Food, Family and Memory

This is an excerpt from the book "Clothing Optional: And Other Ways to Read These Stories"

We had just started Saturday Night Live, I was an apprentice writer, 24 years old and I felt intimidated.  Chevy was hysterically funny. So was John and Danny and Gilda and Franken. And Michael O’Donoghue, well, Michael O’Donoghue simply scared the shit out of me. So I stayed pretty much to myself. One day I came to work, and on my desk was a framed cartoon. A drawing – no caption – of a drunken rabbi staggering home late and holding a wine bottle. And waiting for him on the other side of the door was his angry wife, getting ready to hit him with a Torah instead of a rolling pin. I had no idea who put it there. I started looking around and out of the corner of my eye I saw a white-haired man in his office, laughing.  He had put it there. That was the first communication I had with Herb Sargent– which was significant given that he never spoke and he gave me a cartoon that had no caption.

I had seen him years before. Or at least I think I did. When I was a kid. My father manufactured jewelry and he had his shop on 52nd Street between Fifth and Madison. I used to come into the city from Long Island and run errands for him during the summer. And no matter where the delivery was supposed to go, I made sure I got there by going through the lobby of what was then called the RCA Building, 30 Rockefeller Plaza, with the hopes that maybe I would see Johnny Carson (whose show was upstairs) or some of the people from That Was the Week That Was: Buck Henry, Bob Dishy, David Frost – or Herb Sargent, who was the producer. I knew his name from the credits. As a young boy who wanted to be a TV writer some day, this was like hanging around outside of Yankee Stadium waiting to see the players going through to the clubhouse.

There is an edible experience I had as a child that remains unsurpassed. The year was 1963, I was ten. I still think about it and have tried many times to recreate it. I need to ask my brother if he remembers the moment as vividly as I do.

We were at our friends’ farm in the country, just outside of Paris. By day, I ran around chasing wild cats and at night, recited (for a very small audience) “Cinderella,” in French. Given as an assignment by my teacher at home, Monsieur Willmaker, I knew it by heart. Other than “Cinderella,” and announcing “Je m’appele Frederique,” I could not understand or speak a word of the language. I rocked the accent though, and I was extra proud of it, which is why I was the biggest show-off with my nightly act.

After a long day of running around the Constantines’ farm, their mom pulled us aside for a quick snack. We were way out in a field when I saw her approaching with a basket of goodies. When I saw that she had fresh baguettes with butter, I perked up. She spread the beurre (butter, mind you, from their own cows) on the bread and then took out a big hunk of chocolate, like a chocolate bar. And that piece of chocolate went on top of the bread. Looking at it, I thought, nah. I just couldn’t get my brain around it. But I was hungry and I was checking out everyone else’s happy faces. So, I took a small first bite. I am not exaggerating when I say that it was the most delicious taste of life.

I grew up in the deep south, a small town called Hawkinsville, GA, population 3500. Probably the best thing I have ever eaten in my life is the BBQ we had on special occasions on our farm. I know, you can get BBQ everyday. Yes, I have been to those famous BBQ joints in Memphis and those in North Carolina. Not impressed; it's all about the sauce and good BBQ needs little sauce. My dad employed an old man named Clayton since I was a child until he died a few years ago. Great BBQ is an art, like the glass blowers in Murano, Italy or a small farmer in France making cheese. There is no recipe, just talent and experience. 

I went to bat for my friend Tracy. She wanted the starring role in a movie my dad was producing, but it was really his friend Bob who was the money guy and director. If it were just my dad, it would have been a slam-dunk. So, I went to work on Bob. I pitched him for months, relentlessly. That’s me when I want or need to be – a dog with a bone. “Have you seen Tracy in Christopher Guest’s new movie?” I asked. “She’s brilliant.” Or: “Check out her credits, you’d be lucky to get her.” And: “Bob, let her audition, you won’t be sorry.” Finally, when I had exhausted all other angles, I went for the Boys Club Secret Society as a last try: “Your lead actor has always wanted to fuck her.” Yep, that did it. The part was hers.

We went to Texas and my best friend Tracy had the lead as the girlfriend. And I had one scene, one great scene, as the angry-crazy-ex-wife. (It would be another year before I’d play the role in real life.) And except for the hurricane threatening to shake things up and me freezing my ass off the day I was shooting, it was great fun to be on location with my dad and my close friend. I spent most of my downtime hunting for Galveston’s best fried chicken.

That was the late 80’s. Sometime in the mid-90’s, Tracy called to say she was hired to do some reenactments for the Leeza Gibbons Show and would I like to join her, they need another actress. Me, panicking: “Is that in front of a live audience?”