Food, Family and Memory

There’s no question my husband loves his daughter, his dog and me – and no question, in that order – but he is not sentimental. He’s got his moments – as in, let’s dump my high school notes, let’s save his 80′s matchbooks – but on the whole, what Greg likes best is the ca-chunk of the recycling bin. Or better yet, the trash.

His today’s-today stance makes me a target. He is especially fond of letting me know how fortunate he’s been to hear every tale of my family, friends, dogs, the pink curtains in first grade and every bite I’ve eaten since 1985. He likes to say there’s nothing he doesn’t know – no story he hasn’t heard, no tale untold, and this worries me. If I run out of material, what will we talk about in the nursing home? I’ve been thinking of doing stupid things just for the anecdotes. I need to keep him on his toes.

It’s not that he doesn’t remember; the man recalls every gift he ever gave me and every taco, sancho, and burrito he’s ever known – it’s just that he doesn’t need to. His memories live in lockdown, a place I don’t understand, a place that clearly lacks soft lights and throw pillows. So it’s all the more shocking to know there’s one memory that routinely escapes, one tableau he repeats – happily repeats, a terrible man-sin – and that memory is Key West.

The thing I remember most about baking oatmeal cookies when I was 8 years old was that the bottoms always burned.  Even if you faithfully followed the recipe on the back of the Quaker Oats box to a tee, which I absolutely did, when you pulled the sheet out of the oven, slid your spatula under that first lightly browned mound and peered hopefully at its underside, all you got was burned.

Over the years, I tried greasing the pan and not greasing the pan. I used the milk, I didn’t use the milk, I sifted and then I didn’t.  I lowered the oven temperature, baked them on the bottom rack, the upper rack, a shorter time, a longer time.   But no matter what I did or didn’t do, the outcome was the same: rear ends black as coal.  There was just no justice.  And you know what they say:  No justice, no oatmeal cookie.

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Wednesday was a special day in my house when I was a child. My father was a pharmacist, my mother stayed home to take care of us. To help make ends meet, he worked a second job on Wednesday evenings and Saturday afternoons at a local drug store in addition to his usual 9-5 gig at the local hospital. Thirty years ago being a pharmacist didn’t bring in the big bucks it does today and with four kids, he had his hands full. He was never home until long after dinner on Wednesdays and we were always excited for his return, partly because he brought with him our weekly chocolate treat – plain M&Ms.

This was in the days when they came in only five colors: Dark Brown, Tan, Orange, Yellow and Green. Red was one of the original colors, but had been outlawed in 1976 (due to a toxic dye scare) and wouldn’t return until 1987, quickly followed by every other color under the rainbow. 

Candy was rare in our household and we were thrilled to get it. My Dad only ever bought two bags, so my siblings and I were required to share, but that never diminished the joy. My younger sister and I would each grab a plastic blue teacup, pour the candy onto the countertop and divide them exactly in half, by color.  Then we would scoop the luscious morsels into our cups and retreat to opposite corners of the living room to savor them in happy silence.

This is an excerpt from the book "Clothing Optional: And Other Ways to Read These Stories"

We had just started Saturday Night Live, I was an apprentice writer, 24 years old and I felt intimidated.  Chevy was hysterically funny. So was John and Danny and Gilda and Franken. And Michael O’Donoghue, well, Michael O’Donoghue simply scared the shit out of me. So I stayed pretty much to myself. One day I came to work, and on my desk was a framed cartoon. A drawing – no caption – of a drunken rabbi staggering home late and holding a wine bottle. And waiting for him on the other side of the door was his angry wife, getting ready to hit him with a Torah instead of a rolling pin. I had no idea who put it there. I started looking around and out of the corner of my eye I saw a white-haired man in his office, laughing.  He had put it there. That was the first communication I had with Herb Sargent– which was significant given that he never spoke and he gave me a cartoon that had no caption.

I had seen him years before. Or at least I think I did. When I was a kid. My father manufactured jewelry and he had his shop on 52nd Street between Fifth and Madison. I used to come into the city from Long Island and run errands for him during the summer. And no matter where the delivery was supposed to go, I made sure I got there by going through the lobby of what was then called the RCA Building, 30 Rockefeller Plaza, with the hopes that maybe I would see Johnny Carson (whose show was upstairs) or some of the people from That Was the Week That Was: Buck Henry, Bob Dishy, David Frost – or Herb Sargent, who was the producer. I knew his name from the credits. As a young boy who wanted to be a TV writer some day, this was like hanging around outside of Yankee Stadium waiting to see the players going through to the clubhouse.