A Celebration of Chefs

marceau_marcel.jpg When I was 15 years old I went to Royce Hall at UCLA to see Marcel Marceau.  I really hate admitting that because people razz me about it all the time, but honestly, I was dazzled by what I saw. The idea that you could make people laugh without uttering one word fascinated me.  Seeing him play the strong man in the circus and give the illusion of holding an enormous barbell as he bends all the way back to the ground, or “walkeeng against zee weend”, or being trapped in ‘zee box’, just blew me away man.

I don’t know what gave me the balls to do this, but I went backstage. After gushing for 5 minutes I asked him if he could recommend someone in Los Angeles who could teach me the technique. Let me first say, that when he opened his mouth and spoke, out came a high-pitched, reedy voice. He chose the right trade. But the guy was so kind and gracious. He told me that Richmond Shepard was a former student of his and a good teacher. 

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carrotcake.jpg

Alton Brown's 18-Carrot Cake

While the name of this cake is 18-Carrot Cake, there are not eighteen carrots in here, nor does it refer to gold in any way, Alton Brown just liked the name.

I make carrot cake every year for my husband's birthday, it's his favorite.  And every year, I make a different recipe for no other reason than to just try another variation.  Why not? This one was quite excellent with a very refined texture.  I love Alton Brown and the science background he puts behind every recipe.  His cookbook goes into deep explanations as to how and why we mix, stir, beat etc.  If you are interested, it's worth the read and gives you reason for doing the things we do in the kitchen.  I like that.

I have always believed many baking failures occur because of mis-measurement of ingredients and over-mixing errors.  I love that Alton's cookbooks give a weight and volume measurement for every ingredient.  I decided to even weigh my spices this time around and it was eye-opening to see how "off" measuring spoons can be in reference to what a certain ingredient should weigh.

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surfas2.jpgThe other day, my daughter Hannah and I stopped by Surfas. It always surprises me when she wants to go there, since their prepared food is, lets just say..um..esoteric.  She ordered the 72 layer biscuit with ham and cheese and drank a Bubble Up. Oh to be 13, 5’5” and weigh 98 lbs.  After that, as we crossed over into the store, a fellow cradling a basket of hot baguettes narrowly missed running into me as he made his way to his station or should I say ‘kingdom’, because this guy rules!

Hannah and I watched him set up the baguettes and tend to a customer at the newly established Cheese Bar. If you haven’t been to Surfas lately, there have been some delightful additions to the whole experience.

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menudesign.jpgMillions of people all over the world will open a restaurant menu today. They will look at menus for the food and the price and make their selection, then the menu will lay on the table, ignored, an annoyance taking up elbow space.

Not so for Jim Heinmann, whose new book Menu Design in America: 1850-1985 (Taschen) asks that you set aside the hunger pangs and examine the menu, admire its design. Heimann’s book made its appearance at one of the best-catered signings in recent history. Delicacies and drinks provided by Taschen’s Beverly Hills store’s glamorous neighbors: Mr. Chow, Spago, The Cheese Story Beverly Hills, Vosges Haut Chocolate, The Spare Room and Remy U.S.A.

The dress code was country club casual. I was struck by a number of women with seventy-year old hands and faces as smooth as river stones in pretty summer dresses, light layers of lavender and other gentle shades of purple daringly accented with a coral pink or chartreuse accessory.  Their hair was sparse with age but coiffed into cotton candy halos. It was all very Palm Beach or Palm Springs on Easter Sunday, or Beverly Hills before black became de rigueur. None of them smoked, not upstairs at the open-air bar or out on the clean, expansive sidewalk, but their hushed, hoarse voices betrayed a secret habit, some sweet vice recently abandoned.

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nyesha-arringtonLiving in LA is easy. Eating out here is hard. Sure you can wear whatever you want, and reservations for most places aren't necessary, but the high prices for ho-hum food and lackluster service by kids waiting on you while waiting for their big break (this is not a myth) mostly keeps us at home where the food is at least warm, the company enjoyable and (for us) the wine cellar filled with lovely selections. When we want a fix of beautiful, inventive food, we just turn on Top Chef and watch the pans fly. That's where we discovered Nyesha Arrington.

A contestant on the recent season in Texas, we couldn't help but root for her and Chris Crary, another LA chef to win the top prize. They both seemed, not only genuinely talented, but to be decent people as well. Which is not, by the way, a requirement for a chef, though it probably helps in the kitchen and certainly when you're on reality TV. Unless you want to be cast as the villain. They say all publicity is good publicity, but that is surely a double-sword when you're "playing" yourself. Regardless, we would be able to taste their food and, yes, the fact that we saw them on TV did sway us to go to their respective restaurants. Actors are a dime a dozen. Someone who can cook perfect pork belly truly has my attention.

We met Nyesha at LudoBites 8.0 while she was waiting to be seated. We felt a bit silly, nervous and dorky approaching her to chat, but she was incredibly gracious and I think a bit surprised to be recognized. (She was not eating yet. We would never be so rude as to interrupt someone in that manner.) We told her how impressed we were with her kitchen skills, especially during the Last Chance Kitchen segments, and promised to come into Wilshire soon. (She's the executive chef.) We had been there once - before she took over the kitchen - and enjoyed the experience, so now we were doubly excited.

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