Food, Family, and Memory

This is an excerpt from the book "Clothing Optional: And Other Ways to Read These Stories"

weekend_update_b.jpgWe had just started Saturday Night Live, I was an apprentice writer, 24 years old and I felt intimidated.  Chevy was hysterically funny. So was John and Danny and Gilda and Franken. And Michael O’Donoghue, well, Michael O’Donoghue simply scared the shit out of me. So I stayed pretty much to myself. One day I came to work, and on my desk was a framed cartoon. A drawing – no caption – of a drunken rabbi staggering home late and holding a wine bottle. And waiting for him on the other side of the door was his angry wife, getting ready to hit him with a Torah instead of a rolling pin. I had no idea who put it there. I started looking around and out of the corner of my eye I saw a white-haired man in his office, laughing.  He had put it there. That was the first communication I had with Herb Sargent– which was significant given that he never spoke and he gave me a cartoon that had no caption.

30rock.jpgI had seen him years before. Or at least I think I did. When I was a kid. My father manufactured jewelry and he had his shop on 52nd Street between Fifth and Madison. I used to come into the city from Long Island and run errands for him during the summer. And no matter where the delivery was supposed to go, I made sure I got there by going through the lobby of what was then called the RCA Building, 30 Rockefeller Plaza, with the hopes that maybe I would see Johnny Carson (whose show was upstairs) or some of the people from That Was the Week That Was: Buck Henry, Bob Dishy, David Frost – or Herb Sargent, who was the producer. I knew his name from the credits. As a young boy who wanted to be a TV writer some day, this was like hanging around outside of Yankee Stadium waiting to see the players going through to the clubhouse.

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chickensaladwrap.jpg My mom taught me how to cook. I was lucky she was the kind of mom who encouraged me to be in the kitchen. She would often turn her favorite room over to me, making me feel as though I was a scientist working in my own private laboratory. I would pretend I was testing recipes in the Pillsbury kitchens.

My mom did have one rule, though, that she insisted I learn and practice. When dirty bowls and pots and spoons and measuring cups started to pile up on the kitchen counter, she'd quickly remind me of the rule: "Susie, clean up as you go."

Mom believed that as long as you stayed on top of the mess, you'd have a pleasant experience in the kitchen. And everything would turn out much better. I'm pretty sure she was right about that. I was thinking about my mom as I prepared her favorite chicken salad. And I could almost hear her reminding me to clean up after each step.

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roux-2.jpg As any good Cajun cook will tell you, "First you make a roux." But what, you might ask, is a roux?.

Even with the proliferation over the last couple of decades of Cajun chefs, Cajun restaurants and Cajun cookbooks, blackened this and blackened that (what ever that means); most non- Cajun aficionados of South Louisiana’s cuisine can’t explain a roux either.

But I was in luck Sunday when an actual real life Cajun from Kraemer Louisiana, my best pal Keith, showed up at my kitchen door in Silver Lake. "I heard ya'll needed some help with a roux."

As my fellow Louisianaian explains, the gumbo starts with the cast iron skillet, not the roux. If you don’t have a thick skillet the heat won’t distribute properly and the roux will be either over or under cooked. With that in mind, I turn the fire on high and pour one cup of canola oil in the skillet along with one piece of bacon. The bacon adds a subtle flavor and also serves somewhat like a canary in a coal mine. If the bacon cooks too fast the fire’s too hot (I said kinda like a canary in a coal mine).

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Trolling for Mackerel - Lucy DahlWhen I was a child, for two weeks every summer, my family would go to a small town in Norway called Fevik. We would stay in a hotel called the Strand Hotel, which is, now, a home for the elderly. We were a large family, four children, (I was the youngest), my mother, my Norwegian father, and his sister, Else.

Our days were filled with expeditions that usually involved catching our lunch, by crabbing or trolling for mackerel which we would cook over a fire on a nearby island that was deserted, but for moss and heather.   

I never understood why we couldn't stay at the hotel for lunch, like the other families. The explanation was always the same, it was too expensive and there were too many of us, something that I now fully understand.

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jessiejuneatlake.jpgIf you’ve never read Elizabeth Gilbert’s book, “The Last American Man”, I suggest you pick it up this Fourth for a bit of quirky, patriotic fun.  It chronicles the true story of a modern day hero who lives in a teepee in the Appalachian Mountains, eating only what he himself picks, raises or kills.  The guy is an egomaniac and a genius, and the writing, especially when detailing how he forages in the woods, is funny and sensitive and page-turningly good.     

The only problem with that book is the title.  He’s not the last American man. My mother is.

She spends every summer, and most of every fall, wading through rivers with a fly-fishing rod, and hiking giant, shale-covered mountains to sleep under the stars.  She’s had staring contests with bears and cougars, weathered lightning storms under scraggly trees, and once hiked three miles back to her truck with a broken tailbone.   

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