Passover

Years ago I was a personal Chef in a private home in a very swank suburb of Boston. My sister got me the interview for the job, I liked the family immediately and they liked me. My job consisted of getting to work at 10 in the morning, quite civilized, I was the last of the “staff” to arrive at the house. I would head to the kitchen to pick up my list from the madame of the house and read the pages of notes and the menu for the dinner that evening.

There was always a shopping list and at the end of the pages she would underline that they were on a very low fat diet with an exclamation mark! A big part of my job was to bake cookies every day to be ready when the two kids came home from school and they had to be “fresh out of the oven”, my choice of what kind, but they had to be piping hot.

I was given an adorable MG convertible to tool around in with my many bags of grocery and a charge account at the local high-end grocery store. I would make dinner for 6 o'clock sharp, clean up and head home for dinner at a later hour. The first day on the job my sister called to ask how was it going so far and what was the house like?

Pulling together any dinner can be a challenge but Passover adds special obstacles. Besides preparing the dinner, there are the accoutrements for the service (the lamb shank, parsley, hard boiled egg, fresh horseradish etc) and making sure there are copies of the Passover service--the Haggadah--in the house. Since flour and cream can’t be used on Passover, favorite desserts can’t be called on. Dessert still needs to feels like a treat. At a time like this the simplest dessert--baked plums--satisfies completely.

I've posted this recipe before but it's worth repeating. Not in season from local providers, plums can be found in most markets. They can be served by themselves (they’re really that delicious), with freshly made whipped cream, or ice cream. An added benefit: they look good on the plate.

Decades ago, as a fledging (broke) New York stage actress, I had the good fortune to be befriended by the film producer Robert Chartoff (“Raging Bull,”  “The Right Stuff,”  “Rocky’s I—VI”). We met on the basis of our identical surnames, but traced our ancestry back to different origins.  It seemed our names were accidentally namesake bastardizations of different, multi-syllabic and multi-Slavic monikers of yore, carelessly abbreviated by uncreative Ellis Island officiates.

Having the same name (although it came from different sources) and feeling like we were kin, felt almost like the miraculous time my malfunctioning checking account was so out of balance, it somehow came out balanced to the penny.  Even a broken clock is correct twice a day. How fortunate for me, who’d been thrilled when Robert first put our name in lights and on the big screen with “They Shoot Horses Don’t They.”