In the chill air at 7:30 in the morning, I would head out. Heavy books that I never opened were piled high in my arms. They weighed me down, but I was used to it. These were pre-backpack years. Teachers required you to cover books then, and mine wore clumsy jackets of recycled brown Safeway grocery store bags. The covers barely hung on, despite the many pieces of Scotch tape randomly applied in all directions.
I was twelve. My bare, skinny legs descended from short, orange and yellow culottes as I crisscrossed the sidewalk, crunching hard on those fall leaves. Never stepping on cracks for two blocks -- from Roxbury to pick up my best friend Susie on Peck Drive. She was freckled like me, but taller and more mature. Now I could be distracted, not having to concentrate on my steps. Instead, we’d talk about our plan for the weekend. Compromising and strategizing. Your best friend in school is really your first important relationship, almost a rehearsal for a someday marriage.
The weekend plan was to sleep at Susie’s. To wake up at five in the morning, walk in the dark to meet Mr. Shaver by six, and go to the stables for horseback riding. Which, to be frank, wasn’t even a passion of mine. But horses were Susie and Bettsie’s hobby and they were my friends. Happily, I went along. Ben Shaver, the 8th grade history teacher, offered this weekend field trip, opened to all grades. This was before everyone was so litigious. With no thought of legal or insurance problems, he piled a bunch of us in his van, no one wearing seat belts and drove to Newhall for a long morning horseback ride.
We had just started Saturday Night Live, I was an apprentice writer, 24 years old and I felt intimidated. Chevy was hysterically funny. So was John and Danny and Gilda and Franken. And Michael O’Donoghue, well, Michael O’Donoghue simply scared the shit out of me. So I stayed pretty much to myself. One day I came to work, and on my desk was a framed cartoon. A drawing – no caption – of a drunken rabbi staggering home late and holding a wine bottle. And waiting for him on the other side of the door was his angry wife, getting ready to hit him with a Torah instead of a rolling pin. I had no idea who put it there. I started looking around and out of the corner of my eye I saw a white-haired man in his office, laughing. He had put it there. That was the first communication I had with Herb Sargent– which was significant given that he never spoke and he gave me a cartoon that had no caption. 
I had seen him years before. Or at least I think I did. When I was a kid. My father manufactured jewelry and he had his shop on 52nd Street between Fifth and Madison. I used to come into the city from Long Island and run errands for him during the summer. And no matter where the delivery was supposed to go, I made sure I got there by going through the lobby of what was then called the RCA Building, 30 Rockefeller Plaza, with the hopes that maybe I would see Johnny Carson (whose show was upstairs) or some of the people from That Was the Week That Was: Buck Henry, Bob Dishy, David Frost – or Herb Sargent, who was the producer. I knew his name from the credits. As a young boy who wanted to be a TV writer some day, this was like hanging around outside of Yankee Stadium waiting to see the players going through to the clubhouse. 
Naively, I asked for larks. The grocery clerk seemed perplexed.
The only time my dad came in the kitchen was to ask when dinner was
ready. True to his generation he literally couldn't boil water. My
mother and grandmother taught me to cook.