Food, Family and Memory

As my birthday approaches I can't help but think of my sisters - I'm the middle one - and my maternal grandmother. My sisters and I are born two years apart, with our birthdays all in the last week of September. If you do the math, I guess one can blame the joyful spirit of the holidays on the closeness of the timing.

My brother, as the oldest and only boy, always seemed to get special treatment over us girls. I'm sure he felt tortured by his loud, energetic sisters, but at least he never had to share his birthday party. I can't really blame my parents for lumping our "big days" all together on the middle weekend between them all. My father worked two jobs to support his young family, so lack of money paired with convenience produced - throughout our childhood - one giant party for "the girls." It was a "more-the-merrier" type of event and we were all showered with enough gifts to make us contented despite the lack of individual attention.

When we were very young my mother took care of the cake, but as we got older and began developing our own opinions, all we ever wanted was my grandmother's Red Velvet Cake. I can't remember the first time I ate it, but I can still taste it today. It was the same every time with a dense, almost chewy texture; the sweet tang of the cream cheese frosting; that distinct something-more-than-just-chocolate flavor that distinguishes this classic cake from all others.

Last year, we had friends and family over to celebrate La Vigilia, which is a traditional Christmas Eve feast that had its beginnings in the south of Italy. It celebrates the wait for the birth of baby Jesus. Vigilia – the wait. Traditionally the meal is comprised of seven fish dishes – including shellfish, of course – and it can be one of the great feasts of the year. It can be a blowout, actually, un cenone, which means a very large and very long dinner.

We decided to go another way. Yes, we would do the seven fishes but we would take it easy on ourselves – just three courses instead of seven – plus dessert at the end, of course — and we split up the work load between four cooks: myself, the eminent Don Michele di Sicilia, our daughter, Alison and her beau, Shannon. So it was a kind of BYOF – bring your own fishes.

We had twelve people for dinner. We started with one of my favorite appetizers – anchovies on sweet-buttered bread. That’s it – as simple as you can get, but the combination of the briny fish and the sweet butter is one of the great single bites of all time.

I haven't been watching many reality shows lately because of the crying. There is simply too much of it. Last season on Project Runway, Christopher cried because he was sure that he was the only person in the world who would design a dress inspired by a rock (something I am sure he is wrong about). I have no idea how much crying there is on The Hills, since I was never a fan, but it did catch my attention in People magazine that Heidi Montag, star of the show, cried after she had ten plastic surgery procedures in one day. Heidi, I know from a quick Google search, is 23, although since her plastic surgery she looks 33. Which is actually something to cry about.

I have been interested in and done research on this subject spun slightly different: What happens if your mother (not your favorite reality star) has plastic surgery? This is the subject of my new novel for teenagers, The Girl with the Mermaid Hair.

If, as a teenager, you spend hours in front of a mirror deciding, say, whether one nostril is larger than the other or worrying whether your breasts point in different directions (typical teenage obsessing), do you outgrow this madness or make more radical choices if your mother comes home with larger lips, a smaller ass, a new chin, a different nose, bigger breasts? How do you feel if your mom suddenly doesn't have any expression in her face? Or if you look into your mother's eyes and no one is home?

I wish I could tell you exactly how many yards it was for me to get to Roxbury Park to give you the visual.    A hop.   Not even a skip and a jump.  I walked two houses up, crossed Olympic and I was there.

That is where I spent my summers.  Basically, doing absolutely nothing.  Kind of like a Seinfeld episode.  No sunblock.  No checking in with my mother.  I didn’t excel at anything in Roxbury Park.  Not at caroms.  Not the monkey bars.  And certainly not the rings.

At the rings, I watched other kids adept at swinging quickly back and forth from one to the next.  I stood high up one day, grabbed ahold and leapt off, but unable to catch the next ring, which seemed to move further and further away, I landed back where I started.  I spent long days trying to push myself further until I did finally grab onto that second one, which was such a victory.   Then I kept swinging back and forth, trying to gain the momentum I would need to get to the next, but failed and dropped to the ground.  Again I tried, over and over, all summer until I was finally able to go back and forth, leaving the other kids waiting in line, drumming their fingers.  And like a monkey, I would copy what the other ring junkies would do just before taking over the set for their performance.  They would dig their hands into the sand and rub some of it between their palms for better friction.  Or use chalk.   It never seemed to work for me, but I did it to look cool, like them.  Inevitably all us monkeys ended up with blisters.