Christmas

mainesnow.jpgHere in Maine we await a "super storm" that is huge and rushing across the United States, or so they say. Six to twelve inches of snow, turning to freezing rain with high winds.  Sounds  like Winter weather in Maine, not too unusual. It isn't the size of the storm it's what you find to make it fun that counts and I have a plan to enjoy it!  In between plowing I will be making our Mother's tortiere pies and perhaps having a slice for lunch and another with a pot of hot tea in the afternoon to warm up.

What is tortiere pie? To my family it is a ground pork and beef pie flavored with chopped onions, spices and thickened with mashed Maine potatoes then put into a double butter crust. I said my family, the Gagne family, my Mother's recipe, made the same way for at least 5 generations. It isn't like the Belanger's who add no beef just pork, a totally different spice mixture and a Crisco crust or the Bourassa family that adds small chunks of pork instead of ground pork, they add no potatoes, quatre spice and a lard pastry crust.

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duckbreast.jpgGrowing up eating roast duck often, especially during holidays, stoked my love for all things duck. Foie gras, pâté, or duck confit, I love it all. It's a rich food in more ways than one. But for the holidays it's worth a little splurge. Most of my family's Thanksgivings were always about the juicy roast duck and not the dry turkey. As the years passed we've held to American tradition and dined on turkey for Thanksgiving, but we always have duck on Christmas day. Roasting is a great technique, but sometimes the breast tends to get dry since it cooks faster. I find the best way to cook it is by searing, which renders all the fat and crisps the skin, leaving behind a very flavorful, medium-rare cut of meat. Any steak lover would be pleased with the result. Plus searing is a fast and simple technique that does not have to be limited to holidays.

Duck always pairs well with something sweet, tart, tannic, and astringent. All of those lip-smacking aspects work to cut the richness of the duck. A good tart, tannic wine is also a must. But I knew I had the perfect pairing in pomegranate juice, pressed from the jewels or arils of pomegranates. The red, hexagonal pod fruit is readily available in the markets in the winter season. I had already been planning on developing a recipe to feature this duck-pomegranate pairing when POM Wonderful contacted me to see if I was interested in taking up a challenge of cooking with their juice. I agreed and was sent a box of juice bottles to experiment with. From that juice I was able to create the feature sauce and a complementary vinaigrette for the salad.

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My Mother Vina
My Mother Vina circa 1957

Instead of turkey, mashed potatoes, etc., stuffed grape leaves (along with shish-kabob and pilaf) is the traditional centerpiece of our Christmas dinner.

Disclaimer:  Every script I’ve ever written is overly descriptive and too long, so no doubt this recipe will be, too.  Apologies in advance. 

 

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tvm2162_072707_coconutcake_l.jpgWhen I was growing up, my favorite grown-up restaurant was SCANDIA in Hollywood.  Run by Ken Hanson, this award-winning Scandinavian eatery was the place my family flocked to for holidays, not just birthday dinners and Sweet 16 luncheons, but also un-Hallmark events—like when I cut my head and all I wanted was Scandia’s Swedish meatballs so my dad got them on his way home from the set of “The Untouchables” episode he wrote. 

At the time, there wasn’t a big L.A. take-out scene, but Scandia accommodated because it was elegant enough to be casual.  Scandia was the treat I always chose when my mom and I collectively took the day off from life (for me, high school; for her, writing/editing and house stuff) to hang out together.  And a few years after my mom died, I chose Scandia to go to the night a movie I wrote opened.

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french_cooking_sm.jpgI grew up singing Bach hymns before dinner.  We were all terrible singers, but it didn’t matter:  my mother trained us to sing in parts.  Children, adults and even teenage boys would toil our way through “Now Thank We All Our God.”  My mother wasn’t interested in musical quality, but in the virtues of complexity and genius.     

My mother, Carol Bly, is a writer, and it was always enormously clear to us that the focus of her passionate life was her study – no June Cleaver, she merely tolerated the kitchen.  She had started her married life with no knowledge of cooking whatsoever, doggedly making her way through The Joy of Cooking, which combined the dubious pleasures of simplicity with – well – simplicity.  She made the Joy’s recipes a bit more complex by eschewing white sugar and white flour and sprinkling wheat germ where possible.  The goal was not an aesthetic one, any more than our Bach choral performances were.

But during Christmas she would put aside her battered Joy of Cooking and take out that homage to fine cuisine, Julia Child’s 1967 Mastering the Art of French Cooking.  She had the same two-volume set as did Julie Powell’s mother, with a cover, in Powell’s description, “spangled with tomato-colored fleurs-de-lys.”  In Julie & Julia, Powell calls the recipes “incantatory.”  They were that, and fiendishly difficult too.  Perfect, from my mother’s point-of-view, for important days.  For a normal dinner, we might eat spaghetti, but Christmas had to be marked by true effort and a gesture toward culinary genius.  

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