New York

I had an experience the other night that was right out of Larry David’s universe or Seinfeld’s. A classic. I’ll try to describe it for you.

It was around 9:45 and I was at Danji, the wonderful Korean fusion restaurant on West 52nd Street, waiting for Jill after her show. Our friends Florence and Richard Fabricant were seeing the show that night and we were all going to have dinner. I know that mentioning Florence Fabricant is name- dropping – I apologize — but her position as a famous food writer for the NY Times is part of the story.

So, I’m sitting at the bar, sipping a nice white with a Japanese name from Alsace. Yeah, a Japanese wine from Alsace – or an Alsatian wine with a Japanese owner – whatever – it’s very good.

I get the manager’s eye and he comes over.

“I’m with the Fabricant party. I’m the first to arrive,” I say.

He looks into his book, shakes his head and says, “You know, we don’t normally take reservations.”

It’s Sunday morning, and the last thing I want to hear is a discrete ringing sound, calling out from my computer, to alert me that I have mail. I ignore my computer, throw on my jeans, and catch the train into the city. The first and only thing on my mind, on this day, is an Upper West Side brunch that comes with a wonderful, delectable, cappuccino – I hope.

And it was the best Sunday morning cappuccino since Cafe della Pace nearly three months ago.

It was actually my first cappuccino in several weeks. After receiving a pay check the day before, I felt that it was ultimately time to treat myself. As I neared the restaurant, Cafe Lalo, I took note of several photos outside.

Each photo read “You’ve got mail” and had screen captures of the infamous romantic comedy which starred Meg Ryan and Tom Hanks nearly a decade ago.

Suddenly, the once annoying ring of “You’ve got Mail” had turned into a welcomed thought. “Oh. I will have a cappuccino where one of my favorite films was shot. At Cafe Lalo how lovely.”

We finally got up on the roof at Eataly for a German-Italian- American-style lunch at Birreria.

Like most things at Eataly it did not disappoint. Birreria is a stunner — a wide open rooftop with views of the Flatiron Building to the Southwest and the Empire State Building looming over the campanile-style Metropolitan Life Building to the North.

The inner visuals satisfy as well — the eye gets stimulated as well as the appetite. There’s a retractable vaulted ceiling that gives you that German-beer-hall-we’re-all-going-to-get loaded-together feeling, but then there’s this red motif with the chairs and a lot of natural wood that makes you think you’re in … I don’t know … California? Anyway, it’s good. You want to be there.

They’re making their own beer, of course — that’s on one side behind a glass wall with serious-looking copper vats with pipes coming out of them. On the other side of the room they have wines coming out of spigots from big barrels. Mario, I love you.

My new best friend, Laraine Newman, recently took me to Carmines here in Los Angeles, an old school Italian joint that was once the stomping grounds of the Rat pack. From what I heard, there was quite a lot of stomping that took place there. Not only rich in City of Angels History, it has terrific food and a staff eager to please. If you ever feel the need to step back in time and slip your butt into a comfy old red leather banquette that boasts the resting places– at least temporarily – of such legendary butts as those belonging to Dean Martin, Sammy Davis Jr., and Frank Sinatra, this is the place. A history of Carmines is available on this site, written by Laraine, and is well worth the read.

However, my Carmines story involves the other coast. In the early 90’s, Godfried Polistanna and partners opened what was the first new ‘Family Style’ restaurant in maybe fifty years on Manhattan’s Upper West side.  Designed to look like it had been there for ages, it was also as ‘old school’ as a new place could be. A huge space with lots of dark wood, simple tables and white linen, it was adorned with mismatched chandeliers and lamps, its walls covered with old photographs of every conceivable Italian looking man, woman, child and family. It was a revived Don Peppi’s in Queens, a throwback to the Italian joints on Arthur Avenue in the Bronx, and it was a huge, huge hit. Most nights the wait for a table was two hours, maybe more. People couldn’t get enough of it.