Food, Family and Memory

Easter. “Eater” with a full stomach, the inevitable outcome on any day replete with decorated eggs, chocolate bunnies, ham, lamb, brisket for the polydenominational and, for the faithful, whatever they have given up for Lent.     

I grew up in a very faithful household—my father was an Episcopal priest and I was devoutly devout, an altar boy from age six and happy for it.  The church, near San Diego and which held about 250 souls, was built over a two-year period of volunteer labor by the parishioners, who did everything except the plastering and electrical work. The labor was hard and sweaty, and in honor of all that sweat, my father put an empty beer can in the trench for the foundation. He didn’t put in a full can, he said with a twinkle in his eyes, “because I thought the Good Lord would object to the waste.” The church was an extension of our home, or vice versa—literally (the rectory was about 20 feet away), and figuratively (my mother, father and I folded several hundred palm crosses every year, with enough extra to be saved and burned for use on Ash Wednesday the next year).

When Easter rolled around, my mother boiled up a dozen eggs, which were dipped into various hues, and I hunted for them with gusto. The problem was, one or two hardboiled eggs of any color are enough to eat at one time; they soon are like sawdust in the mouth, and although they quickly grew boring, my parents were Depression-era folks and nothing went to waste.

Built in 1933, the handsome round red brick building was called  "La Ronda de las Estrellas" (the round court of the stars) which provided Westwood village with its early identity.  On the south wall of La Ronda (on the Lindbrook drive side) is a hand painted fresco (now faded) of a maid and a man of old Spain, playing his guitar, painted by artist, Margaret Dobson, who flew in from France to do the work, when the building was erected.

La Ronda was open in the center like a doughnut and several little businesses were housed inside the ring.  The first little restaurant established in the Village, called the Talk Of The Town, was housed in what we now call the Studio (where everyone wants to sit, particularly the celebrities). Additionally, there was a childrens boutique called Dina Carroll which offered expensive childrens clothing from Europe and a fine stationery store called Hazel Crist that is situated in what is now our Kitchen. 

My sister and I have a pretty terrific food store called The Green Spot we have owned or more accurately been the worker bees at for many years., It has an energy all it's own. It’s a gathering place for people to come to when they are happy and it is a place people run to when they need good solid honest advice of the non-food type, if you know what I mean.

Each day we never know what will unfold when it is time to open the doors at nine o'clock. One thing, or well maybe two things, that we do know is that it is sure to be interesting without question and second what every figurative ‘fire’ needs is dousing. And we surely know how to do that with grace.

A few years ago Lucy Dahl who summered on a lake not too far from our store said that her Mother was coming to visit for a long weekend and she was excited to introduce us. Like anyone expecting company we wanted our store to be perfect because Patricia Neal was coming to visit. Oh my, Patricia! How proud our mother would have been because she admired her tenacity and talent so much. Patricia Neal was coming to our food store in a little town in central Maine. I was humbled and speechless!

My Mother Vina circa 1957

Instead of turkey, mashed potatoes, etc., stuffed grape leaves (along with shish-kabob and pilaf) is the traditional centerpiece of our Christmas dinner.

Disclaimer:  Every script I’ve ever written is overly descriptive and too long, so no doubt this recipe will be, too.  Apologies in advance.