Halloween

When I think of Halloween, I think hot dogs.  People tend to find this association odd, some are even angered by it, but to me it feels perfectly natural.  When I was younger, my mother used to grill hot dogs in our driveway for the trick or treaters and dole out beer in red plastic cups to the adults, providing a bit of a respite for parents whose kids were running around the neighborhood injected with copious amounts of sugar. 

I was never much of a walker and I never got off on travelling in packs (why I live in New York I don't know), but even more importantly, I loved and still adore a good hot dog.  Essentially, this ritual made my Halloween quite perfect.

The ritual ended, sadly, when I moved to New York to go to college.  There are very few driveways in Manhattan, and there is a bar or a Gray's Papaya on every street corner, so if people need a beer or a frank, they are basically set year round.  Nobody shared my passion for hot dogs at Halloween, unless they were terribly after drunk taking too many orange jello shots at some themed downtown party, in which case that little beef wonder became something of a valuable commodity, a bonafide savior in fact.

In Philadelphia there is an apartment complex on the Benjamin Franklin Parkway called Park Towne Place. It is a cluster of four high rises – cleverly called East, West, North and South. I had three friends who lived there – Laura, Adam and Erik – and most years I spent Halloween night with them, riding the elevators in our costumes and tearing through the hallways, ringing every bell we could get our little hands on in an effort to collect maximum quantities of candy.

It was widely understood that trick-or-treating in an apartment building was the most efficient way to trick-or-treat, and for that reason Park Towne Place was the ne plus ultra because there were four apartment buildings arranged in one lucky clover shape – the prospect of that much candy simply boggled the nine-year-old mind. Our method was to exit the elevator, dash up and down the hallways ringing every bell, and then we’d wait a breathless moment to see who answered their door.

It was pumpkin season in Hungary when I was visiting there in early October. On a ride through the countryside, bright orange pumpkins could be spotted in yards, laying in the warm sunshine, probably waiting to be carved into a jack-o-lantern. Signs at restaurants announced the celebration of pumpkin week. Restaurants in Hungary are very mindful of using local, seasonal ingredients on their menus.

A chalkboard sign outside of Anno Taverna Restaurant in Balatonszárszón, a little village on the south side of Lake Balaton in the Hungarian countryside, announced they were celebrating pumpkins that week. My two traveling partners and I pulled the car into the small parking lot and chose an outdoor table to enjoy the October sunshine while we had lunch.

When my brother and I were 4 1/2 we were taken to see a movie called X-76 Bloodrust. I can’t find a single living soul who has ever heard of this movie. Not even John Landis.  What I gleaned about the plot, which was observed through a space between two fingers covering my eyes, was that this undulating creature (that looked like vomit, by the way) was created in a Sparkletts bottle, and if it touched you, you would die. I think it might have been the poorer cousin of The Blob.

The denouement had this vomit creature trying to force its way out of a baggage hold in an airplane and the passengers freaking out. My brother slept with a nightlight for the next 11 years. His head wrapped tightly with the sheet and just the tip of his nose poking out so he could breath, because we all know that monsters can’t touch sheets or blankets. I on the other hand became fascinated with Science Fiction and horror.

Charles Laughton’s Quasimodo, Boris Karloff’s Frankenstein, Bela Lugosi’s and Christopher Lee’s Dracula and Henry Hull’s Werewolf of London (definitely more sexy than Lon Chaney Jr.) I even remember an early Humphrey Bogart chiller called The Return of Dr.X. where he played a man who had been executed and was brought back to life by the laziest of plot devices: electricity. His line to the girl he kidnapped and brought to a remote cabin will stay with me forever: “Don’t bother to scream, no one can hear you”, as he pulls out the biggest fuckin’ hypodermic needle I’d ever seen. Thass what I’m talking ‘bout!