Food, Family and Memory

My daughter Celeste recently returned from a semester abroad in Dakar, Senegal.

She spent several months in the West African city perfecting her French, learning Wolof, the unofficial language, and studying West African culture, art and Islam. One of the biggest adjustments for her was the custom of eating out of a communal bowl….with toddlers no less! Boy, I wouldn’t want to share the plate with my own family, and we’ve been exchanging the same germs for decades.

So, what did Celeste miss most after months of mutton and rice en famille? Bacon, avocados, pie, eggs from her back yard AND Mexican food.

The only time my dad came in the kitchen was to ask when dinner was ready. True to his generation he literally couldn't boil water. My mother and grandmother taught me to cook.

Long before there were neighborhood farmers' markets, my mom liked to stop at roadside stands to buy fresh tomatoes, corn, and strawberries. She followed recipes but also liked to experiment. She enjoyed having my sister and myself in the kitchen with her because she believed that cooking was fun.

I regarded it as a parental duty to teach my sons as my mom taught me.

When Franklin was six years old I gave him a step stool so he could reach the cutting board, a bunch of parsley, and a knife. He did an excellent job mincing the parsley. The only problem we had was when his mom saw that I had outfitted him with a very sharp 8" chef's knife.

She disapproved mightily. But no blood was spilled that day, and Franklin has grown up to be a very good cook, so has his younger brother. Having taught them both a few kitchen skills, they are off and running.

I wish I could tell you exactly how many yards it was for me to get to Roxbury Park to give you the visual.    A hop.   Not even a skip and a jump.  I walked two houses up, crossed Olympic and I was there.

That is where I spent my summers.  Basically, doing absolutely nothing.  Kind of like a Seinfeld episode.  No sunblock.  No checking in with my mother.  I didn’t excel at anything in Roxbury Park.  Not at caroms.  Not the monkey bars.  And certainly not the rings.

At the rings, I watched other kids adept at swinging quickly back and forth from one to the next.  I stood high up one day, grabbed ahold and leapt off, but unable to catch the next ring, which seemed to move further and further away, I landed back where I started.  I spent long days trying to push myself further until I did finally grab onto that second one, which was such a victory.   Then I kept swinging back and forth, trying to gain the momentum I would need to get to the next, but failed and dropped to the ground.  Again I tried, over and over, all summer until I was finally able to go back and forth, leaving the other kids waiting in line, drumming their fingers.  And like a monkey, I would copy what the other ring junkies would do just before taking over the set for their performance.  They would dig their hands into the sand and rub some of it between their palms for better friction.  Or use chalk.   It never seemed to work for me, but I did it to look cool, like them.  Inevitably all us monkeys ended up with blisters.

This is an excerpt from the book "Clothing Optional: And Other Ways to Read These Stories"

We had just started Saturday Night Live, I was an apprentice writer, 24 years old and I felt intimidated.  Chevy was hysterically funny. So was John and Danny and Gilda and Franken. And Michael O’Donoghue, well, Michael O’Donoghue simply scared the shit out of me. So I stayed pretty much to myself. One day I came to work, and on my desk was a framed cartoon. A drawing – no caption – of a drunken rabbi staggering home late and holding a wine bottle. And waiting for him on the other side of the door was his angry wife, getting ready to hit him with a Torah instead of a rolling pin. I had no idea who put it there. I started looking around and out of the corner of my eye I saw a white-haired man in his office, laughing.  He had put it there. That was the first communication I had with Herb Sargent– which was significant given that he never spoke and he gave me a cartoon that had no caption.

I had seen him years before. Or at least I think I did. When I was a kid. My father manufactured jewelry and he had his shop on 52nd Street between Fifth and Madison. I used to come into the city from Long Island and run errands for him during the summer. And no matter where the delivery was supposed to go, I made sure I got there by going through the lobby of what was then called the RCA Building, 30 Rockefeller Plaza, with the hopes that maybe I would see Johnny Carson (whose show was upstairs) or some of the people from That Was the Week That Was: Buck Henry, Bob Dishy, David Frost – or Herb Sargent, who was the producer. I knew his name from the credits. As a young boy who wanted to be a TV writer some day, this was like hanging around outside of Yankee Stadium waiting to see the players going through to the clubhouse.