Passover

It probably never would have happened had it not been for the fact that we were trapped in Studio 8H for camera blocking for hours on end which was business as usual.  A group of us were sitting around the Green Room, which was next to Lorne’s office on the 9th floor overlooking the studio stage.

This was where we took our meals between the dress rehearsal and the live show. It was also where we got notes and the chopping block for sketches. But you’d never know that kind of carnage took place at any other time in this unassuming spot. It was furnished with the kind of couches and chairs that said ‘we don’t give a crap about this late night summer replacement show, let’s give them the stuff we have in storage’. The color palate was ‘tan 70s vomit’.

In the room were Gilda Radner, Paul Schaffer, Cathy Vasapoli (Paul’s girlfriend, now, his wife) Marilyn Miller, Alan Zweibel, Al Franken, and me. We were all in varying stages of exhaustion (the writers, obviously, even more so) and were draped over the furniture like the kids in the “Going Steady” number from Bye Bye Birdie.

“Hey, isn’t it pasacccchhhhhhhhhh?” Zweibel asked, shredding his throat and getting the laugh his sacrifice deserved.

Pulling together any dinner can be a challenge but Passover adds special obstacles. Besides preparing the dinner, there are the accoutrements for the service (the lamb shank, parsley, hard boiled egg, fresh horseradish etc) and making sure there are copies of the Passover service--the Haggadah--in the house. Since flour and cream can’t be used on Passover, favorite desserts can’t be called on. Dessert still needs to feels like a treat. At a time like this the simplest dessert--baked plums--satisfies completely.

I've posted this recipe before but it's worth repeating. Not in season from local providers, plums can be found in most markets. They can be served by themselves (they’re really that delicious), with freshly made whipped cream, or ice cream. An added benefit: they look good on the plate.

As a half-and-halfer who leaned too much to the gentile side, I might have secretly liked one Jewish holiday -- Passover. To be honest, it’s the only one I knew. Barely. “We’re going to Seder dinner at Celie’s,” my dad would announce each year. Celie was my dad’s younger sister who treated him like the baby of the family. My dad, known as Duke, and stricken with polio as a child, walked his whole life with a brace & cane. It was Celie, till she died, who hand made for him the flesh-colored, stretchy compression socks that improved his circulation. Chappy, my aunt Celie’s husband -- okay, my uncle -- would conduct a pretty serious, religious event. He was sanctimonious, no-nonsense, and an easy foil for my fun-loving dad. I always came starved, but ate very little.

This was a rowdy, boisterous group -- a ton of aunts, uncles and cousins that all knew each other well and lived in the VALLEY. They seemed to include my brother in their group. Me, not so much. So, I clung to my dad for comfort, laughing at and enjoying everything he said, hanging on like it was his last day on earth. That’s how it was with us all my life. He was an older dad. Magical. My hero. And out there in the Valley I was often petrified. I secretly longed for that other soon-to-be-celebrated holiday, Easter -- with the gentiles.  

For some reason, I identified much more with my mother’s side. If my father’s chaotic mishpucha was like Alvy Singer’s in “Annie Hall “(with dad as Uncle Joey Nickels) for my mother’s family, think Grammy Hall. Only stranger and more white trash. Yep, I was more comfortable in a room full of pathologically quiet people who just kind of stared blankly into space. Occasionally, someone like my uncle R.T. might whisper a word or even an incoherent monologue. Something inaudible.