Cooking and Gadgets

clay-pot.jpgLet me be unequivocal here:  I hate my clay pot. 

I bring this up because of the front page article in the LA Times Food section on October 28, 2009 entitled “Clay Pot Alchemy” in which Paula Wolfert, the cookbook author, seen smiling broadly in front of her multitudinous collection, announces she’s ‘never met a clay pot she didn’t like.’

Allow me to introduce her to mine.  Such is my disdain for this thing that it lives in the very back of the very top shelf of our utility closet, reachable only by standing on the top rung of the step ladder, moving 8 bags of Rustichella d’Abruzzo pasta, a dozen 28 oz. cans of San Marzano tomatoes, 4 giant bottles of Dijon and several extra large boxes of Q Tips which we bought at Costco more than 3 years ago and I am not even slightly exaggerating when I say we could have Q Tips for life.  Only then will you find my clay pot, wedged in the corner like some dunce who was sent there for getting the answer entirely wrong.

Because entirely wrong is what Clay Pot cooking is to me.  The roast chicken from the little recipe booklet included with purchase was not “moist and browned” as promised but wet and wan.  And the red peppers?  The Zucchini?  Those tomatoes?  Limp. Limper. Limpest. I would have donated my clay pot to the National Jewish Women’s Council Thrift Shop where once a year I haul outsized, green lawn and leaf bags full of unworn clothes, or left it out in our alley where, no matter what you leave on top of those garbage bins magically disappears by the next morning, were it not for that one time.

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atelier-des-chefsI was recently invited to join a Master Class in bread making at the L’Atelier des Chefs school in London. It is really a wonderful concept – a wide variety of classes are guided by expert chefs who have top restaurant experience and a great desire for teaching and sharing their knowledge. They have two locations in London - Oxford Circus and St Paul’s - and more in France and Belgium. Offering diverse cuisines and skill levels six days a week, it’s easy to find one that’s right for you. Prices range from just £15 (for their signature Cook, Eat & Run class which promises to teach you to cook a delicious main course in just 30 minutes) to £144 for their four hour Master Class.

My class was held on a sunny Saturday afternoon at the St Paul’s location, and I was joined by six other eager-to-learn students. It was an eclectic bunch, all ages with mostly beginner to intermediate cooking skills. There was a mother and her teenage son, who seemed less than thrilled to be there; a handsome bearded fellow from the northeastern part of France; two baby boomer types, one woman eager, the other somewhat timid; and a hip twenty-something guy, there on his third visit who shared rave reviews about his previous experiences. We were greeted warmly by the receptionist who presented us with new aprons (to keep as a souvenir) and led us to our classroom. The courses are conducted in a bright state-of-the-art kitchen with a large stainless steel work station which we gathered around to meet our instructor, Chef Daniel Stevens. Initially I had visions of Hell's Kitchen with some fire breathing Gordon Ramsey type instructor who would bark orders and humiliate us for any culinary mistakes

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raviolimaker“I was thinking… when we get back, we could make homemade ravioli”, Francis nodded to the pasta roller on the counter and pulled a box from his kitchen cupboard. It was a ravioli press. A Raviolamp 12, to be exact, in a slightly worn box. I was breathless. This was ringing all the right bells – crafty, foodie, flea market finds. Francis and I have cooked a few times together, very successfully, in fact, but I still get performance anxiety. Present me with a brand new $300 pasta machine, with all the bells and whistles, and I know what perfection is expected of me. But a used ravioli press with a piece of packing tape holding the box together? Well now, you just wanna play. THAT, I can do.

The day before, we had hiked through the woods near a cabin we rented in Rhododendron, Oregon, and had seen people gathering mushrooms. They weren’t tourists, they were definitely pro-shroomers. I say that because they were small and bent, wearing waterproof boots and ponchos with bags to contain their findings. They stayed targeted on their tasks, not looking up to say hi to wanderers. They were like fungus gnomes, trekking through the misty woods with determination and focus. That’s not judgment you hear in my voice, that’s jealousy and admiration. Their collection sacks were full. They were magical mushroom hobbits and I was in awe.

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From the L.A. Times

smokingchicken.jpgThe other day, I just couldn't shake the thought of slow-smoking some ribs. I was in the mood for Memphis-style baby backs, the meat fall-off-the-bone tender, a simple dry rub tantalizingly complicated with deep hickory notes, the flavors drawn out with a tart vinegar-Dijon mop.

There's a primal wonder to smoked food — that such depth of flavor can come from so simple a technique. And then, of course, there's the lure of the sunny afternoon spent in a lawn chair with a cold beer while you're waiting, patiently, for the Weber to work its magic.

But then it started raining.

The audacity of winter. Even in Southern California, we have our seasons. I took a good long look at my kettle grill through the kitchen window as it rained, but those ribs wouldn't stop dancing through my head, like a song that just wouldn't let go.

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porkstew.jpgBraising is one of those cooking techniques that's made for winter. When you've got the time and you're stuck indoors on a cold day, braising low and slow is the way to go. Almost anything can be braised, but tough cuts of meat like beef chuck, lamb shoulder, and pork shoulder are the best. Under a tight-lidded pot, these meats go meltingly tender—with the touch of a fork it falls apart.

The key to a flavorful braise is the liquid. Many classic recipes use red wine or beer, such as ale or stout. But braising in soda, either ginger ale or cola, also produces mouthwatering results. Since a standard cola recipe uses a number of ingredients (including roots, spices, and herbs), the soda acts like a very flavorful broth. It all lends wonderful flavor to the meat. This pork shoulder braise features the flavors of Mexican cola.

To enhance the flavor further, I add balsamic vinegar for tanginess and brown sugar for sweetness. Dried cherries lend another level of flavor as well as texture. Since I love cherry cola, it's a win-win. After braising the meat, I like to reduce the liquid to create a luscious sauce. Simply serve the pork thickly sliced with the sauce alongside plus some boiled or mashed potatoes—it's the perfect Sunday dinner.

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