Food, Family and Memory

A few years ago, my sister Laraine and I were having lunch on Larchmont at one of my favorite sushi restaurants, redundantly called California Roll and Sushi Fish. (My sister is Laraine Newman, of SNL fame and a regular contributor to this website.) My seat was facing out toward the other tables and Laraine was facing me. We had ordered and were both very hungry.

Sitting alone against the opposite wall, beyond Laraine, was a young, slender, beautiful Asian woman. I couldn’t look at my sister without seeing her too. Her clothes were perfect, her hair and make-up were perfect. She was perfect. Her sashimi arrived. She slowly poured soy sauce into the little soy sauce dish, slowly picked up her chopsticks, slowly pinched off a tiny bit of wasabi, slowly mixed it with the soy sauce, slowly picked up a piece of fish, slowly dragged it back and forth through the soy sauce, and ever so slowly lifted it to her mouth. Then she actually put the chopsticks down, stared straight ahead and slowly chewed. You get the idea. She was a perfect eater. She’s not likely to ever choke on her food.

I grew up in the deep south, a small town called Hawkinsville, GA, population 3500. Probably the best thing I have ever eaten in my life is the BBQ we had on special occasions on our farm. I know, you can get BBQ everyday. Yes, I have been to those famous BBQ joints in Memphis and those in North Carolina. Not impressed; it's all about the sauce and good BBQ needs little sauce. My dad employed an old man named Clayton since I was a child until he died a few years ago. Great BBQ is an art, like the glass blowers in Murano, Italy or a small farmer in France making cheese. There is no recipe, just talent and experience. 

All dressed to the nines in my jaw dropping, turquoise evening gown with my hair in a bun, bright red lipstick mostly on my lips and flat shoes hidden under all that flowing satin. No high heels on when I crossed a major street- my mother’s rule, too dangerous. Did she not notice everyone always stopped to let me cross? I would have been fine with high heels. Yes, of course my evening gown had a plunging neckline and it did need a few extra safety pins to look proportionally correct on my six-year-old frame.

I would cross the busy avenue solo, while all my second mothers watched from the many windows to make sure I arrived safely at my favorite place, Jay’s Diner. I ate at the diner 2 or 3 times a week for my mid-afternoon snack. We ate late because my parents worked late, so mid-afternoon snacking was very encouraged at our house.

The heads of the five hard working ladies of the diner would spin as I walked in the door, every time, perhaps because I was always a bit overdressed for the venue. As I’d pull my floor length satin dress and me up onto the tall pedestal seat the grill cook always said, “the usual?” Yes, 2 hamburgers, loaded, medium rare, a large order of french fries and please, save me a dish of grapenut pudding. “Lots of the whipped cream, thank you.” I was a regular diner patron.

It took me half my life to realize that when Guadalupe Contreras says “Gadaymee”, she means to say, “Goddamn it”. I thought for years that she had been referring to my sister, whose name is Amy, with a level of stifled frustration that I found hard to account for. I told a Spanish-speaking friend about this misunderstanding a while back, and he in turn informed me that my Spanish pronunciation of “I’m scared” (tengo miedo) sounds a lot like “I have shit” (tengo mierda). I relayed this conversation to Lupe. She claimed to disagree.

There are some things whose very greatness lies in the fact that they can’t be translated, or imitated at all, without some diminishment of their essence. This is often the case with poetry in translation, but I believe the phenomenon extends to other things, like bed-head, or fans of the Boston Red Sox. We read translations anyway, of course, secure that what we find in them will still be more than enough, that the meaning of a word, a palabra, can transcend language. Recipes can be like this for those who collect them, more than a list of ingredients, or a formula for the cook. Cooking from a recipe, or merely writing it down, is itself an act of translation, and so the closer that recipe comes to the source, the better. I feel this way about Albondigas soup, which is why my sister and I decided to take a lesson in preparing it from the true master, a woman who takes her own sources seriously, kneading raw beef like bread dough, and starting her meat stock with a pile of scary, dull white bones: Guadalupe Contreras.