New York

The word on the street is that Mario Batali has been losing sleep. He’s been seen pacing up and down in front of his various restaurants, wringing his hands and sighing – all because he heard I’ve been visiting Eataly, the Batali/ Bastianich Italian food extravaganza on 23rd St. and Fifth Avenue, and that I’m finally ready to weigh in with my considered opinion.

Well Mario, you can relax. I’m kind of crazy about the place. I actually like it more each time I go. Here are a few experiences: My first visit was two days after Eataly opened and the place was a mob scene. Mario was holding forth in the middle of it all, the cameras were whirling and I wanted out as soon as we – Jill and I and our friends, Joe and Teresa — walked through the door. We looked around as best we could but we could barely move, much less see. It seemed more like a trade-show floor than a market.

We finally managed to finesse a row of stools at the vegetarian counter, the least populated of the eating areas. I argued for the two-hour wait at the pasta/pizza emporium, but I was voted down. So there I am — all grumpy about being forced to eat vegetables, feeling crowded and bumped and stepped on, and suddenly – miracle of miracles — the vegetarian counter is fantastic.

My friend, Barbara and I were escaping the icy tundra of Maine for a long weekend in New York City to indulge in great food, theater and art.

We started our Sunday morning at the MOMA as the doors opened. Up to the fifth floor we flew. As I walked into the first gallery I was overcome with the ‘scent’ of a museum. I love that smell. My soul was being ‘refilled’. I was free floating in art heaven when I noticed Barbara looking at her watch so we wouldn’t be late for the lunch reservations she made. I looked the other way and thought about disappearing into the crowd. We had 2 more floors when it was time to go. I thought, today lunch is such an interruption.

Our greeting from the Maitre D’ was warm, friendly and he was impeccably attired. He led us to a nice table with a stellar view of the printed glass mural by Thomas Demand, Clearing II. I was concerned that only two tables were occupied-why was this not a popular place? At that point, I had no idea there was a restaurant worthy of a Michelin star in the MOMA and we had lunch reservations at it. Yes, it was the Bar Room at The Modern. I hadn’t asked a single question about our Sunday reservations. A simple, quick lunch and back to exploring two more floors of art was exciting enough for me.

The Big Dog and I lunched this afternoon at Ai Fiori, The Big Dog is my high-priced attorney. We were discussing some ultra-subtle legal maneuver that could only be fully investigated in a very, very good Italian restaurant. You’ll be happy to know that we solved all our problems — and everyone else’s, as well. It was a very nice lunch.

Ai Fiori is a Michael White creation. I had dined at his Marea after everybody told me this guy made the best pasta in town. I was concerned about this because I thought I made the best pasta in town. Well, okay, he gets paid for it and justifiably so.

Ai Fiori is sleek and rich. It’s on the second floor, which allows a nice light through the windows and a quiet midtown buzz. It’s in the Setai Hotel, which is a lovely new hotel on Fifth Avenue just below Thirty-Seventh Street.

The lunch menu is prix fixe – a choice of any two courses for thirty-six bucks, which given the quality of food, has to be one of the best deals in town.

We finally got up on the roof at Eataly for a German-Italian- American-style lunch at Birreria.

Like most things at Eataly it did not disappoint. Birreria is a stunner — a wide open rooftop with views of the Flatiron Building to the Southwest and the Empire State Building looming over the campanile-style Metropolitan Life Building to the North.

The inner visuals satisfy as well — the eye gets stimulated as well as the appetite. There’s a retractable vaulted ceiling that gives you that German-beer-hall-we’re-all-going-to-get loaded-together feeling, but then there’s this red motif with the chairs and a lot of natural wood that makes you think you’re in … I don’t know … California? Anyway, it’s good. You want to be there.

They’re making their own beer, of course — that’s on one side behind a glass wall with serious-looking copper vats with pipes coming out of them. On the other side of the room they have wines coming out of spigots from big barrels. Mario, I love you.