A Celebration of Chefs and Others

Who knew from Mexico whilst being brought up in the Monopoly board burbs of Southern New England in the fifties?  It seemed a very distant land – exotic, fantastic – as foreign and far away as California.  The word Mexico called to mind jumping beans, dancing with sombreros,  "Z's" slashed midair,  Cisco and his humble sidekick Pancho galloping away, Pancho Gonzales slamming a tennis serve, Speedy Gonzalez slamming a cat — a lot of really speedy stuff.  It's no wonder I thought the Mexican peoples only ate fast food.

I was growing up in the miraculous new age of instant gratification grub.  Chinese food, pizza, take out burgers, and foods hunted and gathered from pouches and frozen boxes were America's new staples. New sorts of consumables were purchased by my parents weekly. I recall my first corn products off a cob – daffy yellow corn chips crunched hand over fist in front of the television console, lumped into a large category called  "snacks."  Anything one ate away from the dinner table and consumed mindlessly, endlessly, with no silverware, that soiled your fingers and "ruined your appetite" was a "snack."  So when I visited California in seventy-two and experienced Mexican food at a party for the first time,  corn chips dipped in a tasty chartreuse paste, it continued to seem "snack,"  and not to be taken seriously.

Call it denial having taken this long to write about it. Call it anything you want but there will be NO MORE Gourmet magazine in anyones mailbox ever again and that will take a lot of getting use to. It was always the first food magazine that I opened each month, the others could wait. Of course it's shocking and sad, the end of an era and no more Ruth piloting the ship. And I will most miss her.

I have to admit that I was less then happy when she became the "new" editor, the magazine changed so dramatically or was it overdue to become more modern? Less elitist, less snobby, more real, perhaps? Well, Ruth you sure changed it! Last year I had the pleasure of spending a few hours with Ms. Reichl at a literary writers weekend in Camden, Maine. As part of the weekend event the hosts invited us to a Saturday night "church supper" Maine style. In the big, white Congregational church nestled among the oldest grove of Maple trees in full color was the venue for the event. Various restaurants in the area were picked to make each different course for the dinner.

This is an excerpt from the book "Clothing Optional: And Other Ways to Read These Stories" published by Villard.

We had just started Saturday Night Live, I was an apprentice writer, 24 years old and I felt intimidated.  Chevy was hysterically funny. So was John and Danny and Gilda and Franken. And Michael O’Donoghue, well, Michael O’Donoghue simply scared the shit out of me. So I stayed pretty much to myself.

One day I came to work, and on my desk was a framed cartoon. A drawing – no caption – of a drunken rabbi staggering home late and holding a wine bottle. And waiting for him on the other side of the door was his angry wife, getting ready to hit him with a Torah instead of a rolling pin. I had no idea who put it there. I started looking around and out of the corner of my eye I saw a white-haired man in his office, laughing.  He had put it there. That was the first communication I had with Herb Sargent– which was significant given that he never spoke and he gave me a cartoon that had no caption.

Spending 14-hour days in command of a restaurant kitchen can take a toll, both physically and emotionally. So when it’s time to move on, where do chefs go?

It turns out, not very far. In most cases, successful chefs do not retire in the traditional sense. Instead, they often begin a second act, where they re-invent themselves – in classrooms, lower-key kitchens, or at different kinds of food-industry jobs. Rarely does a dedicated chef completely shut the door on the culinary world.

“There’s definitely an addictive aspect to the restaurant business,” says Richard Hanna, an instructor at Le Cordon Bleu College of Culinary Arts in Pasadena.

Hanna, 47, has been an executive chef for restaurants and owns Mission Bistro, a corporate food service company, but a high point of his second act is teaching. He finds students are eager to learn from an experienced chef, and “I’ve been doing this so long I have 3 different ways I can show them” any cooking challenge.