Christmas

I grew up singing Bach hymns before dinner.  We were all terrible singers, but it didn’t matter:  my mother trained us to sing in parts.  Children, adults and even teenage boys would toil our way through “Now Thank We All Our God.”  My mother wasn’t interested in musical quality, but in the virtues of complexity and genius.     

My mother, Carol Bly, is a writer, and it was always enormously clear to us that the focus of her passionate life was her study – no June Cleaver, she merely tolerated the kitchen.  She had started her married life with no knowledge of cooking whatsoever, doggedly making her way through The Joy of Cooking, which combined the dubious pleasures of simplicity with – well – simplicity.  She made the Joy’s recipes a bit more complex by eschewing white sugar and white flour and sprinkling wheat germ where possible.  The goal was not an aesthetic one, any more than our Bach choral performances were.

But during Christmas she would put aside her battered Joy of Cooking and take out that homage to fine cuisine, Julia Child’s 1967 Mastering the Art of French Cooking.  She had the same two-volume set as did Julie Powell’s mother, with a cover, in Powell’s description, “spangled with tomato-colored fleurs-de-lys.”  In Julie & Julia, Powell calls the recipes “incantatory.”  They were that, and fiendishly difficult too.  Perfect, from my mother’s point-of-view, for important days.  For a normal dinner, we might eat spaghetti, but Christmas had to be marked by true effort and a gesture toward culinary genius.  

Spending countless hours trapped in a cold, dimly lit basement -- that's what I remember about Christmas.

In fact, it's my favorite memory of Christmas. I don't remember gifts I gave or received (except for my pink Huffy bike in 1979), but I do remember making Christmas cookies with my mom, which we did together for 20 years. Each year, it was a massive project that began in the market, moved to the kitchen, and was completed in the basement.

After numerous trips to the grocery store to buy obscene amounts of flour, sugar, butter, eggs, and chocolate, we would bake for 4-5 days straight, making about 2,000 cookies (that is not hyperbole).

Everyone got a tray of our cookies, including the paper boy. It got to the point that people would make special requests of my mom: please put more biscotti or pignoli cookies on their tray.

My mom never complained; she had the patience of a saint. Even when I added baking soda instead of baking powder (which I did) or dropped eggs down the front of the refrigerator (did that too), she never yelled. She always said something like, "That's alright, honey. It can be cleaned up." Then we would start the recipe over again.

My grandmother, Nan, loved to receive shirt boxes at Christmas every year. Not shirts, just the boxes. After Christmas, my mom and I would bring them over her house, where she would stack them in a closet, then insist we sit down at the kitchen table and have something to eat.

Wondering what she did with all those boxes? She used them store her pizzelle cookies. She needed a lot of boxes because she made a lot of pizzelles – for birthdays, anniversaries, and holidays. It's not just my grandmother, all Italians enjoy them for celebrations.

Pizzelles are round Italian waffle-like cookies made from flour, sugar, eggs, and butter and are typically flavored with anise or vanilla. The name pizzelle comes from the Italian pizze, meaning "flat" or "round."

Ever since reading Rousseau’s On the Origin of Language, the idea of the origin myth has compelled me to wonder at the root of things. I treasure the O.E.D., find it fascinating that Hammer Pants were born out of misread lyrics during development of the U Can’t Touch This video, and relish in the ongoing debate over how the Caesar salad came to be.

As with the Caesar salad, I’m intrigued by things with no definite origin – thereby inviting invention – like how Rousseau posits that language originated with a boy wanting to talk to a girl while collecting water for their respective families.

In this fashion, I’m incited to uncover, or create the origin of one side of my family’s Dungeness Crab Christmas Eve tradition. But first it’ll help if I briefly explain my family, and my relationship to Christmas.

Suffice to say my family fits well into the postmodern framework: fractured, multiple centers, consider any single member and you’ll discover a constellation of relationships. So I’ll leave it at this: a name means as much as a title. I have parents and siblings.