How in this sweet
aftermath of everything the mind
should settle on plums
Geri Doran
“Blue Plums”
If poetry is all about the image, then it’s understandable why so many poets have written about food. Writing about food is like writing about a lover. The poet can—and does, joyously—explore all the senses. In “I Chop Some Parsley While Listening to Art Blakey’s Version of ‘Three Blind Mice,’” Billy Collins raises dicing herbs and vegetables while listening to jazz to a whole new level of food prep. Last semester, a student’s poem about warm pita and honey inspired my class to have a party where we drank tea and prepared and ate the subject of her poem.
Of all the food groups, however, it is fruit that has inspired the greatest outpouring. What better object to evoke sensations of sweetness and succulence? What better metaphor for the body? What better metaphor for the pleasures of poetry itself? Diane Wakoski’s “Ode to a Lebanese Crock of Olives,” one of her many food poems and a veritable cornucopia of shimmering ingredients, spills over to include “the gold of lemons” and “the still life of grapes.” In “A Step Away From Them,’ Frank O’Hara’s lunch includes “a glass of papaya juice.” That’s the “lunch poem” that ends with the lines “My heart is in my / pocket, it is Poems by Pierre Reverdy,”