Laraine Newman

There are certain social barriers we face throughout our lives, that when knocked down, make a big impression on us.  Especially when you’re a kid.  When I was in the 6th grade at Hawthorn Elementary School my homeroom teacher whose name escapes me, but for our purposes let’s just call her Miss Pritchard, had a kickass ginger snap recipe.  Up until that time the store bought ones always burned my tongue so I just ruled them out in my cookie lexicon. They were also flat where Miss Pritchard’s were fluffy and thick. The sugar that dusted the store bought ones gave off that diamond glint but Miss Pritchard’s looked like something you saw when you opened a treasure chest.  They were also crunchy on the outside and soft on the inside. Hoo yeah!

Tis the season of Sample Sales, or so it seems when the mailers start arriving announcing this 40% off (but it's in downtown LA) or that 80% off, but not until two weeks from now when I’ve completely forgotten about it and f*#k it anyway, where’s the instant grat? I subscribe to Daily Candy and Top Button, the latter being exclusively an online sample sale site. There is also a mother at my younger daughter’s school whose clothing line I happen to love that has her sample sale around this time too.

It’s taken me a long time to become a savvy shopper when it came to these 'deals’.  I was the sucker that clipped the coupon for something at the market I would normally never eat. I would be under the illusion my family might try the yogurt covered zucchini chips for 50% off. Invariably it would linger past its expiration date and get thrown out. This always jettisoned me into the  ‘I’m gonna be homeless someday, why oh why did I waste my money like that??” fear fantasy.  I would vow never to make that mistake again and I finally learned that the only coupons worth clipping for me are batteries and toothbrushes.  Do I really need that 35¢ off the second four pack of Charmin? Hell no!

It probably never would have happened had it not been for the fact that we were trapped in Studio 8H for camera blocking for hours on end which was business as usual.  A group of us were sitting around the Green Room, which was next to Lorne’s office on the 9th floor overlooking the studio stage.

This was where we took our meals between the dress rehearsal and the live show. It was also where we got notes and the chopping block for sketches. But you’d never know that kind of carnage took place at any other time in this unassuming spot. It was furnished with the kind of couches and chairs that said ‘we don’t give a crap about this late night summer replacement show, let’s give them the stuff we have in storage’. The color palate was ‘tan 70s vomit’.

In the room were Gilda Radner, Paul Schaffer, Cathy Vasapoli (Paul’s girlfriend, now, his wife) Marilyn Miller, Alan Zweibel, Al Franken, and me. We were all in varying stages of exhaustion (the writers, obviously, even more so) and were draped over the furniture like the kids in the “Going Steady” number from Bye Bye Birdie.

“Hey, isn’t it pasacccchhhhhhhhhh?” Zweibel asked, shredding his throat and getting the laugh his sacrifice deserved.

I was recently given a gift of an out of print cookbook called The Molly Goldberg Cookbook.  When I first saw it I was amused and when I opened it up, I immediately saw a cabbage recipe I wanted to make. Score! Here was a cookbook that had that “Through The Looking Glass” aspect to it. These were recipes long forgotten, mysterious in their 1950-ness, soon to be resurrected by me!

I had a faint notion of who Molly Goldberg was; however, despite the constant ‘jokes’ in my house about my age I was actually too young to have seen The Goldbergs on TV. It still amazes me that I saw Amos n’ Andy. The premise of this prototype for all subsequent sit-coms was the lives of Jewish immigrants, usually featuring a solvable family or friend-related problem.  Molly, in her infinite “Jewish Mama” wisdom would involve herself in these neighborhood and family dramas dispensing invaluable advice.