A Celebration of Chefs and Others

Once Anthony Bourdain left The Food Network in a trail of acrimonious dust, he started a second television career on The Travel Channel. The show (”No Reservations”) was better (because, among other things, they allowed Anthony to be his acerbic, outrageous self) but he was gone from my life because the Travel Channel was not available from our cable company. We ordered episodes from Netflix, took them out of the library, and once, in a media coup that rivalled the day when my brother and I tuned in what we believed to be “porn”on the TV in the living room by fiddling rabbit ears and vertical hold, we found one episode of “No Reservations” on “On Demand,” and watched it with the fervor and intensity appropriate for a bootleg copy of Tommy and Pamela.

Then, one day, the Travel Channel appeared as I was flipping up towards the Premiums, bearing the portentous channel assignment “123.” (It’s portentous because I can remember it). We fell, that evening, under the spell of a young man named Adam Richman, and a show called “Man v. Food.” We fell hard. It is fabulous beyond all reckoning that we can now see “No Reservations” before the episodes are two years old, and there are a couple of other shows on the channel that we’ve enjoyed, but Richman is a revelation of how a network can combine really smart and really commercially appealing and create something that appeals to a large and diverse audience.

Eating alone is a trying thing for some people, writing cooking and eating off as products of a banal bodily necessity. I love to eat and cook alone, using the kitchen as an improvisational laboratory to experiment with recipe ideas, flavor combinations, and cooking techniques. MFK Fisher, a witty food writer with a fluid, deeply expressive writing style bursting with gastronomic knowledge, shared my passion. She was one of the best food writers out there, blurring the lines between the genres of food anthropology, ecology, travel literature, and cooking.

Simply put, she made being a foodie cool long before it was fashionable. Her great strength as a writer is her ability to drag you into her prose to taste, smell, and feel your way through her experiences in and around the kitchen. Mary Frances was not afraid to dine alone, in fact she loved it, and one short and sweet chapter of her An Alphabet for Gourmets sums up her point of view. “It took me several years of such periods of being alone to learn how to care for myself, at least at table. I came to believe that since nobody else dared feed me as I wished to be fed. I must do it myself, and with as much aplomb as I could muster.” In regards to eating alone, I have taken a page from her book, and as a result treat myself to lavish meals regularly.

...It wasn’t the hot time in Paris that caused the shift, though. It was Michael, my friend Michael Roberts, who I loved so much and miss so dearly. There are times, even though I detest making phone calls, when I just want to call him up and hear his voice. He had a lilt to his tone, happy, like a young boy, and genuine. Surprised and happy you were calling him and ready to have a laugh with you. He was my first chef. He was the man who set me straight as best as any man can. He was my first chef, the first I’d really ever met, actually, so let’s hear it for starting at the top.

My friend, Michael Roberts was “The Chef”, a pioneer on many levels and a dear and wonderful man. It’s only fitting that I begin my series on chefs and what motivates, inspires, nourishes and continues to ignite their fires, with my dearly departed pal Mikie, as some people could call him, but not too often! It’s with love, humility and gratitude I share my friendship with Michael Roberts, partner and chef of the Los Angeles Restaurant, Trumps, the place to see and be seen, at lunch, dinner and high tea from 1980 until 1992...

Although my commute is a short one, traffic puts me in a bad mood. I’m impatient and irritated, not qualities that make for a tranquil drive.  My commuter’s grumpiness was recently soothed by none other than Jacques Pepin himself, master chef, teacher, and internet star along with the beloved Julia Child and others.  He didn’t actually sit next to me flipping crepes in the passenger seat, but he did write the wonderful book The Apprentice: My Life in the Kitchen (Houghton Mifflin, 2003), and I borrowed the audio book from the equally wonderful public library. 

Pepin does not do the narrating on the audio book himself, and I suspect his accent may have been one of the reasons.  The lack of his own voice is perhaps the only issue I have with the audiobook.  The narrator speaks with just a smidge of a French accent, so he is easy to understand, but he is not a skilled reader and sometimes lets the natural drama in some of Jacques’s stories fall flat.  If you’ve ever seen Jacques Pepin on one of his television cooking shows, you know he has personality, and his energy and humor would have made the audio version of a wonderful read soar.  Stories of childhood summers spent on farms during World War II and then years in his mother’s restaurant followed by grueling apprenticeships in classical French restaurants often made me wish my drive home was longer.