New York

Working on an article for Bespoke Magazine about multi-course upscale dining, I interviewed Chef Gabriel Kreuther at MoMA's The Modern.

We talked on the phone for half an hour during which time he told me about his culinary background ("Alsatian"), his opinion about double-digit multi-course dining like Thomas Keller's 24 course-meals ("afterwards, aren't there maybe 2 or 3 dishes that were memorable? why not just have those next time.") and why he loved cooking in a museum ("the art inspires me in the kitchen").

At the end of the conversation he offered, "Next time you're in New York, I want you to come to the restaurant and taste my food." Happily I was flying into the city the next day so I could accept the invitation.

Call out the riot squad! Barricade the streets! Lock up your daughters! The Three Fat Unemployed Actors’ Lunch Club is on the loose again — this time in the far reaches of Queens at the wonderful Trattoria L’Incontro. Our boys met at noon at the downtown #1 train, transferred at Forty-Second Street for the N and rode that to the very last stop on the line – Astoria — Ditmars Boulevard. From there, it’s just a short stroll to L’Incontro at 2176 31st Street.

There’s a moment when you first walk into a restaurant – and catch that first whiff from the kitchen — that can make or break the whole meal. That moment sets you up; it keys you into the kind of experience you’re going to have. And it’s not just the smell – although the smell is crucial; if you walk into a restaurant that has no smell, turn around and walk out – but it’s also the look, the sounds and the faces of the people who greet you. Some people innately understand hospitality, some don’t; you can’t fake it. Trattoria L’Incontro understands – it has it all – great cooking smells, a spacious, unpretentious room, the tinkle of glass and silver and the wonderful sense that you are in the hands of consummate pros who will not only please you, but take enormous pleasure and pride in pleasing you.

How I love New York restaurants! I love my old standbys. I love the familiar friendly faces and food that I know exactly how it will taste. But, I also love going somewhere unexpected and original. This fall I fell in love with two new Italian restaurants both wonderful and both truly special.

Le Zie 2000 Trattoria

Please, promise me, you will not tell anyone about this incredible trattoria in the heart of Chelsea! It is a ‘hood fav and if we all travel from the far corners of Malibu or East 62nd Street just to have a perfect and obscenely inexpensive Venetian spread – therefore overrunning it with “flatland touristers” - my friend, Brucino, will be very, very angry with me.

Brucino – aka Bruce Levingston – is the brilliant pianist of renown, whose latest CD, “Portraits – Bruce Levingston,” has been described as “achingly beautifully played, a discrete and warm miracle.” It was through his gracious invitation to dinner (and Oh! coming from the Mississippi Delta his grace is indeed gracious!) that we discovered Le Zie and its charming owner Claudio. Claudio loves to make special dishes for Brucino, but there was so much to desire on the menu and the specials put my head spinning, my darling husband, Bill and I were more than content with what lay before us:

We finally got up on the roof at Eataly for a German-Italian- American-style lunch at Birreria.

Like most things at Eataly it did not disappoint. Birreria is a stunner — a wide open rooftop with views of the Flatiron Building to the Southwest and the Empire State Building looming over the campanile-style Metropolitan Life Building to the North.

The inner visuals satisfy as well — the eye gets stimulated as well as the appetite. There’s a retractable vaulted ceiling that gives you that German-beer-hall-we’re-all-going-to-get loaded-together feeling, but then there’s this red motif with the chairs and a lot of natural wood that makes you think you’re in … I don’t know … California? Anyway, it’s good. You want to be there.

They’re making their own beer, of course — that’s on one side behind a glass wall with serious-looking copper vats with pipes coming out of them. On the other side of the room they have wines coming out of spigots from big barrels. Mario, I love you.