It took me half my life to realize that when Guadalupe Contreras says “Gadaymee”, she means to say, “Goddamn it”. I thought for years that she had been referring to my sister, whose name is Amy, with a level of stifled frustration that I found hard to account for. I told a Spanish-speaking friend about this misunderstanding a while back, and he in turn informed me that my Spanish pronunciation of “I’m scared” (tengo miedo) sounds a lot like “I have shit” (tengo mierda). I relayed this conversation to Lupe. She claimed to disagree.
There are some things whose very greatness lies in the fact that they can’t be translated, or imitated at all, without some diminishment of their essence. This is often the case with poetry in translation, but I believe the phenomenon extends to other things, like bed-head, or fans of the Boston Red Sox. We read translations anyway, of course, secure that what we find in them will still be more than enough, that the meaning of a word, a palabra, can transcend language. Recipes can be like this for those who collect them, more than a list of ingredients, or a formula for the cook. Cooking from a recipe, or merely writing it down, is itself an act of translation, and so the closer that recipe comes to the source, the better. I feel this way about Albondigas soup, which is why my sister and I decided to take a lesson in preparing it from the true master, a woman who takes her own sources seriously, kneading raw beef like bread dough, and starting her meat stock with a pile of scary, dull white bones: Guadalupe Contreras.