Food, Family and Memory

This is a story about Beef Stroganoff. But before your mind wanders to sour cream and Russian Tzars, picture the small kitchen in which it was created. Probably 9 by 9, with a rudimentary stove, a wooden counter which doubled as a chopping board, a hatch leading into a dining room, a single sink with a window facing onto the mountain, with the silver birch trees, where the blueberries and wild strawberries grew in the summer. The larder, where on special occasions gravlaks was made (weighed down with wooden boards and round lead sinkers), was reached via a trap door in the wooden floor, the entrance covered by a red and white rag rug.

Because this story takes place a long time ago, when I was just a small child, the details of the preparation of the stroganoff are hazy. In those days such things did not interest me, and although no doubt many conversations were had by the grown-ups in the family about which butcher had the best meat as it was a special occasion -- and just on that day money didn't seem to matter quite as much -- I think I may have been sitting on the roof of the wooden outhouse, picking black morello cherries and stuffing them into my mouth at the time.

I did know that when the meat did arrive -- via my grandfather's dark red Lancia with its sweet-smelling leather seats -- there was a great welcoming party consisting of my grandmother, my mother, my aunt, maybe even my father in his rolled up jeans and a fish bucket, having coincidentally just stepped off the boat after a morning of catching cod and mackerel in the days when cod were as bountiful as the little crabs under the jetty. My grandfather was in his city clothes, his doctor clothes. The dark grey wool trousers, the pale blue shirt, the elaborately polished brown loafers he wore in Oslo. He carried the special stroganoff beef in front of him, laying it on his two hands like a tray, wrapped in white butcher paper and tied with twine. He had a smile on his face.

Built in 1933, the handsome round red brick building was called  "La Ronda de las Estrellas" (the round court of the stars) which provided Westwood village with its early identity.  On the south wall of La Ronda (on the Lindbrook drive side) is a hand painted fresco (now faded) of a maid and a man of old Spain, playing his guitar, painted by artist, Margaret Dobson, who flew in from France to do the work, when the building was erected.

La Ronda was open in the center like a doughnut and several little businesses were housed inside the ring.  The first little restaurant established in the Village, called the Talk Of The Town, was housed in what we now call the Studio (where everyone wants to sit, particularly the celebrities). Additionally, there was a childrens boutique called Dina Carroll which offered expensive childrens clothing from Europe and a fine stationery store called Hazel Crist that is situated in what is now our Kitchen. 

I’m changing – slowly, but surely, morphing into some life form I no longer recognize as myself. With this neurotic thought stampeding through my mind, I rise this morning and put up a pot of Rose’s favorite coffee—Peets Major Dickason. Despite her penchant to skip breakfast, I prepare a healthful little dish, hoping my angel will think twice: a dollop of non-fat yogurt sprinkled with Urth Café granola and topped with a red glistening strawberry. Into the kitchen she comes, looking every bit the marketing director of an International law firm that she is and the woman whose bras I’m continually picking up off our bedroom floor. I proudly present her the breakfast plate. “Would you mind getting my dry cleaning today, honey?” she asks, walking by me to the coffee pot, where she fills her cup to the brim. I tell her I’ll think about it. A perfunctory peck to my cheek and she’s gone, off to work.

A few seconds later and a forty-pound school bag strapped to his back, Julian comes clomping down the stairs and into my face, “You’re nuts if you think I’m gonna eat that!” he warns, motioning derisively to the plate I find I’m still holding. In one large spoonful I consume the yogurt and take him to school, stopping along the way at Starbucks for his customary ham and egg sandwich; after numerous attempts at getting Julian to eat real eggs I have given up; begrudgingly conceded that the disgusting pale yellow layer in the sandwich he crams into his mouth each morning, while not the Real McCoy, is, at the very least, some distant relative.

I grew up in a family in which manners extended well beyond “please” and “thank you,” and the placement of one’s napkin on one’s lap. I answered the phone “Graham residence, Ann speaking” and said “excuse me” before I interrupted adult conversation. I was also expected to recognize adult conversation, and to refrain from interjecting my own opinions or anecdotes unless they were requested. I was never encouraged to believe that I had the same rights as adults in the household, and consistently taught to consider “the other person” in matters which ranged from sitting through dull stories told by old people to expressing great joy upon receiving a(nother) knitted hat for Christmas.

My brother and I were not allowed to chew gum, yell or play loud music in the house, or to thump up and down the stairs. We wrote thank-you notes, ate what we were served as guests and held doors for people. My mother disapproved of containers (milk, catsup, salsa, soda bottles) on the table, and required that condiments be decanted, and that we knew which forks and spoons were used for what purpose. We could sit through a concert or lecture without getting up or rattling wrappers, and we could eat at a nice restaurant without disturbing other diners. If we had to, we could sit still while the adults drank (endless) cups of coffee after dinner  and discussed people we didn’t know. We were not allowed to use the words “fart” or “butt” or to comment in any way about the passing of gas.