New York

I was lucky enough to snag a seat at the hallowed (and reservation demented) Momofuku Ko in New York in early October because someone had (oh my god!) cancelled and I was quick enough to grab the reservation. For those of you not yet in the know, Ko is the premier flagship in wunderkind David Chang’s gastronomic empire. In keeping with its cutting edge food and service (the chefs, like sushi chefs, do the serving but not the busing), Ko only allows you to make on-line reservations. Just like Amazon.com, you need to open an on-line account (something I had done about six months earlier) which allows you the opportunity, and some would argue esteemed privilege, to make a reservation. This system guarantees a degree of egalitarianism which, as an attorney with a career dedicated to civil liberties, I really should respect and appreciate. So even if your last name is DeNiro or Gates, you (or your assistant) still have to compete with the masses in making a mad digital dash to score a reservation. As a supreme testament to Ko’s popularity and scrumptiousness, over the last year, even as the echo of high-end restaurants slamming their doors shut reverberated throughout Manhattan, Ko rarely had a night when it wasn’t booked to capacity for at least a week in advance.

Working on an article for Bespoke Magazine about multi-course upscale dining, I interviewed Chef Gabriel Kreuther at MoMA's The Modern.

We talked on the phone for half an hour during which time he told me about his culinary background ("Alsatian"), his opinion about double-digit multi-course dining like Thomas Keller's 24 course-meals ("afterwards, aren't there maybe 2 or 3 dishes that were memorable? why not just have those next time.") and why he loved cooking in a museum ("the art inspires me in the kitchen").

At the end of the conversation he offered, "Next time you're in New York, I want you to come to the restaurant and taste my food." Happily I was flying into the city the next day so I could accept the invitation.

Nestled under a nail salon, down just a few stairs, there lives an outpost of delicate seafood, with a touch of unexpected spice.

The thing most people will have heard of from Chef Andres Figueroa’s Mexican-inspired tapas menu is the crickets. I think most of the conversations will go something like this:

“It’s a new place where you can get crickets!” “Crickets? Really, did you try them?” “Sure did, and they were great, you should totally eat some.”

As the chef told us, it is part of his goal of bringing some of the (unfamiliar to most Americans) flavors and textures of Mexican street food to the streets of New York. Crunchy and salty with a hint of lime, crickets turn out to be an excellent hot sauce delivery vector, and one I hope my local sports bars stock in the future.

Still, a snack of crickets seems to be more a gimmick to get you in the door than an end in itself. And if the gimmick works on you, you’ll be glad it did, especially if you order heavily from Figueroa’s seafood offerings.

It is not every day that I meet a furry friend on my travels through coffee shops. Normally, I find a heart shape design or a leaf, or a flower in the foam of my cappuccino-- a symbol of my barista's or baristo's skill, passion for his or her art, and hope to make my day that much better. But last week, after returning to Via Quadronno for one of their delicious cappuccini, my friend and I were handed what seemed to be the most delicate design I had even seen.

There he was--just staring at us with beautiful details. The cappuccino was actually for my friend Ashley, and I could see the sadness in her eyes as she knew the design would soon be gone when she went to drink the coffee. The panda's eyes almost formed a tranquil look as well--as if he knew his time was short.

For the rest of the day I continued to talk about my run-in with a panda bear at the cappuccino shop. My co-workers were nearly as amazed as we were. So I made it my mission to visit another well-known cappuccino place in Lower Manhattan, La Colombe.