New York

BarRoomMy friend, Barbara and I were escaping the icy tundra of Maine for a long weekend in New York City to indulge in great food, theater and art.

We started our Sunday morning at the MOMA as the doors opened. Up to the fifth floor we flew. As I walked into the first gallery I was overcome with the ‘scent’ of a museum. I love that smell. My soul was being ‘refilled’. I was free floating in art heaven when I noticed Barbara looking at her watch so we wouldn’t be late for the lunch reservations she made. I looked the other way and thought about disappearing into the crowd. We had 2 more floors when it was time to go. I thought, today lunch is such an interruption.

Our greeting from the Maitre D’ was warm, friendly and he was impeccably attired. He led us to a nice table with a stellar view of the printed glass mural by Thomas Demand, Clearing II. I was concerned that only two tables were occupied-why was this not a popular place? At that point, I had no idea there was a restaurant worthy of a Michelin star in the MOMA and we had lunch reservations at it. Yes, it was the Bar Room at The Modern. I hadn’t asked a single question about our Sunday reservations. A simple, quick lunch and back to exploring two more floors of art was exciting enough for me.

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1cafeorlin.jpgThere are many foods I will not miss about New York City: street cart hot dogs dressed in a syrupy mess called “onions,” over-priced dry pasta from ancient red sauce joints in Little Italy, the thousand dairy-free sugar-free fat-free ice cream substitute Tasti-Delite variants, which taste like glue after the first lick. But I long for Café Orlin, the Middle Eastern-inflected diner on Saint Mark’s Place where I think I spent a quarter of my income the past two years.

My standby meal in college was Diana’s Breakfast, hummus drizzled with olive oil, chopped tomato, and onion; tabouli; and two eggs any style (I had mine sunny-side up). I ordered extra pita and a side of homemade harissa and I constructed two little Middle Eastern tacos of the various ingredients and nibble at them slowly. My then-boyfriend and I ate this meal almost every day, with coffee (Americano with milk in undergrad, skim cappuccino during the pursuit of my Master’s degree). Once, when I was home in Chicago, he called me during breakfast. My mother told him I was eating “hummus with eggs and tabouli,” then passed the phone to me.

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painchocolat.jpgMy father has a way of making everything unforgettable.  He’s loud, temperamental, incredibly passionate, and a romantic to the core.  So it seemed completely natural to me when he took me to Paris for my 14th birthday so that I “would see Paris for the first time with a man who truly loved me”.  He showed me the sights, took me out to fantastic meals, and I left Paris with two promises to myself – that I would find pain au chocolat (chocolate croissant) as delicious as the ones we devoured for breakfast every morning in Paris and that I would one day return to Paris with the person I was madly in love with. My father was absolutely right about Paris being a city to only share with those you love.

It took me 16 years and many pain au chocolat experiences to finally discover what I’d encountered on my birthday trip to Paris.  In the midst of Manhattan, in the Upper East Side at Payard’s, a charming French patisserie and bistro, was the perfect buttery flaky croissant filled with rich chocolate.  Who was making such delectable pain au chocolat? Only a French man, of course!

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indianfood.jpg I first fell in love with Indian food while working at a company in West Hollywood and my boss, who was a true asshole with excellent taste in food, always ordered lunches from Anarkali.  I would drive to pick up the large order for practically everyone in the office, and savored the few minutes I spent inside there while waiting for the food. Anarkali's low ceilings and uber-decorative booths offered a sweet escape from my days at work.  And they always gave me free beer, which I would give to the head of the company because I was still 18 and not quite ready to drink on the job. 

The array of foods on the table in the center of the office would bring everyone together and I slipped in and out of taste bud sensations.  I had never liked Indian food, until Anarkali. Then I started eating it all the time.  It worked perfectly for my family because now they didn't have to wait until I wasn't home for dinner before ordering Indian.  I still remember the styrofoam platters (a rare allowance for my mother) lined up across the kitchen counter as everyone served themselves buffet style.

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momatartareWorking on an article for Bespoke Magazine about multi-course upscale dining, I interviewed Chef Gabriel Kreuther at MoMA's The Modern.

We talked on the phone for half an hour during which time he told me about his culinary background ("Alsatian"), his opinion about double-digit multi-course dining like Thomas Keller's 24 course-meals ("afterwards, aren't there maybe 2 or 3 dishes that were memorable? why not just have those next time.") and why he loved cooking in a museum ("the art inspires me in the kitchen").

At the end of the conversation he offered, "Next time you're in New York, I want you to come to the restaurant and taste my food." Happily I was flying into the city the next day so I could accept the invitation.

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