New York

Working on an article for Bespoke Magazine about multi-course upscale dining, I interviewed Chef Gabriel Kreuther at MoMA's The Modern.

We talked on the phone for half an hour during which time he told me about his culinary background ("Alsatian"), his opinion about double-digit multi-course dining like Thomas Keller's 24 course-meals ("afterwards, aren't there maybe 2 or 3 dishes that were memorable? why not just have those next time.") and why he loved cooking in a museum ("the art inspires me in the kitchen").

At the end of the conversation he offered, "Next time you're in New York, I want you to come to the restaurant and taste my food." Happily I was flying into the city the next day so I could accept the invitation.

Call out the riot squad! Barricade the streets! Lock up your daughters! The Three Fat Unemployed Actors’ Lunch Club is on the loose again — this time in the far reaches of Queens at the wonderful Trattoria L’Incontro. Our boys met at noon at the downtown #1 train, transferred at Forty-Second Street for the N and rode that to the very last stop on the line – Astoria — Ditmars Boulevard. From there, it’s just a short stroll to L’Incontro at 2176 31st Street.

There’s a moment when you first walk into a restaurant – and catch that first whiff from the kitchen — that can make or break the whole meal. That moment sets you up; it keys you into the kind of experience you’re going to have. And it’s not just the smell – although the smell is crucial; if you walk into a restaurant that has no smell, turn around and walk out – but it’s also the look, the sounds and the faces of the people who greet you. Some people innately understand hospitality, some don’t; you can’t fake it. Trattoria L’Incontro understands – it has it all – great cooking smells, a spacious, unpretentious room, the tinkle of glass and silver and the wonderful sense that you are in the hands of consummate pros who will not only please you, but take enormous pleasure and pride in pleasing you.

We finally got up on the roof at Eataly for a German-Italian- American-style lunch at Birreria.

Like most things at Eataly it did not disappoint. Birreria is a stunner — a wide open rooftop with views of the Flatiron Building to the Southwest and the Empire State Building looming over the campanile-style Metropolitan Life Building to the North.

The inner visuals satisfy as well — the eye gets stimulated as well as the appetite. There’s a retractable vaulted ceiling that gives you that German-beer-hall-we’re-all-going-to-get loaded-together feeling, but then there’s this red motif with the chairs and a lot of natural wood that makes you think you’re in … I don’t know … California? Anyway, it’s good. You want to be there.

They’re making their own beer, of course — that’s on one side behind a glass wall with serious-looking copper vats with pipes coming out of them. On the other side of the room they have wines coming out of spigots from big barrels. Mario, I love you.

I’ve been in rehearsal this week for a reading we’re doing on Friday. It’s a fun piece called “Old Jews Telling Jokes” based on the website of the same name. All this is to say that this week I’m a working man, a nine-to-fiver, so bye-bye to my indolent life. No time now for shopping at Eataly after my caffé macchiato with the crossword puzzle; no time for noodling away at the stove in the afternoon, sautéing pretty vegetables for Jill’s dinner while hooked up to a Sangiovese drip. No. I’m a working man. Punch that clock.

But today I fell into one of those time warps that New York offers up when you have no particular place to go. I’m on my break; it’s drizzling; I have an hour to kill. Our rehearsal hall is on Eighth Avenue in the high Thirties – a bit of garment district, a bit of spillover from Forty-Second Street — tons of places to eat and not one of them calling me. I walk in the rain over to Ninth Avenue, which never lets me down. Ninth Avenue is a Baghdad bazaar — good, bad and everything in the middle. I love Ninth Avenue. I walk past this little place with a menu board out front. It’s called Capizzi, a little joint, sitting in the shadow of the Port Authority bus terminal. It’s essentially empty, some people at a table in the back – maybe it’s the staff having their lunch. It’s 4:00 in the afternoon – the rush was over. But there’s something; I walk by it three times; there’s something about this place.