Food, Family and Memory

“Can we have dessert?” my four-year-old grandson asks, a conspiratorial half-smile pulling down the right side of his mouth. He knows full well that this is not dessert time, but also knows that spending special time with Mama Dora means tossing all parental restrictions to the wind. Ice cream? Yes! Cookies? Why not! Chocolate? Of course! As far as I’m concerned, a grandparent’s holy responsibility is to spoil the grandchild. The parents’ holy responsibility is to deal with the aftermath—a sugar-filled, hyper child, who’ll climb up walls and spin like a possessed dreidel. So! We will have chocolate, I silently decide, my own mouth watering.

“Two,” he negotiates. “Two what?” I ask, as if I don’t know. “These tiny square, brown things,” he says, without naming chocolate, as if voicing the magic word might summon his parents, heaven forbid. “Ok,” I reply “two.” So we march to the kitchen, arrange the table with china plates and napkins. It’s important to set a good example even, or especially, when chocolate is at stake. I put two chocolates on each of our plates. Help him up the stool and sit next to him.

As Mother's Day quickly approaches, I am reminded of the many reasons I love my mother.  She is smart, kind, funny and she makes one hell of a good Hershey Bar Cake - you see, I grew up with Betty Crocker.
 
While Wikipedia defines Betty Crocker as "an invented persona and mascot, a brand name and trademark of American food company General Mills," my own personal Betty Crocker is a flesh and blood person who happens to be related to me and goes by the name of Jodie.
 
While I was growing up the fictitious Betty Crocker was famous for such delicacies as "dunkaroos" (snacks containing frosting and cookies) and "mystery fruit cake;" but my own in-home version could whip up just about anything to rival her.  My mother's specialties, always made for the sweetest "sweet tooth," included lemon icebox pie with a Vanilla Wafer crust, bittersweet chocolate chip cookies, a pound cake that defined the law of gravity, a sour cream coffee cake that me makes salivate just thinking of it, and the chewiest brownies possible made with Droste's cocoa imported from Holland ("Corners, please!")

I haven't been watching many reality shows lately because of the crying. There is simply too much of it. Last season on Project Runway, Christopher cried because he was sure that he was the only person in the world who would design a dress inspired by a rock (something I am sure he is wrong about). I have no idea how much crying there is on The Hills, since I was never a fan, but it did catch my attention in People magazine that Heidi Montag, star of the show, cried after she had ten plastic surgery procedures in one day. Heidi, I know from a quick Google search, is 23, although since her plastic surgery she looks 33. Which is actually something to cry about.

I have been interested in and done research on this subject spun slightly different: What happens if your mother (not your favorite reality star) has plastic surgery? This is the subject of my new novel for teenagers, The Girl with the Mermaid Hair.

If, as a teenager, you spend hours in front of a mirror deciding, say, whether one nostril is larger than the other or worrying whether your breasts point in different directions (typical teenage obsessing), do you outgrow this madness or make more radical choices if your mother comes home with larger lips, a smaller ass, a new chin, a different nose, bigger breasts? How do you feel if your mom suddenly doesn't have any expression in her face? Or if you look into your mother's eyes and no one is home?

Two times a week I have to find stuff to do for several hours in Old Town Pasadena. This is a part of Pasadena that is, well, the oldest.  If you can imagine any part of California old, this is it. Many of the ‘old money’ resides here and the architecture reflects the Spanish influence tinged with Victorian and Craftsman flavor. The reason I go is because my daughter Hannah is a competitive cheerleader. Not the kind connected with a school. She’s too young for that. The kind from Bring It On. The kind you see on ESPN. My little Westside dolly is the one they throw up in the air. The one who brings her leg back to touch her head while being hoisted aloft.  Frankly, I’d puke if I ever had the guts to get up there, but she’s tough and fearless.

If you attend one of these competitions, which I’ve done for many seasons now, you hear sped up hip-hop for hours on end. I actually like hip hop to some degree, but after hours of it, I want to kill myself. This past season, her team; Explosion, had a sixties theme, so their music was a mash up of Sam and Dave, Buffalo Springfield, The Beatles, The Monkees, Steppenwolf etc. It was fabulous and they took first place nine times out of the eleven times they competed. Obviously, not because of the music, but because they ‘stuck it’ every time.