This is a story about Beef Stroganoff. But before your mind wanders to sour cream and Russian Tzars, picture the small kitchen in which it was created. Probably 9 by 9, with a rudimentary stove, a wooden counter which doubled as a chopping board, a hatch leading into a dining room, a single sink with a window facing onto the mountain, with the silver birch trees, where the blueberries and wild strawberries grew in the summer. The larder, where on special occasions gravlaks was made (weighed down with wooden boards and round lead sinkers), was reached via a trap door in the wooden floor, the entrance covered by a red and white rag rug.
Because this story takes place a long time ago, when I was just a small child, the details of the preparation of the stroganoff are hazy. In those days such things did not interest me, and although no doubt many conversations were had by the grown-ups in the family about which butcher had the best meat as it was a special occasion -- and just on that day money didn't seem to matter quite as much -- I think I may have been sitting on the roof of the wooden outhouse, picking black morello cherries and stuffing them into my mouth at the time.
I did know that when the meat did arrive -- via my grandfather's dark red Lancia with its sweet-smelling leather seats -- there was a great welcoming party consisting of my grandmother, my mother, my aunt, maybe even my father in his rolled up jeans and a fish bucket, having coincidentally just stepped off the boat after a morning of catching cod and mackerel in the days when cod were as bountiful as the little crabs under the jetty. My grandfather was in his city clothes, his doctor clothes. The dark grey wool trousers, the pale blue shirt, the elaborately polished brown loafers he wore in Oslo. He carried the special stroganoff beef in front of him, laying it on his two hands like a tray, wrapped in white butcher paper and tied with twine. He had a smile on his face.
My mother, having fallen down the stairs and broken her leg on June 8, has left the hospital and moved to something called a Sub-Acute Rehab Facility. I believe, based on keen observation, that that means “not as bad as being in the hospital but we will still wake you in the night to take your vitals and you will still have a roommate who watches game shows all day long at a volume calculated to shatter Plexiglas.” It also means that the food is still bad.
In our house, the first smell of Thanksgiving was not turkey roasting or pumpkin pie but the bleach-sweet steam of my mother ironing the good tablecloth. I remember it from a time when I was small enough to creep unnoticed beneath the ironing board while she painstakingly transformed an undistinguished hump of wrinkled linen into a curtain of shimmering white. With a curt flick of her wrist, my mother sprinkled each length with water from a yellow, plastic bottle designed for this purpose, and then the iron would sizzle a path just above my head. Soon I was surrounded by a linen tent. The smell sparkled like hot stars.
Food and death are a marvelous combination, except for when one
suddenly causes the other. In my family, news of someone’s passing
usually initiates a steady stream of food delivered to the ground zero
of loss. Sandwich platters, rice puddings, and pink cardboard pastry
boxes tied up with string. These are a few of my favorite things. The
food, not the death part.
Many years ago, more than 30, there was a little boy who loved apples. On sunny autumn days, he and his mom would each put on a warm, cozy sweatshirt. They would get in the car and take a short drive to their favorite apple orchard.