Food, Family and Memory

What do you get for the man who has everything, wants nothing, but gets anything he does want for himself? No, it’s not a trick math question; it’s my real life, eternal conundrum.

My husband has worked since his early 20s. He has taken care of his children, his parents, bought homes, cars, and all that he has ever needed. Now it’s his Big Birthday. All that I have to give him is love.

But shouldn’t we do something to mark the occasion? What? Where? A party?

I will give him a name for the sake of this story. Michael. Michael will tell you he has no friends, so no on a party, since there will be no one to invite. He exaggerates. He has some friends. Most of them live in New York. That is where he’s from and where he would like to live. But we live in L.A. He goes to New York whenever he gets the chance. He is a much happier man there. I rarely see him as happy as he is during those few days before leaving to go home to Manhattan. He often tells me he only came to Los Angeles on a business trip. It turned into a very long business trip. One, in which he married, had two kids, divorced, and remarried – me. But, how can I make him happy by moving with him back to New York when all our kids live here in Los Angeles? This is our home.

Months before the Big Day, I began coming up with ideas. “I think I know where we should celebrate your birthday. This is perfect. You want to visit your aunt so – Miami?!?” I didn’t get a big yes on that. I only got an “I’ll think about it.” Moving on, I came up with, “Let’s go to Santa Barbara for a night -- but with all the kids and everyone can have a room in the groovy hotel?” I got another, “I’ll think about it.”

I’ve had two mothers-in-law. Neither were big fans of mine. One was the “I will not reveal my recipes to you” kind, and the other, many years ago, gave me the few recipes I still use. I think I’m kind of likeable, but maybe not if I’m married to your son? Moving on.

Cooking scares me. I’m just not that talented in the kitchen. I can dance. But I can’t follow steps. Cooking is all burners and timing and chopping and it’s something that has always overwhelmed me. So, here is what I am: a great guest. I’ll eat your food. I’ll tell you how great it tastes. I actually clap, applauding you when I’m sated.

I’m in awe of traditions that people have created. I dropped that ball. I’ve been divorced, and with blended families found it’s just not my thing. But I appreciate this quality in other people, and this Chanukah my husband and I were invited to our friends Chuck and Karen’s party.

You walked through the front door into the tantalizing aroma of potato pancakes. Like a bloodhound, I followed the scent till I was at the stove where two of my friends, now married 37 years, were hard at work. A tag team of latke makers, Richard was using a ladle to drop the round balls into burning oil. At his side, JoAnn, with a spatula, turned and removed them from the heat at just the right moment. I watched, mesmerized.

This is a story about Beef Stroganoff. But before your mind wanders to sour cream and Russian Tzars, picture the small kitchen in which it was created. Probably 9 by 9, with a rudimentary stove, a wooden counter which doubled as a chopping board, a hatch leading into a dining room, a single sink with a window facing onto the mountain, with the silver birch trees, where the blueberries and wild strawberries grew in the summer. The larder, where on special occasions gravlaks was made (weighed down with wooden boards and round lead sinkers), was reached via a trap door in the wooden floor, the entrance covered by a red and white rag rug.

Because this story takes place a long time ago, when I was just a small child, the details of the preparation of the stroganoff are hazy. In those days such things did not interest me, and although no doubt many conversations were had by the grown-ups in the family about which butcher had the best meat as it was a special occasion -- and just on that day money didn't seem to matter quite as much -- I think I may have been sitting on the roof of the wooden outhouse, picking black morello cherries and stuffing them into my mouth at the time.

I did know that when the meat did arrive -- via my grandfather's dark red Lancia with its sweet-smelling leather seats -- there was a great welcoming party consisting of my grandmother, my mother, my aunt, maybe even my father in his rolled up jeans and a fish bucket, having coincidentally just stepped off the boat after a morning of catching cod and mackerel in the days when cod were as bountiful as the little crabs under the jetty. My grandfather was in his city clothes, his doctor clothes. The dark grey wool trousers, the pale blue shirt, the elaborately polished brown loafers he wore in Oslo. He carried the special stroganoff beef in front of him, laying it on his two hands like a tray, wrapped in white butcher paper and tied with twine. He had a smile on his face.

Built in 1933, the handsome round red brick building was called  "La Ronda de las Estrellas" (the round court of the stars) which provided Westwood village with its early identity.  On the south wall of La Ronda (on the Lindbrook drive side) is a hand painted fresco (now faded) of a maid and a man of old Spain, playing his guitar, painted by artist, Margaret Dobson, who flew in from France to do the work, when the building was erected.

La Ronda was open in the center like a doughnut and several little businesses were housed inside the ring.  The first little restaurant established in the Village, called the Talk Of The Town, was housed in what we now call the Studio (where everyone wants to sit, particularly the celebrities). Additionally, there was a childrens boutique called Dina Carroll which offered expensive childrens clothing from Europe and a fine stationery store called Hazel Crist that is situated in what is now our Kitchen.