Food, Family and Memory

I’m not a good cook. My mother was an outstanding culinary creator, my older sister following closely on Mom’s Beef Wellington tracks. Not me. I veered off the path and out of the kitchen to do something--almost anything--else.

When I was married I fed my family, but I have to admit that probably my major cooking achievement was meat loaf. You know, the kind with the goopy raw egg that you squeeze through the meat with your fingers: the loaf that you form and finish off with that strip of bacon on the top.

My family didn’t starve but neither did their eyes widen over my delicate soufflés or my perfectly browned, crispy-skinned, Thanksgiving turkeys. We went out with friends to a local club for our Thanksgiving feast. I confess to never having cooked a turkey in my life.

Then, as the gods would have it, there came a time in my mid-forties when - because my second divorce was pending - I found myself living alone for the first time in 23 years in a rented 200 year-old farm house in a town where I knew no one. So stressed was I that all I could manage to eat was soup and Campbell’s quite quickly lost its appeal.

This is an excerpt from the book "Clothing Optional: And Other Ways to Read These Stories"

We had just started Saturday Night Live, I was an apprentice writer, 24 years old and I felt intimidated.  Chevy was hysterically funny. So was John and Danny and Gilda and Franken. And Michael O’Donoghue, well, Michael O’Donoghue simply scared the shit out of me. So I stayed pretty much to myself. One day I came to work, and on my desk was a framed cartoon. A drawing – no caption – of a drunken rabbi staggering home late and holding a wine bottle. And waiting for him on the other side of the door was his angry wife, getting ready to hit him with a Torah instead of a rolling pin. I had no idea who put it there. I started looking around and out of the corner of my eye I saw a white-haired man in his office, laughing.  He had put it there. That was the first communication I had with Herb Sargent– which was significant given that he never spoke and he gave me a cartoon that had no caption.

I had seen him years before. Or at least I think I did. When I was a kid. My father manufactured jewelry and he had his shop on 52nd Street between Fifth and Madison. I used to come into the city from Long Island and run errands for him during the summer. And no matter where the delivery was supposed to go, I made sure I got there by going through the lobby of what was then called the RCA Building, 30 Rockefeller Plaza, with the hopes that maybe I would see Johnny Carson (whose show was upstairs) or some of the people from That Was the Week That Was: Buck Henry, Bob Dishy, David Frost – or Herb Sargent, who was the producer. I knew his name from the credits. As a young boy who wanted to be a TV writer some day, this was like hanging around outside of Yankee Stadium waiting to see the players going through to the clubhouse.

I had just come back from marketing around 10:30 in the morning having gone to the Farmer’s Market for the arugula and Heirlooms, then just across the parking lot to the cheese store for some nicely gritty Gruyere. I had answered my emails and phone calls earlier. Dinner for eight wasn’t until seven. The house was clean.  I had a whole day for food—alone.

It was a Friday in Southern California and all the windows and doors were open, even in March. The dog lay on the deck in the sun. I turned on NPR.  I put away the glistening shrimp, the sausage, the peppers, the mussels. I was looking for the two paella recipes I often combined to make the best of both when I found my mother’s saved recipes in a blue plastic loose leaf binder.  The little notebook was buried on a crowded shelf in my kitchen eclipsed by my own slick hard cover and paperback cookbooks; Bobby Flay, Marcella Hazan, Julia Child, Chez Panisse and a host of others, plus my cobbled together collection of favorites in my own food stained notebook.

I went to bat for my friend Tracy. She wanted the starring role in a movie my dad was producing, but it was really his friend Bob who was the money guy and director. If it were just my dad, it would have been a slam-dunk. So, I went to work on Bob. I pitched him for months, relentlessly. That’s me when I want or need to be – a dog with a bone. “Have you seen Tracy in Christopher Guest’s new movie?” I asked. “She’s brilliant.” Or: “Check out her credits, you’d be lucky to get her.” And: “Bob, let her audition, you won’t be sorry.” Finally, when I had exhausted all other angles, I went for the Boys Club Secret Society as a last try: “Your lead actor has always wanted to fuck her.” Yep, that did it. The part was hers.

We went to Texas and my best friend Tracy had the lead as the girlfriend. And I had one scene, one great scene, as the angry-crazy-ex-wife. (It would be another year before I’d play the role in real life.) And except for the hurricane threatening to shake things up and me freezing my ass off the day I was shooting, it was great fun to be on location with my dad and my close friend. I spent most of my downtime hunting for Galveston’s best fried chicken.

That was the late 80’s. Sometime in the mid-90’s, Tracy called to say she was hired to do some reenactments for the Leeza Gibbons Show and would I like to join her, they need another actress. Me, panicking: “Is that in front of a live audience?”