Food, Family, and Memory

glendonBuilt in 1933, the handsome round red brick building was called  "La Ronda de las Estrellas" (the round court of the stars) which provided Westwood village with its early identity.  On the south wall of La Ronda (on the Lindbrook drive side) is a hand painted fresco (now faded) of a maid and a man of old Spain, playing his guitar, painted by artist, Margaret Dobson, who flew in from France to do the work, when the building was erected.

La Ronda was open in the center like a doughnut and several little businesses were housed inside the ring.  The first little restaurant established in the Village, called the Talk Of The Town, was housed in what we now call the Studio (where everyone wants to sit, particularly the celebrities). Additionally, there was a childrens boutique called Dina Carroll which offered expensive childrens clothing from Europe and a fine stationery store called Hazel Crist that is situated in what is now our Kitchen. 

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zucchinibread.jpgThis fall I took a night train ride from Buffalo, New York to Chicago, Illinois. Normally, I find the train relaxing, a chance to rest, read and reflect. On this trip, however, I just wanted to sleep. But the guy sitting behind me snored so loudly that even the usually soothing train sounds couldn’t drown out his volcanic eruptions.

By the time we arrived at Union Station, I stumbled out of the train bleary-eyed, and headed for the nearest coffee shop. There, I unpacked a treasure from inside my backpack – my sister-in-law’s zucchini bread. I sat by the window, watching Chicagoans hurry through a light rain to their offices. Sipping a steaming latte, I savored every bite of the cake-like bread slices. I can’t think of a breakfast I’ve enjoyed more.

I realized I had never baked zucchini bread. Back home in Los Angeles, I decided it was time to rectify that situation.

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ImageTwo weeks before Thanksgiving, my five-year-old son began making paper hearts. He had discovered how to make a perfectly balanced heart by carefully folding the paper first. There seems to be a metaphor here, but for what I’m not certain: maybe for love, maybe for the way my son approaches every task, perhaps for both of these things. Years later, as an adult, he will design and make models of water treatment plants, bridges, glass windows that are a full story high; he will marry a woman who sometimes wears a hardhat as she performs bridge inspections.

In 1989, at the age of five, he is making hearts. He uses up a package of oversized construction paper; he appropriates post-it notes, his father’s business cards, and his older sister’s loose leaf. He rummages in the drawer where I keep wrapping paper and cards from Christmases and birthdays and baby showers, and he begs for sheets from the yellow legal pads that I use for my lesson plans. I suggest in vain that he turn his attention to turkeys, pumpkins, horns of plenty.

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ImageThere are apples from a tree in Laurel Canyon that sit in a bowl on my hall table. The bowl, with its pie-crust edge comes from Rhinebeck, NY and reminds me of my son who's at school near there.  The apples were pilfered by Miss Monica who defied the laws of gravity, heaving herself over the iron fence to find the tree in the grounds of the Houdini mansion, hidden by old rock walls that line this part of the canyon, white lilies and cactus. 

They are apples from another era, knobbled and imperfect and of an unsurpassed sweet:sour ratio, the kind Mrs. Beeton would have you pick for a Victorian apple crumble, the kind that grew in abundance in espaliered rows in the garden of the house I grew up in. Bordered with roses and Michaelmas daisies, in front of the rhubarb and the horseradish, the trees had been there for as long as I could remember, as as long as my father could remember before. Planted presumably by the Reverend John Wood who lived in the house with the crucifix windows with his two sisters.

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helpposter.jpgThe Help surprised some people that Southern whites could treat their servants with so much inhumanity in the 1960's. I was shocked by a few specific incidents, but not surprised. I saw it close up as a child. Not in Jackson, Miss., where the story is set, but in my hometown of Beverly Hills where the help was almost exclusively 'negro,' before the Black Power Movement and the influx of Hispanic housekeepers and nannies in the late 70's and early 80's.

My overly emotional reaction to the film puzzled me. Good story, great performances, but floods of tears? On the drive home, memory hit and re-opened an old wound that I had hidden away. Of course... ESMUS HEMPHILL, our black maid in the 50's & 60's who was let go when I left for college and who I never thanked enough for all she did or properly protected her against my mother's unconscious cruelty towards her.

My mother, born into working class Memphis in 1925, became politically liberal, but personally she still carried a few racist seeds in her DNA. She would sit at the head of our dining table in Beverly Hills and ring a sterling silver bell to signal to Esmus that it was time to serve.

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