Every Friday after school, my mom and I delivered groceries to my grandmother in her little apartment. (More about her here). We arrived at her front door, arms heavy with Stop n' Shop bags, and would ring the bell with a free elbow.
Invariably, I would complain about how long it was taking her. (I swear, it took her 5 minutes to walk the 10 feet from her recliner to the front door). And invariably, we would hear her voice from within, “Aspette! Aspette!” (Wait! Wait!).
With my arms completely numb by this point, she would finally let us in and exclaim: “Oooohh, I’m so glad you came! I just made a nice fri—taaa—taa. You’ll have some.” She said it every time as if she didn’t expect us.
Though we ate frittata often at home, I associate it most with Spring and with Nan; Fridays during Lent we would abstain from meat, so she always made a simple vegetable frittata, which was waiting for us when we arrived.
One of my favorite desserts growing up were these little square tea cakes from 
For the last year my sister and I have thought what a neat thing it would be to go back to the exact places that we visited on our first trip to Europe with our mother 50 years ago. I am not exactly certain how this trip idea started but the one thing that I am certain of is that it centered around a lively food discussion. Somehow all of life's most interesting memories seem always to involve food. So the idea of retracing our first trip sounded like a interesting idea.
We had just started Saturday Night Live, I was an apprentice writer, 24 years old and I felt intimidated. Chevy was hysterically funny. So was John and Danny and Gilda and Franken. And Michael O’Donoghue, well, Michael O’Donoghue simply scared the shit out of me. So I stayed pretty much to myself. One day I came to work, and on my desk was a framed cartoon. A drawing – no caption – of a drunken rabbi staggering home late and holding a wine bottle. And waiting for him on the other side of the door was his angry wife, getting ready to hit him with a Torah instead of a rolling pin. I had no idea who put it there. I started looking around and out of the corner of my eye I saw a white-haired man in his office, laughing. He had put it there. That was the first communication I had with Herb Sargent– which was significant given that he never spoke and he gave me a cartoon that had no caption. 
I had seen him years before. Or at least I think I did. When I was a kid. My father manufactured jewelry and he had his shop on 52nd Street between Fifth and Madison. I used to come into the city from Long Island and run errands for him during the summer. And no matter where the delivery was supposed to go, I made sure I got there by going through the lobby of what was then called the RCA Building, 30 Rockefeller Plaza, with the hopes that maybe I would see Johnny Carson (whose show was upstairs) or some of the people from That Was the Week That Was: Buck Henry, Bob Dishy, David Frost – or Herb Sargent, who was the producer. I knew his name from the credits. As a young boy who wanted to be a TV writer some day, this was like hanging around outside of Yankee Stadium waiting to see the players going through to the clubhouse. 
The thing I remember most about baking oatmeal cookies when I was 8 years old was that the bottoms always burned. Even if you faithfully followed the recipe on the back of the Quaker Oats box to a tee, which I absolutely did, when you pulled the sheet out of the oven, slid your spatula under that first lightly browned mound and peered hopefully at its underside, all you got was burned.