Food, Family and Memory

It was a cool, rainy fall day at our store in Maine many years ago. My sister was running errands and I was alone at our store. A well-waxed black truck pulled into the driveway and parked way too close to our building. I admit I was a bit nervous as I watched for the person or persons to get out from behind the blacked-out windows. The door opened slowly and a huge single foot appeared from under the door and slowly another emerged. The single occupant was the tallest and biggest person I had every seen in my life and he was headed for our front door. Tom was 6 feet, 8 inches and weighed around 600 pounds, seriously huge.

I no longer feared being robbed. Now I was worried that our floor couldn't hold that much weight. My brain went into overdrive trying quickly to calculate how much 3/4 inch plywood could hold for weight per square foot. Instant answer was - he was over gross. Three steps in and he was drooling over our lobster tank filled to the brim with a fine selection of jumbo lobsters. Then it happened, the crackling sound of a dozen laminate layers of plywood giving way as his foot slowly disappeared and all I could think was how I was going to explain this gapping hole in the middle of floor to my sister when she returned.

I helped him get his foot unstuck from the layers of plywood as he pointed at 3 jumbo lobsters that he wanted to buy. He never missed a beat. If it is possible for someone that large to spin in ecstasy, he spun around our store taking in everything and shaking with true glee. I cashed him out, carried his bags of lobsters out and apologized repeatedly for my floor. He slowly lifted himself back into the truck as the vehicle listed under his weight on the driver’s side. He promised to return the following day. Yikes, I had a floor to repair and story to tell....

All dressed to the nines in my jaw dropping, turquoise evening gown with my hair in a bun, bright red lipstick mostly on my lips and flat shoes hidden under all that flowing satin. No high heels on when I crossed a major street- my mother’s rule, too dangerous. Did she not notice everyone always stopped to let me cross? I would have been fine with high heels. Yes, of course my evening gown had a plunging neckline and it did need a few extra safety pins to look proportionally correct on my six-year-old frame.

I would cross the busy avenue solo, while all my second mothers watched from the many windows to make sure I arrived safely at my favorite place, Jay’s Diner. I ate at the diner 2 or 3 times a week for my mid-afternoon snack. We ate late because my parents worked late, so mid-afternoon snacking was very encouraged at our house.

The heads of the five hard working ladies of the diner would spin as I walked in the door, every time, perhaps because I was always a bit overdressed for the venue. As I’d pull my floor length satin dress and me up onto the tall pedestal seat the grill cook always said, “the usual?” Yes, 2 hamburgers, loaded, medium rare, a large order of french fries and please, save me a dish of grapenut pudding. “Lots of the whipped cream, thank you.” I was a regular diner patron.

As any good Cajun cook will tell you, "First you make a roux." But what, you might ask, is a roux?.

Even with the proliferation over the last couple of decades of Cajun chefs, Cajun restaurants and Cajun cookbooks, blackened this and blackened that (what ever that means); most non- Cajun aficionados of South Louisiana’s cuisine can’t explain a roux either.

But I was in luck Sunday when an actual real life Cajun from Kraemer Louisiana, my best pal Keith, showed up at my kitchen door in Silver Lake. "I heard ya'll needed some help with a roux."

As my fellow Louisianaian explains, the gumbo starts with the cast iron skillet, not the roux. If you don’t have a thick skillet the heat won’t distribute properly and the roux will be either over or under cooked. With that in mind, I turn the fire on high and pour one cup of canola oil in the skillet along with one piece of bacon. The bacon adds a subtle flavor and also serves somewhat like a canary in a coal mine. If the bacon cooks too fast the fire’s too hot (I said kinda like a canary in a coal mine).

This is an excerpt from the book "Clothing Optional: And Other Ways to Read These Stories"

We had just started Saturday Night Live, I was an apprentice writer, 24 years old and I felt intimidated.  Chevy was hysterically funny. So was John and Danny and Gilda and Franken. And Michael O’Donoghue, well, Michael O’Donoghue simply scared the shit out of me. So I stayed pretty much to myself. One day I came to work, and on my desk was a framed cartoon. A drawing – no caption – of a drunken rabbi staggering home late and holding a wine bottle. And waiting for him on the other side of the door was his angry wife, getting ready to hit him with a Torah instead of a rolling pin. I had no idea who put it there. I started looking around and out of the corner of my eye I saw a white-haired man in his office, laughing.  He had put it there. That was the first communication I had with Herb Sargent– which was significant given that he never spoke and he gave me a cartoon that had no caption.

I had seen him years before. Or at least I think I did. When I was a kid. My father manufactured jewelry and he had his shop on 52nd Street between Fifth and Madison. I used to come into the city from Long Island and run errands for him during the summer. And no matter where the delivery was supposed to go, I made sure I got there by going through the lobby of what was then called the RCA Building, 30 Rockefeller Plaza, with the hopes that maybe I would see Johnny Carson (whose show was upstairs) or some of the people from That Was the Week That Was: Buck Henry, Bob Dishy, David Frost – or Herb Sargent, who was the producer. I knew his name from the credits. As a young boy who wanted to be a TV writer some day, this was like hanging around outside of Yankee Stadium waiting to see the players going through to the clubhouse.