Food, Wine, Good (and Evil) Spirits

From the Huffington Post

There are bartenders who make a living mixing cocktails, and baristas whose wages are earned behind espresso machines. There are high-concept tea masters, sommeliers, and soda jerks, too. At home we are never expected to be any of these, but when guests arrive for your holiday parties some simple instruction might be helpful. After all, there's a week's worth of celebrating still to be done.

I tend to restrict drinks at my dinner parties to champagne and wine and perhaps one great cocktail. I suggest you try all the ideas here, or create your own, but choose only one as your "house special." "What you don't need," says wine writer Anthony Dias Blue, "is people sidling up to your bar expecting a Singapore Sling or a mai tai," or both!

I know a thing or two about drinks. At age 16, I was a bartender, illegally, at the Olde London Fishery in Queens, New York. I was tall for my age and looked the part. Next, I had the ultimate pleasure of helping create two of New York's most spectacular bars -- the Rainbow Promenade at the Rainbow Room atop Rockefeller Center, where Sleepless in Seattle was shot, and the Greatest Bar on Earth on the 106th floor of the now legendary Windows on the World. A great drink is always remembered.

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With National Margarita Day coming up this weekend, we thought we'd share some of our favorite ways to enjoy a splash of tequila. No mixes means no hangovers...so only the freshest ingredients found here. You can thank us later...

Banana Margarita

The Bungalow Margarita

Classic Fresh Lime Margarita

Honeydew Margarita

Mango Scotch Bonnet Margarita

Noble Pig's Peach Margaritas

POM Salt Air Margaritas

Srirachaberry Margarita - OK this one uses Sriracha-infused vodka instead of tequila...who cares. This is for those of you who like it spicy!

From the NY Times

When Thomas Jefferson embarked on his grand tour of France in 1787, he claimed the journey was for his health. A broken wrist sent him 1,200 miles south from Paris to take the mineral waters at Aix-en-Provence, and on the way he planned to fulfill his professional obligations as America’s top envoy to France, researching French architecture, agriculture and engineering projects.

But when he chose to begin his three-month journey in the vine-covered slopes of Burgundy, Jefferson’s daughter, Martha, became suspicious. “I am inclined to think that your voyage is rather for your pleasure than for your health,” she teased him in a letter.

In fact, Jefferson’s five-day visit to the Côte d’Or — a region famous even in the 18th century for its extraordinary terroir — was not accidental. After spending more than two years in Paris establishing diplomatic relations with the court of Louis XVI, Jefferson, a lifelong oenophile, had tasted his share of remarkable vintages. Now he was keen to discover the vineyards and cellars of Burgundy, and to study firsthand a winemaking tradition that stretched back to the 11th century.

“I rambled thro’ their most celebrated vineyards, going into the houses of the laborers, cellars of the vignerons, and mixing and conversing with them as much as I could,” Jefferson wrote about the winemakers in a letter posted during his trip.

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My father's singular obsession with noble limestone permeates every discussion of our wines. He purchased our vineyard land only once he discovered it lies on a 300 foot deep slab of the white, porous rock. Because we are so proud of Limestone’s mineral, high acid effect on the wines, we seldom discuss the thin layer of dirt above.

The Stolpman estate vineyard's clay topsoil is light gray when dry and becomes a sticky mud when wet. Many 2×4 cars have fallen victim to the wet clay, even on our hard-packed roads. Boots become several pounds heavier with mud stuck like bricks in the treads.

That’s the very beauty of clay in our perpetual California drought: it retains moisture. This year, as we look at the driest winter thus far in our vineyard’s history; we are thankful to have clay. As we drip water on the ground through our irrigation hoses, we mimic normal rainfall, allowing the clay to become saturated. Like a year of normal rain fall, when we hope to get 12 inches, we won’t irrigate after set. Set describes the transition when the vines’ tiny flowers become “.” sized grapes.

By cutting water at set, we are ensuring that the plant will still have to fight through the summer to ripen tiny concentrated grapes, undiluted by irrigation. In a drought year like 2014, this is our new definition of dry farming.