A Celebration of Chefs and Others

I set my tool bag down, tip my granny cart back to its resting position, brush the city off my face, and ring the bell. It is two hours before the guests arrive. My client opens the door, clearly grateful that I do exist - that I did show up - and studies me for a second. I always wonder what image they had of me after only chatting with me on the phone or email. I bet it’s very different than my grinning, artistic, fake-redheaded appearance. Were they thinking gorgeous Giada would arrive? Or, god forbid, some female version of Chef Curtis Stone?

I bet the granny cart throws them for a sec - because it seems like there should be a higher form of transportation for a professional chef and caterer. I’d like to be effortlessly wheeling a stainless steel fridge into their apartment, but New York elevators being what they are… my granny cart is the only way to go. They show me into the kitchen and I survey the immaculate area. Oh, this poor little room doesn’t even know what’s about to hit it. I thank my client, pull a few bags from my cart, and crank the oven on full blast. It’s go time.

The menu for this cocktail party is a progressive pass, which means that, while all the apps are easily eaten while standing, they will become more and more filling as the evening progresses. We’ll start the pass with something light, like a bruschetta with drunken fig paste, fresh ricotta, and red pepper flakes; or nori handrolls filled with an edamame, spring pea puree and topped with avocado mousse and pickled ginger.

I was sitting courtside as the Los Angeles Lakers hosted the Denver Nuggets for Game 2 of the First Round of the NBA playoffs.

Brian, the waiter, who always works that part of the arena, approached to take my order.

“Chicken tenders, two barbecue sauces, and a bottle of water?” he asked knowingly.

I nodded.

“Thanks, Brian.”

I’m going to have to start re-thinking my order. I’m in a floor seat, in the middle of the electric atmosphere of the post-season, a sellout crowd, media everywhere, and I felt like I just walked into an old movie and told the bartender, “I’ll have the usual.”

By the time the first quarter ended, Kobe Bryant already had twenty points, and I already had barbecue sauce on my shirt.

All in all, it was a good night – for the Lakers and for my dry cleaners.

Eating alone is a trying thing for some people, writing cooking and eating off as products of a banal bodily necessity. I love to eat and cook alone, using the kitchen as an improvisational laboratory to experiment with recipe ideas, flavor combinations, and cooking techniques. MFK Fisher, a witty food writer with a fluid, deeply expressive writing style bursting with gastronomic knowledge, shared my passion. She was one of the best food writers out there, blurring the lines between the genres of food anthropology, ecology, travel literature, and cooking.

Simply put, she made being a foodie cool long before it was fashionable. Her great strength as a writer is her ability to drag you into her prose to taste, smell, and feel your way through her experiences in and around the kitchen. Mary Frances was not afraid to dine alone, in fact she loved it, and one short and sweet chapter of her An Alphabet for Gourmets sums up her point of view. “It took me several years of such periods of being alone to learn how to care for myself, at least at table. I came to believe that since nobody else dared feed me as I wished to be fed. I must do it myself, and with as much aplomb as I could muster.” In regards to eating alone, I have taken a page from her book, and as a result treat myself to lavish meals regularly.

Once Anthony Bourdain left The Food Network in a trail of acrimonious dust, he started a second television career on The Travel Channel. The show (”No Reservations”) was better (because, among other things, they allowed Anthony to be his acerbic, outrageous self) but he was gone from my life because the Travel Channel was not available from our cable company. We ordered episodes from Netflix, took them out of the library, and once, in a media coup that rivalled the day when my brother and I tuned in what we believed to be “porn”on the TV in the living room by fiddling rabbit ears and vertical hold, we found one episode of “No Reservations” on “On Demand,” and watched it with the fervor and intensity appropriate for a bootleg copy of Tommy and Pamela.

Then, one day, the Travel Channel appeared as I was flipping up towards the Premiums, bearing the portentous channel assignment “123.” (It’s portentous because I can remember it). We fell, that evening, under the spell of a young man named Adam Richman, and a show called “Man v. Food.” We fell hard. It is fabulous beyond all reckoning that we can now see “No Reservations” before the episodes are two years old, and there are a couple of other shows on the channel that we’ve enjoyed, but Richman is a revelation of how a network can combine really smart and really commercially appealing and create something that appeals to a large and diverse audience.