I adore lamb shanks - even as a child. When I eat them gray clouds depart, the rain stops and on occasion I hear music. I love them that much. In a perfect world they are small, less than a pound but better closer to three quarters of a pound. They ideally come from the front leg and are called fore shanks, not the pseudo/imposter shank cut off the rear leg.
They need to be browned in a small amount of olive oil and braised slowly in stock or water to release their rustic flavor and to make them melt into tenderness. My mother always braised them in garlic, oregano, onions and chopped whole tomatoes. It was the scent of our home growing up. She’d slowly braise them on the stove for at least an hour and then placed the shanks onto raw rice and ladled the remaining liquid on top and baked them covered in the oven. When you could smell the rice, it was done but it still needed to rest for 15 more long minutes.
Our mother used ‘Greek rice.’ Lord only knows what that was. My guess is that it was long grain Basmati rice from India. No one ate much rice in Maine in those days. Our mother and my sister and I went on food shopping trips once a month to Boston. She’d order up a taxi from the doorman at the Parker House Hotel to take us to the less-safe area of Boston and have the taxi wait while we filled our shopping cart with small brown bags of ‘Greek rice’, tins of finely ground Arabic coffee for our father, pounds of feta cut from a wooden barrel, big plastic bags of Kalamata and Alfonzo olives, whole milk yogurt with a creamy top, a few long boxes of phyllo dough, dried oregano and large non-boxed heads of garlic, a tin of Greek olive oil, tiny capers and still warm spinach pies.
As my daughters will attest, I am not a cook.
Whether you like FaceBook or not, it has its' merits. People and relatives are easier to find.
I had my first dinner party when I was twelve years old. I invited six girls. I can name them all now: Annie Kleinsasser. Katie Kleinsasser (her thirteen year old knowing and powerful big sister who wore a bra). Sara Bingham. Kathy Golden. Sue Cross. Dee Dee Ruff. We were just finishing the sixth grade. We’d be going on to Junior High School. 
We had just started Saturday Night Live, I was an apprentice writer, 24 years old and I felt intimidated. Chevy was hysterically funny. So was John and Danny and Gilda and Franken. And Michael O’Donoghue, well, Michael O’Donoghue simply scared the shit out of me. So I stayed pretty much to myself. One day I came to work, and on my desk was a framed cartoon. A drawing – no caption – of a drunken rabbi staggering home late and holding a wine bottle. And waiting for him on the other side of the door was his angry wife, getting ready to hit him with a Torah instead of a rolling pin. I had no idea who put it there. I started looking around and out of the corner of my eye I saw a white-haired man in his office, laughing. He had put it there. That was the first communication I had with Herb Sargent– which was significant given that he never spoke and he gave me a cartoon that had no caption. 
I had seen him years before. Or at least I think I did. When I was a kid. My father manufactured jewelry and he had his shop on 52nd Street between Fifth and Madison. I used to come into the city from Long Island and run errands for him during the summer. And no matter where the delivery was supposed to go, I made sure I got there by going through the lobby of what was then called the RCA Building, 30 Rockefeller Plaza, with the hopes that maybe I would see Johnny Carson (whose show was upstairs) or some of the people from That Was the Week That Was: Buck Henry, Bob Dishy, David Frost – or Herb Sargent, who was the producer. I knew his name from the credits. As a young boy who wanted to be a TV writer some day, this was like hanging around outside of Yankee Stadium waiting to see the players going through to the clubhouse. 