Food, Family, and Memory

me-tracy-on-location-206x300I went to bat for my friend Tracy. She wanted the starring role in a movie my dad was producing, but it was really his friend Bob who was the money guy and director. If it were just my dad, it would have been a slam-dunk. So, I went to work on Bob. I pitched him for months, relentlessly. That’s me when I want or need to be – a dog with a bone. “Have you seen Tracy in Christopher Guest’s new movie?” I asked. “She’s brilliant.” Or: “Check out her credits, you’d be lucky to get her.” And: “Bob, let her audition, you won’t be sorry.” Finally, when I had exhausted all other angles, I went for the Boys Club Secret Society as a last try: “Your lead actor has always wanted to fuck her.” Yep, that did it. The part was hers.

We went to Texas and my best friend Tracy had the lead as the girlfriend. And I had one scene, one great scene, as the angry-crazy-ex-wife. (It would be another year before I’d play the role in real life.) And except for the hurricane threatening to shake things up and me freezing my ass off the day I was shooting, it was great fun to be on location with my dad and my close friend. I spent most of my downtime hunting for Galveston’s best fried chicken.

That was the late 80’s. Sometime in the mid-90’s, Tracy called to say she was hired to do some reenactments for the Leeza Gibbons Show and would I like to join her, they need another actress. Me, panicking: “Is that in front of a live audience?”

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This is an excerpt from the book "Clothing Optional: And Other Ways to Read These Stories"

weekend_update_b.jpgWe had just started Saturday Night Live, I was an apprentice writer, 24 years old and I felt intimidated.  Chevy was hysterically funny. So was John and Danny and Gilda and Franken. And Michael O’Donoghue, well, Michael O’Donoghue simply scared the shit out of me. So I stayed pretty much to myself. One day I came to work, and on my desk was a framed cartoon. A drawing – no caption – of a drunken rabbi staggering home late and holding a wine bottle. And waiting for him on the other side of the door was his angry wife, getting ready to hit him with a Torah instead of a rolling pin. I had no idea who put it there. I started looking around and out of the corner of my eye I saw a white-haired man in his office, laughing.  He had put it there. That was the first communication I had with Herb Sargent– which was significant given that he never spoke and he gave me a cartoon that had no caption.

30rock.jpgI had seen him years before. Or at least I think I did. When I was a kid. My father manufactured jewelry and he had his shop on 52nd Street between Fifth and Madison. I used to come into the city from Long Island and run errands for him during the summer. And no matter where the delivery was supposed to go, I made sure I got there by going through the lobby of what was then called the RCA Building, 30 Rockefeller Plaza, with the hopes that maybe I would see Johnny Carson (whose show was upstairs) or some of the people from That Was the Week That Was: Buck Henry, Bob Dishy, David Frost – or Herb Sargent, who was the producer. I knew his name from the credits. As a young boy who wanted to be a TV writer some day, this was like hanging around outside of Yankee Stadium waiting to see the players going through to the clubhouse.

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strawberries-sliced-and-fresh.jpgMy Auntie Vera and Uncle Johnny lived in a small house on a large piece of property in a rural area near North Judson, Indiana. They were my dad’s aunt and uncle. Through my child eyes, they seemed old enough to be grandparents. They had no children of their own, though, so they loved spoiling me and my brother. My favorite time to visit them was during strawberry season. I knew I could look forward to Auntie Vera’s delicious strawberry shortcake.

Before we arrived, she would pick the fresh, sweet berries from her large garden. After cleaning and slicing them, she would sprinkle them lightly with sugar and let them sit out on the kitchen counter until dessert time. Her homemade shortcakes would be cooling on a rack on the counter right beside the strawberries.

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oatmealraisincookies.jpg The thing I remember most about baking oatmeal cookies when I was 8 years old was that the bottoms always burned.  Even if you faithfully followed the recipe on the back of the Quaker Oats box to a tee, which I absolutely did, when you pulled the sheet out of the oven, slid your spatula under that first lightly browned mound and peered hopefully at its underside, all you got was burned.

Over the years, I tried greasing the pan and not greasing the pan. I used the milk, I didn’t use the milk, I sifted and then I didn’t.  I lowered the oven temperature, baked them on the bottom rack, the upper rack, a shorter time, a longer time.   But no matter what I did or didn’t do, the outcome was the same: rear ends black as coal.  There was just no justice.  And you know what they say:  No justice, no oatmeal cookie.

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artichokewhole.jpgGrowing up, my brother Paul was good at baseball, my brother Chris was good at math, and I was good at eating.

I don't mean I ate a lot (which I did). I mean I was a skilled eater. I could eat a big bowl of spaghetti without splashing my top with gravy. Every time. I could rearrange the components of a New England boiled dinner on my plate so that you would swear I had eaten virtually all of it, when in fact, I hadn't even touched it.

Some families would show off their kids at a violin or dance recital, my parents would invite people over to watch me eat an artichoke.

By age six, I was a virtuoso artichoke eater. It was a performance I had mastered like no other.

Whenever we had artichokes, I would be wiping the last drop of lemony juice from my lips, while all of the adults at the table were still hacking and picking at the outer leaves. Even my athletically gifted older brother was clueless when it came to the heart. Dumb jock.

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