Food, Family, and Memory

morisot_woman-at-her-toilette
“…I remember, as the chief result, a very pleasant little supper after the theatre, at Miss Tempest’s house near Regent’s Park, for the purpose of talking the matter over.”

-Edith Wharton, A Backward Glance

I had always rather imagined myself living the sort of life in which after theatre dinners would figure quite prominently. There would also be suppers after the opera, the symphony and the series of Beethoven string quartets. I would nibble on some grapes, and maybe have some tea and biscuits to tide me over as I got dressed and did my hair and makeup, and after the performance I would come in from the cold (it’s always cold in this particular fantasy), my head still full of this character or that movement, to the smell of something delicious to eat.

While I readily acknowledge that this dream of mine is largely the result of reading far too many 19th and early 20th century novels involving the British aristocracy and their American descendants (Henry James! Edith Wharton!!). I have stubbornly clung to the hope that at least once before I died, someone would have dinner ready for me when I got home from a performance. I can now say that it happened, and that it was less elegant, but just as wonderful as I had hoped.

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hollycakeIt's autumn and that means....

Max's Fresh Raspberry + Pear Bundt Cake with Buttercream Frosting

This cake was the result of what I didn't have.  I wanted to make a cake for my son's birthday, but it was late in the afternoon and I didn't have time to drive to the store.  So I decided to just wing it in the kitchen, which always leads to the new and unexpected.  Plus, the birthday son isn't a stickler about his birthday cake and in truth doesn't even like sweets.  This gave me permission to experiment. 

So I guess I should call this Max's Fresh Raspberry and Pear Cake.  I'm honoring him. This cake is dense, moist, filed with hunks of fruit, and in my estimation, delicious.  I'm fairly certain that it's also not on any diet plans. I serve it topped with Buttercream frosting, the kind that you make from a SINGLE BOX of powdered sugar (recipe on the back of the blue box -- you add to the powered sugar a cube of butter, a 1/4 cup of whole milk and a teaspoon of vanilla.  Beat with the blender.  Works every time). 

Let us begin....

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butcher-shop-victoria-heryetThis is a story about Beef Stroganoff. But before your mind wanders to sour cream and Russian Tzars, picture the small kitchen in which it was created. Probably 9 by 9, with a rudimentary stove, a wooden counter which doubled as a chopping board, a hatch leading into a dining room, a single sink with a window facing onto the mountain, with the silver birch trees, where the blueberries and wild strawberries grew in the summer. The larder, where on special occasions gravlaks was made (weighed down with wooden boards and round lead sinkers), was reached via a trap door in the wooden floor, the entrance covered by a red and white rag rug.

Because this story takes place a long time ago, when I was just a small child, the details of the preparation of the stroganoff are hazy. In those days such things did not interest me, and although no doubt many conversations were had by the grown-ups in the family about which butcher had the best meat as it was a special occasion -- and just on that day money didn't seem to matter quite as much -- I think I may have been sitting on the roof of the wooden outhouse, picking black morello cherries and stuffing them into my mouth at the time.

I did know that when the meat did arrive -- via my grandfather's dark red Lancia with its sweet-smelling leather seats -- there was a great welcoming party consisting of my grandmother, my mother, my aunt, maybe even my father in his rolled up jeans and a fish bucket, having coincidentally just stepped off the boat after a morning of catching cod and mackerel in the days when cod were as bountiful as the little crabs under the jetty. My grandfather was in his city clothes, his doctor clothes. The dark grey wool trousers, the pale blue shirt, the elaborately polished brown loafers he wore in Oslo. He carried the special stroganoff beef in front of him, laying it on his two hands like a tray, wrapped in white butcher paper and tied with twine. He had a smile on his face.

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chocolatesquares “Can we have dessert?” my four-year-old grandson asks, a conspiratorial half-smile pulling down the right side of his mouth. He knows full well that this is not dessert time, but also knows that spending special time with Mama Dora means tossing all parental restrictions to the wind. Ice cream? Yes! Cookies? Why not! Chocolate? Of course! As far as I’m concerned, a grandparent’s holy responsibility is to spoil the grandchild. The parents’ holy responsibility is to deal with the aftermath—a sugar-filled, hyper child, who’ll climb up walls and spin like a possessed dreidel. So! We will have chocolate, I silently decide, my own mouth watering.

“Two,” he negotiates. “Two what?” I ask, as if I don’t know. “These tiny square, brown things,” he says, without naming chocolate, as if voicing the magic word might summon his parents, heaven forbid. “Ok,” I reply “two.” So we march to the kitchen, arrange the table with china plates and napkins. It’s important to set a good example even, or especially, when chocolate is at stake. I put two chocolates on each of our plates. Help him up the stool and sit next to him.

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blizzard.jpgOn December 24th, 1963, Philadelphia was hit with a rip-roaring blizzard.  I’ll never forget it.  By evening, the drifts were well past knee-high.  Snowflakes swirled in the halos of streetlights.  Driving anywhere was out of the question.  Wrapped up in coats, boots, gloves, hats and scarves, and loaded down with bags of presents, my girlfriend Bonnie, my mother and I set out on foot for Aunt Tilda’s house.  What would have been a 7-minute drive turned into an hour trek.   I remember laughing so hard we could hardly walk.  We knew we were crazy to be slogging through such a storm, but we were determined to reach our destination.  It was Christmas Eve, and Aunt Tilda had prepared the traditional Italian Feast of Seven Fishes.

Tilda’s house was decorated to the rafters.  Twinkling lights outlined every window.  Tiny red and green Christmas balls hung from each curtain ruffle.  Swags of tinsel garland draped the mirrors.  The huge tree was covered with hundreds of ornaments she had been collecting for decades.  At its top perched a gossamer angel.  And beneath its bedecked branches, nestled the white and gold 30-piece Nativity set that Tilda had stayed up into the wee hours painting on many a sweltering summer night.

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