Food, Family and Memory

Peter John is my favorite cousin. He has a knack for saying, in a hilarious manner, what everyone else is thinking. At a family dinner he once joked that in the event of World War III, after the nuclear fall out, he would somehow manage to make it to my dad’s house, because it would be the only place left in Rhode Island that wouldn't run out of food.

It's true. My dad has a large basement whose food contents could rival that of any Super Stop n’ Shop or Costco. I am not sure if this is an Italian thing, or a 1950's bomb shelter thing, or because he grew up in a large family where money was not plentiful but manual labor was. I could write several posts about his canning tomatoes, pickling peppers, and stuffing sausages his whole life. I suspect there is a part of him hard-wired to always have ample amounts of food stored. Trust me, he does.

When I was a kid growing up in Birmingham, Alabama, my favorite food in the whole wide world were sugar cookies from Savage's Bakery in Homewood. Made fresh daily, from before I could even walk, I used to go in there with my mother to buy bread and other baked goods, knowing that every trip to Savage's always ended with a big fat old-fashioned buttery cookie, cooked to the perfect yellow consistency and coated with the best flakes of sugary sweetness that would melt in your mouth.

Old Mr. Savage used to laugh everytime I came in the door saying he remembered me coming there when I couldn't even open the door by myself, always wide-eyed in hopes that there was a fresh batch of cookies hot out of the oven.   Whenever he or one of the women behind the counter saw me walking down the street, they would usually greet me  holding one out for me as soon as I walked inside.

Wednesday was a special day in my house when I was a child. My father was a pharmacist, my mother stayed home to take care of us. To help make ends meet, he worked a second job on Wednesday evenings and Saturday afternoons at a local drug store in addition to his usual 9-5 gig at the local hospital. Thirty years ago being a pharmacist didn’t bring in the big bucks it does today and with four kids, he had his hands full. He was never home until long after dinner on Wednesdays and we were always excited for his return, partly because he brought with him our weekly chocolate treat – plain M&Ms.

This was in the days when they came in only five colors: Dark Brown, Tan, Orange, Yellow and Green. Red was one of the original colors, but had been outlawed in 1976 (due to a toxic dye scare) and wouldn’t return until 1987, quickly followed by every other color under the rainbow. 

Candy was rare in our household and we were thrilled to get it. My Dad only ever bought two bags, so my siblings and I were required to share, but that never diminished the joy. My younger sister and I would each grab a plastic blue teacup, pour the candy onto the countertop and divide them exactly in half, by color.  Then we would scoop the luscious morsels into our cups and retreat to opposite corners of the living room to savor them in happy silence.

It took me half my life to realize that when Guadalupe Contreras says “Gadaymee”, she means to say, “Goddamn it”. I thought for years that she had been referring to my sister, whose name is Amy, with a level of stifled frustration that I found hard to account for. I told a Spanish-speaking friend about this misunderstanding a while back, and he in turn informed me that my Spanish pronunciation of “I’m scared” (tengo miedo) sounds a lot like “I have shit” (tengo mierda). I relayed this conversation to Lupe. She claimed to disagree.

There are some things whose very greatness lies in the fact that they can’t be translated, or imitated at all, without some diminishment of their essence. This is often the case with poetry in translation, but I believe the phenomenon extends to other things, like bed-head, or fans of the Boston Red Sox. We read translations anyway, of course, secure that what we find in them will still be more than enough, that the meaning of a word, a palabra, can transcend language. Recipes can be like this for those who collect them, more than a list of ingredients, or a formula for the cook. Cooking from a recipe, or merely writing it down, is itself an act of translation, and so the closer that recipe comes to the source, the better. I feel this way about Albondigas soup, which is why my sister and I decided to take a lesson in preparing it from the true master, a woman who takes her own sources seriously, kneading raw beef like bread dough, and starting her meat stock with a pile of scary, dull white bones: Guadalupe Contreras.