A Celebration of Chefs and Others

Though I am not a foodie, I like watching chefs on TV. They are the new "rock stars" and their antics are often equal amounts amusing, terrible and inspirational (in the kitchen, that is). It's hard to imagine a city's food lovers more connected to a chef than Los Angeles is to Ludo Lefebvre. Trying to get a reservation to his tri-annual, 6-week pop-up restaurant is harder than getting VIP passes backstage to U2. (I'm guessing, but I don't think I'm far off.) When out dining in LA, the conversation, if you're with passionate diners, inevitably turns to the hottest local chefs and eventually to LudoBites - how many you've been to (3), which incarnations (3.0, 4.0 and 6.0) and how much time/how many computers you had running trying to get one of the elusive reservations on OpenTable…before it crashed for those trying to get into 5.0 and 6.0. This last time for 007 (back downtown at Gram & Papas), it went off without a hitch – that is if you got into the system in the first 2 minutes, which by the grace of God my Man did.

It's probably unfathomable to those living outside our city – which is known for its over-hyping everything (see Carmageddon) – why people are so rabid to get into LudoBites. For all the great press he receives from local bloggers and a certain section of the food press, there's equal derision by more traditional outlets that seem to feel that if he is such a great chef he should have his own restaurant. That the "pop-up" thing is just a ploy to make him famous for fame's sake instead of for the quality and creativity of his food. All I can say to that is he's been cooking since he was 14 (he's currently 39) in some of the best French restaurants in the world, so the man has skills. Whether you like how he constructs his plates and flavors, well that's up to you.

My mother's bedside table was laden with books about food. On any given night it might be Julia Child’s Mastering the Art of French Cooking. Or Michael Field’s Cooking School. Or the massive two-volume set of The Gourmet Cookbook.

I ended up with her copies of those books, and when I took them home and paged through, I wasn’t surprised that not a single page was soiled. That’s because although she loved, loved, loved food, she didn’t actually cook…except for blanching and roasting the occasional pound of almonds on the cook’s day off. 

The pages with Julia’s roast duck and basic quiche recipes are now well splattered, since I not only read those books but I also love to cook.  My cookbooks are well behaved and stay in the kitchen, but my bedside table is often loaded with books about food. 

This year, in our house, we're cooking our version of Suzanne Goin's succotash.  Of course, Suzanne Goin doesn't call it succotash; in her book Sunday Suppers at Luques, she calls it sweet corn, green cabbage and bacon.  We call it succotash because we throw in some lima beans and way more butter:

Cut 6 thick slices of bacon into small pieces and cook in a casserole until crispy.   Remove and drain.   Melt 1 stick of butter in the remaining bacon grease and add 1 sliced onion and some salt and pepper.   Saute for a few minutes, then add half a small green cabbage, sliced, and cook until wilted.   Add 2 packages of cooked frozen lima beans and 2 packages of frozen corn.   Cook about 5 minutes, stirring, till the corn is done.   You can do this in advance.   Reheat gently and add the bacon bits.   (Of course you might be able to get fresh corn, in which case feel free to overreach.) 

- Recipe courtesy of Nora Ephron

In 1944, Ella Mae Morse had a hit single that began:

Milkman, keep those bottles quiet
Can’t use that jive on my milk diet

That was before my time, but in the ’50s and ’60s the milkman came to our house three times a week, leaving bottles of milk on the back stoop and taking away the empties. The glass bottles would clink in the milkman’s wire basket – a gentle sound I took as a music cue to start my homework.