling pin. I had no idea who put it there. I started looking around and out of the corner of my eye I saw a white-haired man in his office, laughing.  He had put it there. That was the first communication I had with Herb Sargent– which was significant given that he never spoke and he gave me a cartoon that had no caption.