How in this sweet
aftermath of everything the mind
should settle on plums
Geri Doran
“Blue Plums”
If poetry is all about the image, then it’s understandable why so many poets have written about food. Writing about food is like writing about a lover. The poet can—and does, joyously—explore all the senses. In “I Chop Some Parsley While Listening to Art Blakey’s Version of ‘Three Blind Mice,’” Billy Collins raises dicing herbs and vegetables while listening to jazz to a whole new level of food prep. Last semester, a student’s poem about warm pita and honey inspired my class to have a party where we drank tea and prepared and ate the subject of her poem.
Of all the food groups, however, it is fruit that has inspired the greatest outpouring. What better object to evoke sensations of sweetness and succulence? What better metaphor for the body? What better metaphor for the pleasures of poetry itself? Diane Wakoski’s “Ode to a Lebanese Crock of Olives,” one of her many food poems and a veritable cornucopia of shimmering ingredients, spills over to include “the gold of lemons” and “the still life of grapes.” In “A Step Away From Them,’ Frank O’Hara’s lunch includes “a glass of papaya juice.” That’s the “lunch poem” that ends with the lines “My heart is in my / pocket, it is Poems by Pierre Reverdy,”
German grandmothers mixing up sweet yeast dough to form coffee cakes filled with fresh fruit of the season and rich, creamy custard made with real cream have been passing along the kuchen tradition for generations.
Do you remember how a peanut butter sandwich always tasted better when your mom made it? Just a couple of slices of bread sandwiching peanut butter. I’d make my own sandwich and it just never tasted as good as the one mom made for me.
If you consider yourself "pie crust challenged", this recipe is your new best friend. I first saw this pie over at Lisa's blog and I knew I had to give it a try, it looked delicious.